Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The medieval translator. Traduire au Moyen Age
Author: The medieval translator
Author: The Medieval Translator: Actas del Coloquio Internacional de Conques (26-29 de julio, 1993)
Author: Roger EllisPublisher:
ISBN:
Category : Civilization, Medieval
Languages : fr
Pages : 508
Book Description
Medieval Insular Romance
Author: Judith Elizabeth WeissPublisher: Boydell & Brewer
ISBN: 9780859915977
Category : Literary Collections
Languages : en
Pages : 216
Book Description
Major themes explored are narratives of the disguised prince, and the reinvention of stories for different tastes and periods. These studies cover a wide chronological range and familiar and unfamiliar texts and topics. The disguised prince is a theme linking several articles, from early Anglo-Norman romances through later English ones, like King Edward and the Shepherd, to a late 16th-century recasting of the Havelok story as a Tudor celebration of Gloriana. 'Translation' in its widest sense, the way romance can reinvent stories for different tastes and periods, is anotherrunning theme; the opening introductory article considers the topic of translation theoretically, concerned to stimulate further research on how insular romances were transferred between vernaculars and literary systems, while other essays consider Lovelich's Merlin (a poem translating its Arthurian material to the poet's contemporary London milieu), Chaucer, and Breton lays in England. Contributors: JUDITH WEISS, IVANA DJORDJEVIC, ROSALIND FIELD, MORGAN DICKSON, ELIZABETH ARCHIBALD, AMANDA HOPKINS, ARLYN DIAMOND, PAUL PRICE, W.A. DAVENPORT, RACHEL SNELL, ROGER DALRYMPLE, HELEN COOPER. Selected studies, 'Romance in Medieval England' conference.
Reinventing Babel in Medieval French
Author: Emma CampbellPublisher: Oxford University Press
ISBN: 0192871714
Category : Language Arts & Disciplines
Languages : en
Pages : 353
Book Description
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue--in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science--but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media, and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality; ecocriticism and the environment; theories of aesthetics; medievalism. How can untranslatability help us to think about the historical as well as the cultural and linguistic dimensions of translation? For the past two centuries, theoretical debates about translation have responded to the idea that translation overcomes linguistic and cultural incommensurability, while never inscribing full equivalence. More recently, untranslatability has been foregrounded in projects at the intersections between translation studies and other disciplines, notably philosophy and comparative literature. The critical turn to untranslatability re-emphasizes the importance of translation's negotiation with foreignness or difference and prompts further reflection on how that might be understood historically, philosophically, and ethically. If translation never replicates a source exactly, what does it mean to communicate some elements and not others? What or who determines what is translatable, or what can or cannot be recontextualized? What linguistic, political, cultural, or historical factors condition such determinations? Central to these questions is the way translation negotiates with, and inscribes asymmetries among, languages and cultures, operations that are inevitably ethical and political as well as linguistic. This book explores how approaching questions of translatability and untranslatability through premodern texts and languages can inform broader interdisciplinary conversations about translation as a concept and a practice. Working with case studies drawn from the francophone cultures of Flanders, England, and northern France, it explores how medieval texts challenge modern definitions of language, text, and translation and, in so doing, how such texts can open sites of variance and non-identity within what later became the hegemonic global languages we know today.
Traduire Au Moyen Âge
Author: Pieter De LeemansPublisher: Brepols Publishers
ISBN: 9782503566764
Category : Literature, Medieval
Languages : en
Pages : 0
Book Description
The question about the relation between medieval translation practices and authority is a complex and multifaceted one. Depending on one's decision to focus on the authority of the source-text or of the translated text itself, on the author of the original text, on the translator, or on the user of the translation, it falls apart in several topics to be tackled, such as, just to name a few: To what extent does the authority of the text to be translated affect translational choices? How do translators impose authority on their text? By lending their name to a translation, do they contribute to its authoritative status? After two introductory essays that set the scene for the volume, addressing the above questions from the perspective of translations of authoritative texts into Dutch and French, the focus of the volume shifts to the translators themselves as authorities. A next section deals with the choices of texts to be translated, and the impact these choices have on the translation method. A third part is dedicated to papers that examine the role of the users of the translations. The selection of papers in the present volume gives a good indication of the issues mentioned above, embedded in a fi eld of tension between translations made from a learned language to a vernacular language, translations from one vernacular to another, or even from a vernacular to the Latin language.
