Author: Arthur William A'Beckett
Publisher: Jazzybee Verlag
ISBN: 3849644928
Category : Fiction
Languages : en
Pages : 153
Book Description
"Fallen Among Thieves" is a classic of the early Victorian crime fiction and offers a splendid country-house murder plot featuring detective John Barman. This is part 2 out of 3, The Marble Heart.
Fallen Among Thieves II: The Marble Heart
Author: Arthur William A'Beckett
Publisher: Jazzybee Verlag
ISBN: 3849644928
Category : Fiction
Languages : en
Pages : 153
Book Description
"Fallen Among Thieves" is a classic of the early Victorian crime fiction and offers a splendid country-house murder plot featuring detective John Barman. This is part 2 out of 3, The Marble Heart.
Publisher: Jazzybee Verlag
ISBN: 3849644928
Category : Fiction
Languages : en
Pages : 153
Book Description
"Fallen Among Thieves" is a classic of the early Victorian crime fiction and offers a splendid country-house murder plot featuring detective John Barman. This is part 2 out of 3, The Marble Heart.
Business of the Heart
Author: John Corrigan
Publisher: Univ of California Press
ISBN: 0520924320
Category : Religion
Languages : en
Pages : 402
Book Description
The "Businessmen's Revival" was a religious revival that unfolded in the wake of the 1857 market crash among white, middle-class Protestants. Delving into the religious history of Boston in the 1850s, John Corrigan gives an imaginative and wide-ranging interpretive study of the revival's significance. He uses it as a focal point for addressing a spectacular range of phenomena in American culture: the ecclesiastical and business history of Boston; gender roles and family life; the history of the theater and public spectacle; education; boyculture; and, especially, ideas about emotion during this period. This vividly written narrative recovers the emotional experiences of individuals from a wide array of little-used sources including diaries, correspondence, public records, and other materials. From these sources, Corrigan discovers that for these Protestants, the expression of emotion was a matter of transactions. They saw emotion as a commodity, and conceptualized relations between people, and between individuals and God, as transactions of emotion governed by contract. Religion became a business relation with God, with prayer as its legal tender. Entering this relationship, they were conducting the "business of the heart." This innovative study shows that the revival--with its commodification of emotional experience--became an occasion for white Protestants to underscore differences between themselves and others. The display of emotion was a primary indicator of membership in the Protestant majority, as much as language, skin color, or dress style. As Corrigan unravels the significance of these culturally constructed standards for emotional life, his book makes an important contribution to recent efforts to explore the links between religion and emotion, and is an important new chapter in the history of religion.
Publisher: Univ of California Press
ISBN: 0520924320
Category : Religion
Languages : en
Pages : 402
Book Description
The "Businessmen's Revival" was a religious revival that unfolded in the wake of the 1857 market crash among white, middle-class Protestants. Delving into the religious history of Boston in the 1850s, John Corrigan gives an imaginative and wide-ranging interpretive study of the revival's significance. He uses it as a focal point for addressing a spectacular range of phenomena in American culture: the ecclesiastical and business history of Boston; gender roles and family life; the history of the theater and public spectacle; education; boyculture; and, especially, ideas about emotion during this period. This vividly written narrative recovers the emotional experiences of individuals from a wide array of little-used sources including diaries, correspondence, public records, and other materials. From these sources, Corrigan discovers that for these Protestants, the expression of emotion was a matter of transactions. They saw emotion as a commodity, and conceptualized relations between people, and between individuals and God, as transactions of emotion governed by contract. Religion became a business relation with God, with prayer as its legal tender. Entering this relationship, they were conducting the "business of the heart." This innovative study shows that the revival--with its commodification of emotional experience--became an occasion for white Protestants to underscore differences between themselves and others. The display of emotion was a primary indicator of membership in the Protestant majority, as much as language, skin color, or dress style. As Corrigan unravels the significance of these culturally constructed standards for emotional life, his book makes an important contribution to recent efforts to explore the links between religion and emotion, and is an important new chapter in the history of religion.
