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Author: Geoffrey Chaucer
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Author: Geoffrey Chaucer
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Author: Geoffrey Chaucer
Publisher: Oxford University Press
ISBN: 0199555079
Category : Fiction
Languages : en
Pages : 255
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Book Description
Chaucer's masterpiece and one of the greatest narrative poems in English, the story of the lovers Troilus and Criseyde is renowned for its deep humanity and penetrating psychological insight. This new translation into modern English by a major Chaucerian scholar includes an index of the names relating to the Trojan War and an Index of Proverbs.
Author: Charles Abraham Owen
Publisher: Boydell & Brewer
ISBN: 9780859913348
Category : Literary Collections
Languages : en
Pages : 150
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Book Description
Owen investigates what the manuscripts of the Canterbury Tales reveal about the way they came into being. [see revs] This study of the manuscripts of the Canterbury Talescalls into question previous efforts to explain the complexities, the different orderings of the tales and the extraordinary shifts in textual affiliations within the manuscripts. Owen sees the manuscripts that survive, most of them collections of all or almost all the tales, as derived from the large number of single tales and small collections that circulated after Chaucer's death. This theory takes issue with all modern editions of the Canterbury Tales, which in Owen's view reflect the effort of medieval scribes and supervisors to make a satisfactory book of the collection of fragments Chaucer left behind. It is this collection of fragments, the authentic Tales of Canterbury by Geoffrey Chaucer, which reflects the different stages of the plan that was still evolving at his death. CHARLES A. OWEN Jr is former Professor of English and Chairman of Medieval Studies at the University of Conneticut.
Author: Benoit (de Sainte-Maure.)
Publisher:
ISBN: 9780384039162
Category :
Languages : en
Pages :
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Author: Geoffrey Chaucer
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 642
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Book Description
Author: William A. Quinn
Publisher: Catholic University of America Press
ISBN: 9780813235684
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Olde Clerkis Speche affirms both the historical legitimacy and the interpretive benefits of reading Troilus and Criseyde as if the text were initially composed for Chaucer s own recital before a familiar audience. Proposing a qualification rather than contradiction of the "persona" as a reading premise, Quinn revitalizes the interpretive context of Chaucer s original performance milieu. The central five chapters offer a "close hearing" of the possible tonal strategies of each book of Troilus and Criseyde during actual recital. Particular attention is given to expressions now normally overlooked, phrasing that does not advance the modern reader s appreciation of plot or character development or theme; such "filler" did, however, once offer Chaucer's own "reader response" (or ennaratio) during the recital event. These five chapters simultaneously evaluate the probability that Chaucer himself revised each recital installment for subsequent manuscript circulation. All together, these chapters provide a sustained case study of the interplay between the author's anticipations of recital presence and textual absence. Although this study does not pretend to detail an inaugural staging of Troilus and Criseyde , it does attend to the histrionic potential of Chaucer's own "speche/ In poetrie" (T&C V. 1854-5). The final chapter discusses how such a recital premise impacts several current controversies among Chaucerians, including the dating of Chaucer's individual acts of composition, the underlying assumptions regarding the "publication" of each text, the editorial imposition of punctuation on the manuscript record, and the poet s increasing anxiety regarding his future absence from the reading event. Olde Clerkis Speche will be of interest to all readers of Chaucer as well as everyone interested in performance theory and the history of reading.
Author: Robert Kilburn Root
Publisher: Taylor & Francis
ISBN: 1000952169
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
First published in 1916, The Textual Tradition of Chaucer’s Troilus compares the best unprinted manuscripts of Chaucer’s Troilus with the printed texts. The purpose of the volume is to evaluate eighteen manuscripts, to determine so far as may be their relation to one another and to Chaucer’s original, and to show how they are to be used for the establishing of a critical text. This book will be of interest to students of literature, linguistics and history.
