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Author: David Matthews
Publisher: U of Minnesota Press
ISBN: 9780816631858
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Before the 1760s -- with the major exception of Chaucer -- nearly all of Middle English literature lay undiscovered and ignored. Because established scholars regarded later medieval literature as primitive and barbaric, the study of this rich literary heritage was relegated to antiquarians and dilettantes. In The Making of Middle English, 1765-1910, David Matthews chronicles the gradual rediscovery of this literature and the formation of Middle English as a scholarly pursuit. Matthews details how the careers, class positions, and ambitions of only a few men gave shape and direction to the discipline. Mostly from the lower middle class, they worked in the church or in law and hoped to exploit medieval literature for financial success and social advancement. Where Middle English was concerned, Matthews notes, these scholars were self-taught, and their amateurism came at the price of inaccurately edited and often deliberately "improved" texts intended for a general public that sought appealing, rather than authentic, reading material. This study emphasizes the material history of the discipline, examining individual books and analyzing introductions, notes, glossaries, promotional materials, lists of subscribers, and owners' annotations to assess the changing methodological approaches of the scholars and the shifts in readership. Matthews explores the influence of aristocratic patronage and the societies formed to further the editing and publication of texts. And he examines the ideological uses of Middle English and the often contentious debates between these scholars and organizations about the definition of Englishness itself. A thorough work of scholarship, The Making of MiddleEnglish presents for the first time a detailed account of the formative phase of Middle English studies and provides new perspectives on the emergence of medieval studies, canon formation, the politics of editing, and the history of the book.
Author: David Matthews
Publisher: U of Minnesota Press
ISBN: 9780816631858
Category : Literary Criticism
Languages : en
Pages : 268
Get Book Here
Book Description
Before the 1760s -- with the major exception of Chaucer -- nearly all of Middle English literature lay undiscovered and ignored. Because established scholars regarded later medieval literature as primitive and barbaric, the study of this rich literary heritage was relegated to antiquarians and dilettantes. In The Making of Middle English, 1765-1910, David Matthews chronicles the gradual rediscovery of this literature and the formation of Middle English as a scholarly pursuit. Matthews details how the careers, class positions, and ambitions of only a few men gave shape and direction to the discipline. Mostly from the lower middle class, they worked in the church or in law and hoped to exploit medieval literature for financial success and social advancement. Where Middle English was concerned, Matthews notes, these scholars were self-taught, and their amateurism came at the price of inaccurately edited and often deliberately "improved" texts intended for a general public that sought appealing, rather than authentic, reading material. This study emphasizes the material history of the discipline, examining individual books and analyzing introductions, notes, glossaries, promotional materials, lists of subscribers, and owners' annotations to assess the changing methodological approaches of the scholars and the shifts in readership. Matthews explores the influence of aristocratic patronage and the societies formed to further the editing and publication of texts. And he examines the ideological uses of Middle English and the often contentious debates between these scholars and organizations about the definition of Englishness itself. A thorough work of scholarship, The Making of MiddleEnglish presents for the first time a detailed account of the formative phase of Middle English studies and provides new perspectives on the emergence of medieval studies, canon formation, the politics of editing, and the history of the book.
Author: David Matthews
Publisher: Penn State Press
ISBN: 9780271020822
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
At a time when medieval studies is increasingly concerned with historicizing and theorizing its own origins and history, the development of the study of Middle English has been relatively neglected. The Invention of Middle English collects for the first time the principal sources through which this history can be traced. The documents presented here highlight the uncertain and haphazard way in which ideas about Middle English language and literature were shaped by antiquarians in the eighteenth and nineteenth centuries. It is a valuable sourcebook for medieval studies, for study of the reception of the Middle Ages, and, more generally, for the history of the rise of English. The anthology is divided into two sections. The first section traces the development of ideas about the Middle English language in the work of thirteen writers, including George Hickes, Thomas Warton, Jacob Grimm, Henry Sweet, and James Murray. The second section represents literary criticism and commentary by nineteen authors, including Warton, Thomas Percy, Joseph Ritson, Walter Scott, Thomas Wright, and Walter Skeat. Each of the extracts is annotated and introduced with a note presenting historical, biographical, and bibliographical information along with a guide to further reading. A general introduction provides an overview of the state of Middle English study and a brief history of the formation of the discipline.
Author: J. A. Burrow
Publisher: OUP Oxford
ISBN: 0191037354
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
In an updated edition of his hugely successful student introduction to English literature from 1100 to 1500, J. A. Burrow takes account of scholarly developments in the the field, most notably devoting a final chapter to the impact of historicism on medieval studies. Full of information and stimulating ideas, and a pleasure to read, Burrow's book deals with circumstances of composition and reception, the main genres, 'modes of meaning' (allegory etc.), and medieval literature's afterlife in modern times. It shows that the literature of authors such as Chaucer, Gower, and Langland is more readily accessible than usually imagined, and well worth reading too. By placing medieval writers in their historical context - the four centuries between the Norman Conquest and the Renaissance - Professor Burrow explains not only how they wrote, but why.
