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Author: Ḳeren Tsiṭer
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
"Suddenly Hirst's head falls, with the neck and the coat. That is - Hirst's body falls over the bar. The straw penetrates his gullet through the nose and violently wakes the shrimp, the calamari, the salad, and the brandy in his stomach. He vomits it all on the bar, and they stream over the smooth brown wood. The gallerist gets up from his chair and goes over to Mr. Hirst. The barman hands him a nylon bag and helps him collect the animals and the juices, both modern and postmodern. He goes back to Jeff's table with an arrogant smile and says they can move. Then he lifts the bag that's dripping with small chunks of phlegm from the sides and says 'Tomorrow at Christie's.'"--Keren Cytter Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter (*1977). Both the grotesque and the absurd become tools to narrate the progression of her main character's life, artist Jeff Steinberg. With the recurring motif of scrambled reels, the story also functions as a reflection on the medium of film. Keren Cytter lives and works in Amsterdam and Berlin. She is a recipient of The Baloise Art Prize 2006 and has held solo exhibitions at the Stedelijk Museum in Amsterdam (2004), the Kunsthalle Zürich and Frankfurter Kunstverein (2005), and most recently at the Kunst-Werke in Berlin.
Author: Ḳeren Tsiṭer
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 176
Get Book
Book Description
"Suddenly Hirst's head falls, with the neck and the coat. That is - Hirst's body falls over the bar. The straw penetrates his gullet through the nose and violently wakes the shrimp, the calamari, the salad, and the brandy in his stomach. He vomits it all on the bar, and they stream over the smooth brown wood. The gallerist gets up from his chair and goes over to Mr. Hirst. The barman hands him a nylon bag and helps him collect the animals and the juices, both modern and postmodern. He goes back to Jeff's table with an arrogant smile and says they can move. Then he lifts the bag that's dripping with small chunks of phlegm from the sides and says 'Tomorrow at Christie's.'"--Keren Cytter Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter (*1977). Both the grotesque and the absurd become tools to narrate the progression of her main character's life, artist Jeff Steinberg. With the recurring motif of scrambled reels, the story also functions as a reflection on the medium of film. Keren Cytter lives and works in Amsterdam and Berlin. She is a recipient of The Baloise Art Prize 2006 and has held solo exhibitions at the Stedelijk Museum in Amsterdam (2004), the Kunsthalle Zürich and Frankfurter Kunstverein (2005), and most recently at the Kunst-Werke in Berlin.
Author: Sibylle Knauss
Publisher: Ballantine Books
ISBN: 0307415163
Category : Fiction
Languages : en
Pages : 354
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Book Description
Berchtesgaden, Germany, is a beautiful place, set among the gentle meadow-clad hills rising to the sheer heights of bare Alpine peaks. It is here where an elderly woman arrives and recollects her past—and her peripheral role in a chapter of world history. She walks along a beaten path, which has come into being because so many tourists have ventured this way . . . to see something that exists only in her memory. In the summer of 1944, twenty-year-old Marlene is thrilled when her older, more glamorous cousin, Eva Braun, Adolph Hitler’s mistress, invites her to come to the Fuhrer’s Bavarian mountain retreat. Against her father’s wishes, Marlene accepts, and immediately sets forth to Berghof. There, while Hitler is away desperately trying to turn the tides of war, Marlene finds herself in a strange paradise, a world of opulence and imminent danger, of freedom and surveillance. The two women sneak off and skinny-dip in a nearby-lake, watch films in the Fuhrer’s private cinema, and flirt with the SS officers at the dinner table—one of whom will become Marlene’s first lover. Initially delighted by Eva’s attentions, Marlene later tries to understand the elusive connection between her cousin and the man she loves. In quiet defiance, she begins to commit her own acts of subversion, which include listening to BBC radio broadcasts, forbidden by the Fuhrer. But a clandestine mission of mercy will force her to question her allegiance to both her cousin and her country—and to face the chilling reality that exists outside her sheltered world. Based on the true experiences of Eva Braun’s cousin, Gertrude Weisker, who has shared her memories with Sibylle Knauss after more than fifty years of silence, Eva’s Cousin is a novel that illuminates the banality of the domestic face of evil. It casts a special light on the profound questions of innocence and complicity that still haunt much of the world today.
Author: Martyn Hammersley
Publisher: Routledge
ISBN: 1000734803
Category : Education
Languages : en
Pages : 266
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Book Description
There can be little doubt that pupils’ own interpretations of what happens in their schools represent a crucial link in the educational chain. We need to understand how pupils respond to different forms of pedagogy and school organization, and why they respond in the ways they do, in order to increase the effectiveness of our schooling. In the ten years prior to first publication ethnographic studies of pupils in schools had increased in number and importance. They had come to represent a leading area of inquiry which is still of relevance to practising and student teachers today. However, this material was not easily accessible, being widely distributed across educational and sociological journals and books. Originally published in 1984, this book collects together significant contributions to the field in a single volume, and will still be of relevance to practising and trainee teachers, and students of sociology and education.
