Author: Villard de Honnecourt
Publisher: Courier Corporation
ISBN: 0486146189
Category : Architecture
Languages : en
Pages : 162
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Book Description
Reliable and contemporaneous graphic observations of everyday life in 13th-century France by an artist/draftsman responsible for creating one of the most treasured documents in art history. 73 black-and-white plates.
Author: Theodore Bowie
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Villard (de Honnecourt)
Publisher: Greenwood
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
One of the most treasured documents in art history, the Sketchbook is the work of a medieval draftsman, presumably an architect, who recorded his observations, his projects, and his solutions to various problems in construction in a series of annotated sketches. His drawings reveal a knowledge of architecture, sculpture, carpentry, and masonry; and his comments reflect a lively intelligence and discerning eye, whether his subject was roofing a vaulted chapel, designing a brass handwarmer, or building a perpetual-motion machine. This new edition contains all of the drawings and fresh translations of the captions.
Author: Carl F. Barnes Jr.
Publisher: Routledge
ISBN: 1351883690
Category : History
Languages : en
Pages : 697
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Book Description
This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.
Author: Lynn Courtenay
Publisher: Routledge
ISBN: 1351890697
Category : History
Languages : en
Pages : 399
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Book Description
The great cathedrals and churches of the medieval West continue to awe. How were they built, and why do they remain standing? What did their builders know about what they were doing? These questions have given rise to considerable controversy, which is fully reflected in the papers selected here. The first section of the book is concerned with the medieval builders and their design methods; the second focuses on engineering issues in the context of the infamous collapse of the choir at Beauvais in 1284. The following papers extend the analysis into the 15th century, looking for example at Brunelleschi’s dome for Florence Cathedral, and deal with the often neglected structures of roofs, towers and spires.
Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414
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Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Author: José Calvo-López
Publisher: Springer Nature
ISBN: 3030432181
Category : Mathematics
Languages : en
Pages : 719
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Book Description
This book deals with the general concepts in stereotomy and its connection with descriptive geometry, the social background of its practitioners and theoreticians, the general methods and tools of this technology, and the specific procedures for the members built in hewn stone, including arches, squinches, stairs and vaults, ending with a chapter discussing the open problems in this field. Thus, it can be used as a reference book in the subject, but it can also read as a compelling narrative on this subject, one of the main branches of pre-industrial technology. Construction in hewn stone requires the use of geometrical methods and tools to assure that individual stones, either blocks or voussoirs, fit with one another and conform to the general shape of walls, arches or vaults. During the Late Middle Ages and the Renaissance, such techniques and instruments were developed empirically by masons and architects. Later on, learned mathematicians and engineers introduced refinements in these procedures and this branch of knowledge, known as stereotomy, furnished much material to descriptive geometry, a science born with the French Revolution which provided the foundation for projective geometry.
Author: David Ditchburn
Publisher: Routledge
ISBN: 1134806922
Category : History
Languages : en
Pages : 290
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Book Description
Covering the period from the fall of the Roman Empire through to the beginnings of the Renaissance, this is an indispensable volume which brings the complex and colourful history of the Middle Ages to life. Key features: * geographical coverage extends to the broadest definition of Europe from the Atlantic coast to the Russian steppes * each map approaches a separate issue or series of events in Medieval history, whilst a commentary locates it in its broader context * as a body, the maps provide a vivid representation of the development of nations, peoples and social structures. With over 140 maps, expert commentaries and an extensive bibliography, this is the essential reference for those who are striving to understand the fundamental issues of this period.
Author: Olga Popovic Larsen
Publisher: Routledge
ISBN: 0750682639
Category : Architecture
Languages : en
Pages : 208
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Book Description
Simple and beautifully illustrated introduction to the use of reciprocal frame structures in architecture.
Author: Jean Gimpel
Publisher:
ISBN: 9780760735824
Category : Economic history
Languages : en
Pages : 0
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Book Description
"The common, simplistic view of the Middle Ages as religion-centered and materially backward is challenged by Jean Gimpel in this milestone study, originally published in 1976. The Medieval Machine tells how, between the years 900 and 1300, Europeans created their first industrial revolution, which set Western civilization on the road to global dominance. Gimpel describes the main features of this early machine age: the pervasive use of waterpower (the oil of the medieval era); the agricultural innovations that energized the population through better nourishment; the spread of mining along with mechanized iron mills; and the appearance of modern industrial problems such as labor unrest and pollution. This is a story of technology triumphant: architect-engineers were adulated; there were tallest-building contests like those of the twentieth century. The climax comes with the invention of the key modern device - the mechanical clock. The subsequent technological decline, Gimpel explains, was due to a plague, famine, and a reversion to mysticism. In the epilogue, Gimpel asserts that the West in his time faced another technological decline; he did not forsee the digital boom of the 1980s and 90s and the development of post-industrial economies. Nevertheless, his predictions may provide valuable material for historians of the recent past"--Page 4 of cover.