Author: Joseph A. Dane
Publisher: punctum books
ISBN: 1947447564
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Mythodologies challenges the implied methodology in contemporary studies in the humanities. We claim, at times, that we gather facts or what we will call evidence, and from that form hypotheses and conclusions. Of course, we recognize that the sum total of evidence for any argument is beyond comprehension; therefore, we construct, and we claim, preliminary hypotheses, perhaps to organize the chaos of evidence, or perhaps simply to find it; we might then see (we claim) whether that evidence challenges our tentative hypotheses. Ideally, we could work this way. Yet the history of scholarship and our own practices suggest we do nothing of the kind. Rather, we work the way we teach our composition students to write: choose or construct a thesis, then invent the evidence to support it. This book has three parts, examining such methods and pseudo-methods of invention in medieval studies, bibliography, and editing. Part One, "Noster Chaucer," looks at examples in Chaucer studies, such as the notion that Chaucer wrote iambic pentameter, and the definition of a canon in Chaucer. "Our" Chaucer has, it seems, little to do with Chaucer himself, and in constructing this entity, Chaucerians are engaged largely in self-validation of their own tradition. Part Two, "Bibliography and Book History," consists of three studies in the field of bibliography: the recent rise in studies of annotations; the implications of presumably neutral terminology in editing, a case-study in cataloguing. Part Three, "Cacophonies: A Bibliographical Rondo," is a series of brief studies extending these critiques to other areas in the humanities. It seems not to matter what we talk about: meter, book history, the sex life of bonobos. In all of these discussions, we see the persistence of error, the intractability of uncritical assumptions, and the dominance of authority over evidence. TABLE OF CONTENTS // Part I. Noster Chaucerus Chap. 1. How Many Chaucerians Does it Take to Count to Eleven? The Meter of Kynaston's 1635 Translation of Troilus and Criseyde and its Implications for Chaucerian Metrics Chap. 2. Chaucer's "Rude Times" Chap. 3. Meditation on Our Chaucer and the History of the Canon Coda. Godwin's Portrait of Chaucer Part II. Bibliography and Book History Chap. 4. The Singularities of Books and Reading . Chap. 5. Editorial Projecting Chap. 6. The Haunting of Suckling's Fragmenta Aurea (1646) Coda. T. F. Dibdin: The Rhetoric of Bibliophilia Part III. Cacophonies: A Bibliographic Rondo Fakes and Frauds: The "Flewelling Antiphonary" and Galileo's Sidereus Nuncius Modernity and Middle English The Quantification of Readability The Elephant Paper and Histories of Medieval Drama The Pynson Chaucer(s) of 1526: Bibliographical Circularity Margaret Mead and the Bonobos Reading My Library
Author: Thomas C. Stillinger
Publisher: University of Pennsylvania Press
ISBN: 0812231449
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
The Song of Troilus traces the origins of modern authorship in the formal experimentation of medieval writers. Thomas C. Stillinger analyzes a sequence of narrative books that are in some way constructed around lyric poems: Dante's Vita Nuova, Bocaccio's Filostrato, and Chaucer's Troilus and Criseyde. The shared aim of these texts, he argues, is to imagine and achieve an unprecedented auctoritas: a "lyric authority" that combines the expressive subjectivity of courtly love poetry with the impersonal authority of Biblical commentary. Each of the three establishes its own formal and intertextual dynamics; in complex and unexpected ways, the hierarchies of Latin learning are charged with erotic force, allowing the creation of a new vernacular Book of Love. The Song of Troilus is a linked series of incisive close readings. Each chapter defines and investigates a range of philological, intertextual, and theoretical problems; in addition to explicating his three principal texts, Stillinger offers important insights into a range of medieval traditions, from Psalm commentary to Trojan historiography to Ricardian political satire. At the same time, The Song of Troilus is a sophisticated narrative of cultural change and a searching meditation on history, desire, and writing. The Song of Troilus is an original and highly readable study of three major medieval texts; it will be of compelling interest to students and scholars of medieval literature, and to all those exploring the history of authorship and the implications of literary form.
Author: Thomas Hoccleve
Publisher: Medieval Institute Publications
ISBN: 1580444199
Category : Literary Collections
Languages : en
Pages : 290
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Book Description
Thomas Hoccleve was born in 1367 and entered government service as clerk in the office of the Privy Seal in 1387, an office that he held until his death in 1426. His earliest datable poem (the Epistle of Cupid, a free translation of Christine de Pisan's Epistre au Dieu d'Amour) was completed about 1402. The Regiment of Princes, written about 1410-11, was composed at a time when England was still feeling the consequences of the deposition of Richard II. Essentially it is addressed to a prince on the subject of his governance, but it exhibits considerable generic instability and thus raises fundamental questions about how we should understand the tone of considerable portions of the poem. For all the problems it presents, The Regiment shows that Hoccleve has strengths as a poet. At times he could be a very talented prosodist. In autobiographical sections of the poem he creates a most interesting early-modern subjectivity. He has distinctive observations to make about his time, and, in his self-critical awareness, probes the limits of what is means to be a poet writing in the wake of Chaucer.