Author: Roshan Taneja
Publisher: Bloomsbury Publishing
ISBN: 938643217X
Category : Biography & Autobiography
Languages : en
Pages : 227
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Book Description
From his childhood in the borderlands of what is now Pakistan, to his position today as the foremost teacher of acting – guru of acting – in India, the saga of Shri Roshan Taneja is not only the story of this remarkable man, but of India herself – vision, grit, struggle, and a never ending search for perfection. From his 13 years of teaching at the Film Institute of India, Pune, to today, the list of Taneja-sahib's students reads like a list of honour – Shatrughan Sinha, Jaya Bhaduri, Naveen Nischal, Rehana Sultan, Danny, Shabana Azmi, Mithun Chakraborti, Naseeruddin Shah, Om Puri – these are only a few of his students from the Film Institute; when he shifted to Bombay, he guided such fine actors as Anil Kapoor, Aamir Khan, Ajay Devgun, Govinda,Tina Munim, and so many others. Roshan Taneja speaks of all of these artistes in rich, personal terms – but he also speaks of his struggle in the Hindi-film industry – including doing an impromptu improvisation with Meena Kumari – and, above all, his sojourn to the USA in the early 50's to pursue his dream of learning acting, a dream he pursues even today.
Author: Michael T. Martin
Publisher: Indiana University Press
ISBN: 0253066271
Category : Performing Arts
Languages : en
Pages : 555
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Book Description
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.
Author: Joseph Roth
Publisher: ABRAMS
ISBN: 1590209729
Category : Fiction
Languages : en
Pages : 143
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Book Description
“[A] remarkably prescient novella prefiguring the collapse of morality and the rise of Nazism” by the celebrated Austrian author of The Emperor’s Tomb (Publishers Weekly). With tragic foresight, Right and Left, first published in 1929, evokes the nightlife, corruption, political unrest, and economic tyranny of Berlin in the twenties, the same territory covered in Roth’s trenchant reportage. After serving in World War I, Paul Bernheim returns to Berlin to find himself heir to his recently deceased father’s banking empire. Troubled by skyrocketing inflation and his brother’s infatuation with the brownshirts, Bernheim turns to an outsider for help—a profiteering Russian émigré whose advice proves alternately advantageous and disastrous. Too late to change his fate, Bernheim realizes he has been deceived by a master in the craft of manipulation. “Although less widely known than many of Roth’s novels, Right and Left is a superb example of his anatomy of the psychology of fascism.” —Los Angeles Times
Author: Frank Bird
Publisher: Lulu.com
ISBN: 1445295032
Category : Biography & Autobiography
Languages : en
Pages : 121
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Book Description
A moving memoir from Frank Bird, one of the last of a generation of pit workers in South Yorkshire.
Author: Dolores L. Bell
Publisher: Chipmunkapublishing ltd
ISBN: 1849915946
Category :
Languages : en
Pages : 138
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Book Description
Author: John Altman
Publisher: Kings Road Publishing
ISBN: 1786061953
Category : Biography & Autobiography
Languages : en
Pages : 307
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Book Description
From the moment he exploded onto our screens in 1985 as 'Nasty' Nick Cotton, uttering the infamous phrase 'Alright, Ma?' John Altman changed the face of TV villains for good. As one of the show's original cast members, he is much admired for his role as the leather-jacketed, chain-smoking son of Dot Cotton in the long-running BBC soap, EastEnders, a role that spanned thirty years. Since appearing in the very first episode, he has been at the heart of the show, his character central to many famous storylines, to the extent that he was also given his own spin-off episode, The Return of Nick Cotton, in 2000. But there is far more to John's story than Nick Cotton. This searingly honest autobiography traces the colourful childhood of a desperately shy and art-loving boy growing up in a loving household where he was encouraged to follow his dreams. But there was always something pulling him to test the boundaries – as a teenager he managed to get himself arrested on suspicion of drug possession on the way back from a gap year in India, and the experimentation didn't stop there. Yet for all the tales of acting in film, theatre and television, and the people he has known and worked with, there was once a darker side to John's story. For it was the descent into alcoholism that was to test him the most. It cost him his marriage and almost his sanity, even while his own battle with his demons allowed him to shape Nick Cotton into one of the most memorable soap characters of our times. Now, for the first time, John tells it as it is, in his own inspiring words: the highs and the desperate lows and how, finally, he conquered his addiction for good.
Author: Catherine Driscoll
Publisher: University Press of Florida
ISBN: 0813043204
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
For many scholars, cultural studies is viewed as a product of postmodern criticism and as the antithesis of modernism. In this brilliant work, Catherine Driscoll argues persuasively that we must view what we call cultural studies as a direct continuation of the innovations and concerns of modernism and the modernists. In making her case, Driscoll provides a fresh take on arguments--some seemingly unresolvable--that pivot on modernism's desire for novelty. Defining modernity as a critical attitude rather than a time period, she describes the many things these ostensibly different fields of inquiry have in common and reveals why cultural studies must be viewed as a fundamentally modernist project. Casting a wide net across the shared interests of modernism and cultural studies, including cinema, fiction, fashion, art, and popular music, Driscoll explores such themes as love and work, adolescence and everyday life, the significance of the everyday, the popular as a field of power, and the importance of representation to identity and experience in modernity.