The Marble Faun and A Green Bough
Author: William Faulkner
Publisher: Random House
ISBN: 0307873803
Category : Poetry
Languages : en
Pages : 107
Book Description
Published early in the author’s legendary career and collected here in a single illuminating volume, these are William Faulkner’s only two works of poetry: The Marble Faun (1924) and A Green Bough (1933). “These are primarily the poems of youth and a simple heart. They are the poems of a mind that reacts directly to sunlight and trees and skies and blue hills, reacts without evasion or self-consciousness. They are drenched in sunlight and color as is the land in which they were written, the land which gave birth and sustenance to their author. He has roots in this soil as surely and inevitably as has a tree. . . . The author of these poems is a man steeped in the soil of his native land, a Southerner by every instinct, and, more than that, a Mississippian. George Moor sad that all universal art became great by first being provincial, and the sunlight and mocking-birds and blue hills of North Mississippi are a part of this young man’s very being.”—from the preface to The Marble Faun, by Phil Stone
Publisher: Random House
ISBN: 0307873803
Category : Poetry
Languages : en
Pages : 107
Book Description
Published early in the author’s legendary career and collected here in a single illuminating volume, these are William Faulkner’s only two works of poetry: The Marble Faun (1924) and A Green Bough (1933). “These are primarily the poems of youth and a simple heart. They are the poems of a mind that reacts directly to sunlight and trees and skies and blue hills, reacts without evasion or self-consciousness. They are drenched in sunlight and color as is the land in which they were written, the land which gave birth and sustenance to their author. He has roots in this soil as surely and inevitably as has a tree. . . . The author of these poems is a man steeped in the soil of his native land, a Southerner by every instinct, and, more than that, a Mississippian. George Moor sad that all universal art became great by first being provincial, and the sunlight and mocking-birds and blue hills of North Mississippi are a part of this young man’s very being.”—from the preface to The Marble Faun, by Phil Stone
Lust for Fame
Author: Gordon Samples
Publisher: McFarland
ISBN: 9780786405862
Category : Performing Arts
Languages : en
Pages : 260
Book Description
The first book on Booth's ten tumultuous years on the stage, with a wealth of rare period illustrations reproduced with special techniques yielding results of better quality than the originals. The book evaluates his performances through newspaper reviews and the recorded opinions of his contemporaries; it also separates Booth the actor from Booth the assassin. Previously unpublished letters are included, some in facsimile. John Wilkes' famous brother Edwin was not necessarily the leading actor of his era: this book indicates why John Wilkes Booth might claim that distinction. One of the appendices is an exhaustive chronology of all his performances, and all fellow cast members.
Publisher: McFarland
ISBN: 9780786405862
Category : Performing Arts
Languages : en
Pages : 260
Book Description
The first book on Booth's ten tumultuous years on the stage, with a wealth of rare period illustrations reproduced with special techniques yielding results of better quality than the originals. The book evaluates his performances through newspaper reviews and the recorded opinions of his contemporaries; it also separates Booth the actor from Booth the assassin. Previously unpublished letters are included, some in facsimile. John Wilkes' famous brother Edwin was not necessarily the leading actor of his era: this book indicates why John Wilkes Booth might claim that distinction. One of the appendices is an exhaustive chronology of all his performances, and all fellow cast members.
Women in the American Theatre
Author: Faye E. Dudden
Publisher: Yale University Press
ISBN: 9780300070583
Category : History
Languages : en
Pages : 278
Book Description
Through a series of biographical sketches of female performers and managers, Dudden provides a discussion of the conflicted messages conveyed by the early theatre about what it meant to be a woman. It both showed women as sex objects and provided opportunities for careers.
Publisher: Yale University Press
ISBN: 9780300070583
Category : History
Languages : en
Pages : 278
Book Description
Through a series of biographical sketches of female performers and managers, Dudden provides a discussion of the conflicted messages conveyed by the early theatre about what it meant to be a woman. It both showed women as sex objects and provided opportunities for careers.
