The Materials and Techniques of Medieval Painting

The Materials and Techniques of Medieval Painting PDF Author: Daniel V. Thompson
Publisher: Courier Corporation
ISBN: 0486142035
Category : Art
Languages : en
Pages : 262

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Book Description
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.

The Materials and Techniques of Medieval Painting

The Materials and Techniques of Medieval Painting PDF Author: Daniel V. Thompson
Publisher: Courier Corporation
ISBN: 0486142035
Category : Art
Languages : en
Pages : 262

Get Book Here

Book Description
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.

The Materials of Medieval Painting

The Materials of Medieval Painting PDF Author: Daniel V. Thompson
Publisher:
ISBN: 9781684223688
Category : Art
Languages : en
Pages : 240

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Book Description
2019 Reprint of 1936 U.S. Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Professor Thompson has written an extremely interesting and valuable book on a subject very rarely dealt with, the materials used by medieval painters, or as he calls it, " the cookery of art." In the first chapter the author discusses the various types of surfaces employed by the medieval painters, such as parchment, vellum, wood, walls, and canvas. In chapter two he deals with the different binding media that had to be used to bind the pigments to the different types of surfaces. The third and longest chapter deals with the pigments themselves. This book, written in a very pleasing style, will appeal not only to those interested in medieval painting itself, but to anyone who wishes further knowledge on various medieval plants, and on certain chemical problems of the Middle Ages.

Medieval Painting in Northern Europe

Medieval Painting in Northern Europe PDF Author: Unn Plahter
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 312

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Book Description
This text of analytical and art historical research on medieval painting and polychromy is published to commemorate the 70th birthday of Unn Plahter.

The Agency of Things in Medieval and Early Modern Art

The Agency of Things in Medieval and Early Modern Art PDF Author: Grażyna Jurkowlaniec
Publisher: Routledge
ISBN: 1351681494
Category : Art
Languages : en
Pages : 428

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Book Description
This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond. The Open Access version of this book, available at http://www.taylorfrancis.com/doi/view/10.4324/9781315401867, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

Materials, Methods, and Masterpieces of Medieval Art

Materials, Methods, and Masterpieces of Medieval Art PDF Author: Janetta Rebold Benton
Publisher: Praeger
ISBN:
Category : Art
Languages : en
Pages : 356

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Book Description
A comprehensive and informed analysis explores the startlingly diverse and sophisticated fine arts in the Middle Ages. Materials, Methods, and Masterpieces of Medieval Art provides a comprehensive and detailed analysis of the work done by artists in western Europe during the Middle Ages. Art historian Janetta Rebold Benton uses examples such as the Book of Kells, Bury Saint Edmunds Cross, and the Bayeux Tapestry, and the work of artists such as Jan van Eyck and Giotto to explore the various media available to medieval artists and the ways in which those media were used to create a stunning array of masterworks. Although the visual arts of the Middle Ages were extremely colorful, today much of that color has diminished or disappeared, the pigments and threads faded, the gold abraded, the silver tarnished. Materials, Methods, and Masterpieces of Medieval Art allows these works to sparkle once more. Includes 76 illustrations

Mediaeval Painters' Materials and Techniques

Mediaeval Painters' Materials and Techniques PDF Author: Mark Clarke
Publisher: Archetype Publications
ISBN: 9781904982647
Category : Artists' materials
Languages : en
Pages : 0

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Book Description
Medieval painting was a craft. The anonymous Montpellier Liber diversarum arcium ('Book of various arts') is a handbook prescribing how that craft was to be practiced. It contains over five hundred art-technological instructions or 'recipes' in Latin. Unlike the vast majority of medieval artists' recipe books, this content is highly structured and organised, such as to form a complete handbook or course on painting. This Liber diversarum arcium is probably the most substantial and comprehensive medieval painters' technical recipe book to survive. It summarises the state-of-the art in the European workshops of the fourteenth century. This volume makes the Liber diversarum arcium usable to modern readers for the first time, by restoring the text in over 150 places where its corruption obscures the technical sense, by translating the text into English, and by providing a running commentary to explain the technical processes and technical terminology.

Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice PDF Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Late Medieval Panel Paintings

Late Medieval Panel Paintings PDF Author: Susie Nash
Publisher: Paul Holberton Publishing
ISBN: 9780955339349
Category : Art
Languages : en
Pages : 0

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Book Description
Catalog of an exhibition held at Richard L. Feigen & Co. Gallery, New York, Nov. 4, 2011-Jan. 27, 2012.

Early Medieval Art

Early Medieval Art PDF Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274

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Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.

The Practice of Tempera Painting

The Practice of Tempera Painting PDF Author: Daniel Varney Thompson
Publisher: Courier Corporation
ISBN: 9780486203430
Category : Art
Languages : en
Pages : 180

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Book Description
Historical background, step-by-step instruction, materials, permanence. Lucid, careful exposition of all aspects of authentic technique. 85 illustrations.