Translating the Middle Ages
Author: Karen L. FrescoPublisher: Routledge
ISBN: 1317007212
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Drawing on approaches from literary studies, history, linguistics, and art history, and ranging from Late Antiquity to the sixteenth century, this collection views 'translation' broadly as the adaptation and transmission of cultural inheritance. The essays explore translation in a variety of sources from manuscript to print culture and the creation of lexical databases. Several essays look at the practice of textual translation across languages, including the vernacularization of Latin literature in England, France, and Italy; the translation of Greek and Hebrew scientific terms into Arabic; and the use of Hebrew terms in anti-Jewish and anti-Muslim polemics. Other essays examine medieval translators' views and performance of translation, looking at Lydgate's translation of Greek myths through mental images rendered through rhetorical figures or at how printing transformed the rhetoric of intervernacular translation of chivalric romances. This collection also demonstrates translation as a key element in the construction of cultural and political identity in the Fet des Romains and Chester Whitsun Plays, and in the papacy's efforts to compete with Byzantium by controlling the translation of Greek writings.
Cultural Translations in Medieval Romance
Author: Helen FultonPublisher: Boydell & Brewer
ISBN: 1843846209
Category : Civilization, Medieval, in literature
Languages : en
Pages : 281
Book Description
New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions.The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.uistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.
The Translation of Religious Texts in the Middle Ages
Author: Domenico PezziniPublisher: Peter Lang
ISBN: 9783039116003
Category : Language Arts & Disciplines
Languages : en
Pages : 440
Book Description
The transition from Latin to vernacular languages in the late Middle Ages and the dramatic rise of a new readership produced a huge bulk of translations, particularly of religious literature in its various genres. The solutions are so multifarious that they defy any attempt to outline general theories. This is particularly visible when the same text is translated or rewritten at different times and in different languages or genres. Through a minute analysis of texts this book aims at highlighting lexical, syntactic and stylistic choices dictated not only by the source but also by new readers and patrons, or by new destinations of the works. Established categories such as 'literalness' and 'fidelity' are thus questioned and integrated with these other factors which, while being more 'external', do nonetheless impinge on the very idea of 'translation', and consequently on its assessment. Far from being a mere transfer from one language to another, a medieval translation verges on a form of creative writing, and as such its study becomes a fascinating investigation into the very process of textual production.
Vernacular Mysticism in the Charterhouse
Author: Marleen CréPublisher:
ISBN: 9782503559827
Category : Mysticism
Languages : en
Pages : 0
Book Description
The first monograph to appear in The Medieval Translator series, Vernacular Mysticism in the Charterhouse presents a study of London, British Library, MS Additional 37790 (Amherst), a purpose-built anthology of major mystical texts by Richard Rolle, Julian of Norwich, Jan van Ruusbroec and Marguerite Porète, interspersed with shorter texts and compilations. Though the manuscript is famous mainly because it contains the only extant copy of Julian of Norwich's short text, it is an intriguing witness to the fifteenth-century spread of the vernacular into traditionally Latinate environments, in this case the Carthusian Order in England. In this process of transmission, translation plays a central part. Most of the texts in the anthology are translations from Latin or French into Middle English. In addition, the anthologist's selection and ordering of texts within the volume, intended to further the readers' spiritual lives, translates them anew for his intended audience. This study provides finely detailed analyses of the texts in the textual and material context of the Amherst anthology as well as in their religious and historical contexts. It also offers a first-time edition of Quedam introductiua extracta, a Latin compilation contained in the manuscript, and a discussion and listing of verbal marginal annotations reflecting early readers' reactions to the texts. By reading the texts in (one of) their medieval manuscript context(s), this book gives students and scholars of (translated) medieval religious texts a fresh view of the classics of mystical writing contained in the remarkable literary document that is the Amherst anthology.