The Monthly Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 726
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 726
Book Description
Edwin Booth
Author: Arthur W. Bloom
Publisher: McFarland
ISBN: 1476601461
Category : Performing Arts
Languages : en
Pages : 1187
Book Description
The great nineteenth-century stage actor Edwin Booth began his long career in 1849 as a young teenager, following in his father's footsteps. This biography traces his life and career as a tragic actor, including his childhood; his early acting tours of California, Australia and Hawaii; his rise to fame as a touring star; his two marriages; his relationship with his brother John Wilkes Booth; his disastrous management of Booth's Theatre in New York City; and his death in 1891. The book includes an extensive performance history detailing every known Edwin Booth performance during his more than 30 years on the stage, with reviews and other supplementary materials.
Publisher: McFarland
ISBN: 1476601461
Category : Performing Arts
Languages : en
Pages : 1187
Book Description
The great nineteenth-century stage actor Edwin Booth began his long career in 1849 as a young teenager, following in his father's footsteps. This biography traces his life and career as a tragic actor, including his childhood; his early acting tours of California, Australia and Hawaii; his rise to fame as a touring star; his two marriages; his relationship with his brother John Wilkes Booth; his disastrous management of Booth's Theatre in New York City; and his death in 1891. The book includes an extensive performance history detailing every known Edwin Booth performance during his more than 30 years on the stage, with reviews and other supplementary materials.
The Tomahawk
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description
Diogenes
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Symptoms of the Self
Author: Roberta Barker
Publisher: University of Iowa Press
ISBN: 1609388615
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
"Symptoms of the Self offers the first full study of one of the most paradoxically popular figures in transatlantic theatre history: the stage consumptive. Consumption, or tuberculosis, remains one of the world's most deadly epidemic diseases; in the nineteenth and early twentieth centuries in France, Britain, and North America, it was a leading killer, responsible for the deaths of as many as one in four members of the population. Despite-or perhaps because of-their horrific experiences of tubercular mortality, throughout the nineteenth and well into the twentieth century audiences in these same countries flocked to see consumptive characters love, suffer, and die onstage. Beginning with the origins of the stage consumptive in Romantic-era France and ranging through to the queer theatres of New York City in the 1970s, this book explores famous plays such as La dame aux camélias (Camille) and Uncle Tom's Cabin alongside rediscovered sentimental dramas, frontier melodramas, and naturalistic problem plays. It shows how theatre artists used the symptoms of tuberculosis to perform the inward emotions and experiences of the modern self, and how the new theatrical vocabulary of realism emerged out of the innovations of the sentimental stage. In the theatre, the consumptive character became a vehicle through which-for better and for worse-standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self aims to uncover some of the wellsprings of modern Western theatrical practice-and of ideas about the self that still affect the way human beings live and die"--
Publisher: University of Iowa Press
ISBN: 1609388615
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
"Symptoms of the Self offers the first full study of one of the most paradoxically popular figures in transatlantic theatre history: the stage consumptive. Consumption, or tuberculosis, remains one of the world's most deadly epidemic diseases; in the nineteenth and early twentieth centuries in France, Britain, and North America, it was a leading killer, responsible for the deaths of as many as one in four members of the population. Despite-or perhaps because of-their horrific experiences of tubercular mortality, throughout the nineteenth and well into the twentieth century audiences in these same countries flocked to see consumptive characters love, suffer, and die onstage. Beginning with the origins of the stage consumptive in Romantic-era France and ranging through to the queer theatres of New York City in the 1970s, this book explores famous plays such as La dame aux camélias (Camille) and Uncle Tom's Cabin alongside rediscovered sentimental dramas, frontier melodramas, and naturalistic problem plays. It shows how theatre artists used the symptoms of tuberculosis to perform the inward emotions and experiences of the modern self, and how the new theatrical vocabulary of realism emerged out of the innovations of the sentimental stage. In the theatre, the consumptive character became a vehicle through which-for better and for worse-standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self aims to uncover some of the wellsprings of modern Western theatrical practice-and of ideas about the self that still affect the way human beings live and die"--