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Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486799379
Category : Music
Languages : en
Pages : 146
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Book Description
Volume III of this three-volume set is dominated by one of the eminent theorist's most celebrated studies: the analysis of Beethoven's "Eroica" Symphony. All four movements are discussed in painstaking detail.
Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486799379
Category : Music
Languages : en
Pages : 146
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Book Description
Volume III of this three-volume set is dominated by one of the eminent theorist's most celebrated studies: the analysis of Beethoven's "Eroica" Symphony. All four movements are discussed in painstaking detail.
Author: Heinrich Schenker
Publisher: Cambridge University Press
ISBN: 9780521455435
Category : Schenkerian analysis
Languages : en
Pages : 142
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Book Description
Author: Heinrich Schenker
Publisher: CUP Archive
ISBN: 9780521455411
Category : Music
Languages : en
Pages : 156
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Book Description
A translation of Volume I of a major work by one of the leading music theorists of the century.
Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486780023
Category : Music
Languages : en
Pages : 164
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Book Description
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Author: Cristle Collins Judd
Publisher: Cambridge University Press
ISBN: 9780521771443
Category : Music
Languages : en
Pages : 370
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Book Description
Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Author: Nicholas Marston
Publisher: Routledge
ISBN: 1351563955
Category : Music
Languages : en
Pages : 187
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Book Description
In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erl erungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erl erungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music.
Author: Joseph N. Straus
Publisher: Cambridge University Press
ISBN: 9780521602884
Category : Music
Languages : en
Pages : 284
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Book Description
The first book to be devoted to the music of Stravinsky's last compositional period.
Author: Ford Mylius Lallerstedt
Publisher: Archway Publishing
ISBN: 1665747404
Category : Science
Languages : en
Pages : 284
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Book Description
This study focuses on a continued evaluation and integration of Schenker’s work, specifically the role of his ever-deepening understanding of counterpoint in musicalistic structures, both horizontal (melodic) and vertical (‘chordal’). It reformulates the role of this understanding in discerning the atomic, primitive elements of an abstract human species-specific, cognitive-computational process. We conjecture that the fundamental technical concepts of counterpoint plausibly form the basis of natural musical logic and coherence and somehow reflect the basis of a representing system for a generative capacity evidenced in the creation and interpretation of musicalistic expressions. It is plausible to assume that a thorough investigation of the musical generating principles of consonance and dissonance, as developed through the technical perspective of species counterpoint, can lead to surprising insights necessary for the formulation of a general theory of music. Music, like language, is obviously an extremely complex system. Music theory must simplify this complexity and endeavour to discover its primitive elements which can be used to develop a systematic representation of levels that contributes to greater descriptive and explanatory salience of musicalistic structure.
Author: Lawrence Kramer
Publisher: Cambridge University Press
ISBN: 9780521542166
Category : Music
Languages : en
Pages : 200
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Book Description
The first book to examine Schubert's songs as active shaping forces in the culture of their era rather than a mere reflection of it. His songs project a kaleidoscopic array of unexpected human types, all of whom are eligible for a sympathetic response. Kramer shows how Schubert sought to validate these types in his songs.
Author: Richard Will
Publisher: Cambridge University Press
ISBN: 113943375X
Category : Music
Languages : en
Pages : 343
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Book Description
Associated through descriptive texts with literature, politics, religion, and other subjects, 'characteristic' symphonies offer an opportunity to study instrumental music as it engages important social and political debates of the eighteenth and early nineteenth centuries. This first full-length study of the genre illuminates the relationship between symphonies and their aesthetic and social contexts by focussing on the musical representation of feeling, human physical movement, and the passage of time. The works discussed include Beethoven's Pastoral and Eroica Symphonies, Haydn's Seven Last Words of our Savior on the Cross, Carl Ditters von Dittersdorf's symphonies on Ovid's Metamorphoses, and orchestral battle reenactments of the Revolutionary and Napoleonic eras. A separate chapter details the aesthetic context within which characteristic symphonies were conceived, as well as their subsequent reception, and a series of appendixes summarises bibliographic information for over 225 relevant examples.
