The Masterwork in Music: Volume 1, 1925

The Masterwork in Music: Volume 1, 1925 PDF Author: Heinrich Schenker
Publisher: CUP Archive
ISBN: 9780521455411
Category : Music
Languages : en
Pages : 156

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Book Description
A translation of Volume I of a major work by one of the leading music theorists of the century.

The Masterwork in Music: Volume 1, 1925

The Masterwork in Music: Volume 1, 1925 PDF Author: Heinrich Schenker
Publisher: CUP Archive
ISBN: 9780521455411
Category : Music
Languages : en
Pages : 156

Get Book Here

Book Description
A translation of Volume I of a major work by one of the leading music theorists of the century.

The Masterwork in Music: Volume I, 1925

The Masterwork in Music: Volume I, 1925 PDF Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486780023
Category : Music
Languages : en
Pages : 164

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Book Description
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.

The Masterwork in Music

The Masterwork in Music PDF Author: Heinrich Schenker
Publisher: CUP Archive
ISBN:
Category : Schenkerian analysis
Languages : en
Pages : 158

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Book Description


Handbook of Music and Emotion

Handbook of Music and Emotion PDF Author: Patrik N. Juslin
Publisher: Oxford University Press
ISBN: 0199604967
Category : Education
Languages : en
Pages : 990

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Book Description
A successor to the acclaimed 'Music and Emotion', The Handbook of Music and Emotion provides comprehensive coverage of the field, in all its breadth and depth. As well as summarizing what is currently known about music and emotion, it will also stimulate further research in promising directions that have been little studied.

Interpreting Chopin: Analysis and Performance

Interpreting Chopin: Analysis and Performance PDF Author: Alison Hood
Publisher: Routledge
ISBN: 1317113586
Category : Music
Languages : en
Pages : 288

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Book Description
Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the performer. In Interpreting Chopin Alison Hood brings her experience as a performer to bear on contemporary analytical models. She combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin, casting new light on the composer’s preludes, nocturnes and barcarolle. An extension of Schenkerian analysis, the specific combination of five aspects distinguishes Hood’s method from previous analytical approaches. These five methods are: attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation, following guidelines offered by Steve Larson; a continual concern with what have been called 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shape those decisions. Building on the work of such authors as William Rothstein, Carl Schachter and John Rink, Hood’s approach to Chopin’s oeuvre raises interpretive questions of central interest to performers.

The Masterwork in Music: Volume III, 1930

The Masterwork in Music: Volume III, 1930 PDF Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 048678004X
Category : Music
Languages : en
Pages : 146

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Book Description
Volume III of this three-volume set is dominated by one of the eminent theorist's most celebrated studies: the analysis of Beethoven's "Eroica" Symphony. All four movements are discussed in painstaking detail.

A Theory of Art

A Theory of Art PDF Author: Karol Berger
Publisher: Oxford University Press
ISBN: 0198029527
Category : Music
Languages : en
Pages : 302

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Book Description
What, if anything, has art to do with the rest of our lives, and in particular with those ethical and political issues that matter to us most? Will art created today be likely to play a role in our lives as profound as that of the best art of the past? A Theory of Art shifts the focus of aesthetics from the traditional debate of "what is art?" to the engaging question of "what is art for?" Skillfully describing the social and historical situation of art today, author Karol Berger argues that music exemplifies the current condition of art in a radical, acute, and revealing fashion. He also uniquely combines aesthetics with poetics and hermeneutics. Offering a careful synthesis of a wide breadth of scholarship from art history, musicology, literary studies, political philosophy, ethics, and metaphysics, and written in a clear, accessible style, this book will appeal to anyone with a serious interest in the arts.

Aspects of Music

Aspects of Music PDF Author: Ford Mylius Lallerstedt
Publisher: Archway Publishing
ISBN: 1665747404
Category : Science
Languages : en
Pages : 284

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Book Description
This study focuses on a continued evaluation and integration of Schenker’s work, specifically the role of his ever-deepening understanding of counterpoint in musicalistic structures, both horizontal (melodic) and vertical (‘chordal’). It reformulates the role of this understanding in discerning the atomic, primitive elements of an abstract human species-specific, cognitive-computational process. We conjecture that the fundamental technical concepts of counterpoint plausibly form the basis of natural musical logic and coherence and somehow reflect the basis of a representing system for a generative capacity evidenced in the creation and interpretation of musicalistic expressions. It is plausible to assume that a thorough investigation of the musical generating principles of consonance and dissonance, as developed through the technical perspective of species counterpoint, can lead to surprising insights necessary for the formulation of a general theory of music. Music, like language, is obviously an extremely complex system. Music theory must simplify this complexity and endeavour to discover its primitive elements which can be used to develop a systematic representation of levels that contributes to greater descriptive and explanatory salience of musicalistic structure.

Schenker: The Masterwork in Music:

Schenker: The Masterwork in Music: PDF Author: Heinrich Schenker
Publisher: Cambridge University Press
ISBN: 9780521455428
Category : Music
Languages : en
Pages : 149

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Book Description
Heinrich Schenker is regarded as one of the leading music theorists of the twentieth century. The Masterwork in Music was written in three volumes between 1925 and 1930 and is distinguished from earlier writings by its depth of vision, demonstrated here both graphically and verbally. Although the concept of structural hierarchy is already present in Der Tonwille (1921-4), the idea of a network of layers becomes particularly prominent in Das Meisterwerk. This volume contains a major essay on Mozart's Symphony No. 40 in G minor and other studies of Bach keyboard and solo cello works, Haydn and Reger, as well as theoretical writings on sonata form and fugue and Schenkerian theory. These essays are translated by a team of specialists with ample editoral annotations including comparisons with earlier and later writings.

Musical Creativity

Musical Creativity PDF Author: Irène Deliège
Publisher: Psychology Press
ISBN: 1135422680
Category : Music
Languages : en
Pages : 444

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Book Description
This collection initiates a resolutely interdisciplinary research dynamic specifically concerning musical creativity. Creativity is one of the most challenging issues currently facing scientific psychology and its study has been relatively rare in the cognitive sciences, especially in artificial intelligence. This book will address the need for a coherent and thorough exploration. Musical Creativity: Multidisciplinary Research in Theory and Practice comprises seven sections, each viewing musical creativity from a different scientific vantage point, from the philosophy of computer modelling, through music education, interpretation, neuroscience, and music therapy, to experimental psychology. Each section contains discussions by eminent international specialists of the issues raised, and the book concludes with a postlude discussing how we can understand creativity in the work of eminent composer, Jonathan Harvey. This unique volume presents an up-to-date snapshot of the scientific study of musical creativity, in conjunction with ESCOM (the European Society for the Cognitive Sciences of Music). Describing many of the different aspects of musical creativity and their study, it will form a useful springboard for further such study in future years, and will be of interest to academics and practitioners in music, psychology, cognitive science, artificial intelligence, neuroscience and other fields concerning the study of human cognition in this most human of behaviours.