Author: Flavio Fergonzi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 456
Book Description
Since the 1940s Gianni Mattioli's collection of modern art has been a touchstone of the history of 20th century collecting. The pieces reproduced in this volume have been listed under Italian law since 1939 to protect the nation's cultural heritage.
The Mattioli Collection
Author: Flavio Fergonzi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 456
Book Description
Since the 1940s Gianni Mattioli's collection of modern art has been a touchstone of the history of 20th century collecting. The pieces reproduced in this volume have been listed under Italian law since 1939 to protect the nation's cultural heritage.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 456
Book Description
Since the 1940s Gianni Mattioli's collection of modern art has been a touchstone of the history of 20th century collecting. The pieces reproduced in this volume have been listed under Italian law since 1939 to protect the nation's cultural heritage.
Giorgio Morandi: Late Paintings
Author: Giorgio Morandi
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
2022
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110800926
Category : Literary Criticism
Languages : en
Pages : 604
Book Description
The first part of the yearbook contains ten essays on Futurist art and literature in Italy, France, Russia, Poland, Portugal and the former colony of Goa. Among other things, early Futurist publishing and propaganda initiatives by means of manifestos, press releases, and newssheets are examined, as well as Athos Casarini's artistic and political work undertaken in Italy and the USA. Articles in the second part deal with the 30th anniversary of the international Academy of Zaum as well as various conferences, exhibitions and publications celebrating the centenary of Zenitism in Serbia and Croatia. Critical responses to exhibitions, conferences and publications as well as a bibliographical section with information on 139 recent book publications on Futurism conclude the yearbook.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110800926
Category : Literary Criticism
Languages : en
Pages : 604
Book Description
The first part of the yearbook contains ten essays on Futurist art and literature in Italy, France, Russia, Poland, Portugal and the former colony of Goa. Among other things, early Futurist publishing and propaganda initiatives by means of manifestos, press releases, and newssheets are examined, as well as Athos Casarini's artistic and political work undertaken in Italy and the USA. Articles in the second part deal with the 30th anniversary of the international Academy of Zaum as well as various conferences, exhibitions and publications celebrating the centenary of Zenitism in Serbia and Croatia. Critical responses to exhibitions, conferences and publications as well as a bibliographical section with information on 139 recent book publications on Futurism conclude the yearbook.
Peggy Guggenheim Collection
Author: Peggy Guggenheim Collection
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Essay by Philip Rylands.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Essay by Philip Rylands.
Alain Elkann Interviews
Author:
Publisher:
ISBN: 9781614286325
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Publisher:
ISBN: 9781614286325
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Twentieth-century Italian Art
Author: James Thrall Soby
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
The Visual in Sport
Author: Mike Huggins
Publisher: Routledge
ISBN: 1317965450
Category : Sports & Recreation
Languages : en
Pages : 315
Book Description
This comprehensive, novel and exciting interdisciplinary collection brings together leading international authorities from the history of sport, social history, art history, film history, design history, cultural studies and related fields to explore the ways in which visual culture has shaped, and continues to impact upon, our understanding of sport as an integral element within popular culture. Visual representations of sport have previously been little examined and under-exploited by historians, with little focused and rigorous scrutiny of these vital historical documents. This study seeks to redress this balance by engaging with a wide variety of cultural products, ranging from sports stadia and monuments in the public arena, to paintings, prints, photographs, posters, stamps, design artefacts, films and political cartoons. By examining the contexts of both the production and reception of this historical evidence, and highlighting the multiple meanings and social significance of this body of work, the collection provides original, powerful and stimulating insights into the ways in which visual material assists our knowledge and understanding of sport. This collection will facilitate researchers, publishers and others with an interest in sport to move beyond traditional text-based scholarship and appreciate the powerful imagery of sport in new ways. This book was previously published as a special issue of the International Journal of the History of Sport.
Publisher: Routledge
ISBN: 1317965450
Category : Sports & Recreation
Languages : en
Pages : 315
Book Description
This comprehensive, novel and exciting interdisciplinary collection brings together leading international authorities from the history of sport, social history, art history, film history, design history, cultural studies and related fields to explore the ways in which visual culture has shaped, and continues to impact upon, our understanding of sport as an integral element within popular culture. Visual representations of sport have previously been little examined and under-exploited by historians, with little focused and rigorous scrutiny of these vital historical documents. This study seeks to redress this balance by engaging with a wide variety of cultural products, ranging from sports stadia and monuments in the public arena, to paintings, prints, photographs, posters, stamps, design artefacts, films and political cartoons. By examining the contexts of both the production and reception of this historical evidence, and highlighting the multiple meanings and social significance of this body of work, the collection provides original, powerful and stimulating insights into the ways in which visual material assists our knowledge and understanding of sport. This collection will facilitate researchers, publishers and others with an interest in sport to move beyond traditional text-based scholarship and appreciate the powerful imagery of sport in new ways. This book was previously published as a special issue of the International Journal of the History of Sport.
Soul-Making
Author: Francesco Donfrancesco
Publisher: Routledge
ISBN: 0429919387
Category : Psychology
Languages : en
Pages : 215
Book Description
The author examines artistic experience with the eye of an analyst and analytic experience with the eye of an artist. His writing is understood and practised as an operation, a process which seeks to merge the individual and the general, subjective and objective, the psychological and the spiritual.
Publisher: Routledge
ISBN: 0429919387
Category : Psychology
Languages : en
Pages : 215
Book Description
The author examines artistic experience with the eye of an analyst and analytic experience with the eye of an artist. His writing is understood and practised as an operation, a process which seeks to merge the individual and the general, subjective and objective, the psychological and the spiritual.
Albers and Morandi: Never Finished
Author: Josef Albers
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144
Book Description
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144
Book Description
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Boccioni's Materia
Author: Laura Mattioli Rossi
Publisher: Guggenheim Museum Publications
ISBN: 9780892073030
Category : Art
Languages : en
Pages : 156
Book Description
This volume explores Italian painter and sculptor Umberto Boccioni's (1882-1916) evolution from Divisionism to Futurism, the exchanges between Cubism and Futurism, and the relationship between Boccioni's painting and sculpture. Through an exploration of related paintings by Boccioni, as well as works by his counterparts within the greater European sphere, from Picasso to Duchamp, this exhibition and catalog demonstrate the pivotal role Boccioni played within the history of Modernism, broadening the current perspective on the artist and, by extension, the Italian Futurism movement.
Publisher: Guggenheim Museum Publications
ISBN: 9780892073030
Category : Art
Languages : en
Pages : 156
Book Description
This volume explores Italian painter and sculptor Umberto Boccioni's (1882-1916) evolution from Divisionism to Futurism, the exchanges between Cubism and Futurism, and the relationship between Boccioni's painting and sculpture. Through an exploration of related paintings by Boccioni, as well as works by his counterparts within the greater European sphere, from Picasso to Duchamp, this exhibition and catalog demonstrate the pivotal role Boccioni played within the history of Modernism, broadening the current perspective on the artist and, by extension, the Italian Futurism movement.