Author: Robert J. Meyer-Lee
Publisher: Manchester University Press
ISBN: 152616793X
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
This book addresses the vexed status of literary value. Unlike other approaches, it pursues neither an apologetic thesis about literature’s defining values nor, conversely, a demystifying account of those values’ ideological uses. Instead, arguing that the category of literary value is inescapable, it focuses pragmatically on everyday scholarly and pedagogical activities, proposing how we may reconcile that category’s inevitability with our understandable wariness of its uncertainties and complicities. Toward these ends, it offers a preliminary theory of literary valuing and explores the problem of literary value in respect to the literary edition, canonicity and interpretation. Much of this exploration occurs within Chaucer studies, which, because of Chaucer’s simultaneous canonicity and marginality, provides fertile ground for thinking through the problem’s challenges. Using this subfield as a synecdoche, the book seeks to forge a viable rationale for literary studies generally.
Author: Simone Celine Marshall
Publisher: Peter Lang
ISBN: 9783039119530
Category : Foreign Language Study
Languages : en
Pages : 224
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Book Description
One of the most intriguing features of The Assembly of Ladies, an anonymous fifteenth-century Middle English poem, is that it has remained in print in anthologies for over 500 years. Why would a poem about courtly love remain so popular for so long? This book analyses the literary and historical publishing evidence about The Assembly of Ladies, to show that the poem has remained in print not for its literary merit, but because its anonymity has allowed it to be appropriated by editors for their own particular social and political causes. The book draws together textual, contextual, and intertextual evidence about all twenty editions of The Assembly of Ladies. By examining closely how and why a single text is or has been included in canonical traditions over time, this study not only reveals the material presence of the text in various traditions but also brings to the foreground the categories scholars continue to use while defining or imagining those traditions.
Author: Orietta Da Rold
Publisher: Cambridge University Press
ISBN: 1107102464
Category : History
Languages : en
Pages : 341
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Book Description
Explains the methods and knowledge required to understand how, why, and for whom manuscripts were made in medieval Britain.
Author: M. Davidson
Publisher: Springer
ISBN: 0230102042
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
In new readings of medieval language attitudes and identities, this book concludes that multilingualism informed masculinist discourses, which were aligned against the vernacular sentiment traditionally attributed to Langland and Chaucer.
Author: David Jasper
Publisher: Boydell & Brewer
ISBN: 1783277483
Category :
Languages : en
Pages : 282
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Book Description
In 1879, the late medieval poem now known as The Lay Folks' Mass Book - a guide to the Mass -- was edited for the Early English Text Society by Canon Thomas Frederick Simmons. It remains the standard edition of what, to modern tastes, can seem a simple work of conventional Middle English devotion. Yet, as this book shows, the poem had a remarkable afterlife. The authors demonstrate how Simmons' interest in and presentation of the text was related profoundly to contemporary concerns and heated debates about worship in the Church of England, at a time when Anglian clergymen could be imprisoned for their ritual practices. Simmons, educated at Oxford during the height of the Oxford Movement, was recognised by contemporaries as a leading authority on liturgy, a topic that troubled prime ministers as well as archbishops, and the authors bring out the ways in which Simmons himself used his medievalist researches as the basis for what was to be the most important attempt at Prayer Book revision between the Reformation and the twentieth century.
Author: Nicola McDonald
Publisher: Manchester University Press
ISBN: 1847795579
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Pulp Fictions of Medieval England demonstrates that popular romance not only merits and rewards serious critical attention, but that we ignore it to the detriment of our understanding of the complex and conflicted world of medieval England.
Author: Barrett Kalter
Publisher: Bucknell University Press
ISBN: 1611483794
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
The recovery and reinvention of the past were fundamental to the conception of the modern in England during the long eighteenth century. Scholars then forged connections between linear time and empirical evidence that transformed historical consciousness. Chronologers, textual critics, and antiquaries constructed the notion of a material past, which spread through the cultures of print and consumption to a broader public, offering powerful—and for that reason, contested—ways of perceiving temporality and change, the historicity of objects, and the relation between fact and imagination. But even as these innovative ideas won acceptance, they also generated rival forms of historical meaning. The regular progression of chronological time accentuated the deviance of anachronism and ephemerality, while the opposition of unique artifacts to ubiquitous commodities exoticized things that straddled this divide. Inspired by the authentic products as well as the anomalous by-products of contemporary scholarship, writers, craftsmen, and shoppers appropriated the past to create nostalgic and ironic alternatives to their own moment. Barrett Kalter explores the history of these “modern antiques,” including Dryden’s translation of Virgil, modernizations of The Canterbury Tales, Gray’s Gothic wallpaper, and Walpole’s Strawberry Hill. Though grounded in the ancient and medieval eras, these works uncannily addressed the controversies about monarchy, nationhood, commerce, and specialized knowledge that defined the present for the English eighteenth century. Bringing together literary criticism, historiography, material culture studies, and book history, Kalter argues that the proliferation of modern antiques in the period reveals modernity’s paradoxical emergence out of encounters with the past.
