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Author: Shuichi Takebayashi
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 330
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Book Description
Author: Shuichi Takebayashi
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 330
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Book Description
Author: Laura Olson
Publisher: Routledge
ISBN: 1134341083
Category : Education
Languages : en
Pages : 295
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Book Description
This book examines folk music and dance revival movements in Russia showing how folk 'tradition' in Russia is an artificial cultural construct, which is periodically reinvented.
Author: Kamala Ganesh
Publisher: SAGE
ISBN: 9780761933816
Category : History
Languages : en
Pages : 282
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Book Description
This collection of 17 original essays, provides insights into the many ways in which the interrelated issues of culture, identity and `Indianness' are expressed in contemporary times. The contributors map and evaluate the developments in their respective fields over the past 50 years and cover the topics of art, music, theatre, literature, philosophy, science, history and feminism.
Author: Pavel Shlossberg
Publisher: University of Arizona Press
ISBN: 0816530998
Category : Social Science
Languages : en
Pages : 281
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Book Description
Crafting Identity goes far beyond folklore in its ethnographic exploration of mask making in central Mexico. In addition to examining larger theoretical issues about indigenous and mestizo identity and cultural citizenship as represented through masks and festivals, the book also examines how dominant institutions of cultural production (art, media, and tourism) mediate Mexican “arte popular,” which makes Mexican indigeneity “digestible” from the standpoint of elite and popular Mexican nationalism and American and global markets for folklore. The first ethnographic study of its kind, the book examines how indigenous and mestizo mask makers, both popular and elite, view and contest relations of power and inequality through their craft. Using data from his interviews with mask makers, collectors, museum curators, editors, and others, Pavel Shlossberg places the artisans within the larger context of their relationships with the nation-state and Mexican elites, as well as with the production cultures that inform international arts and crafts markets. In exploring the connection of mask making to capitalism, the book examines the symbolic and material pressures brought to bear on Mexican artisans to embody and enact self-racializing stereotypes and the performance of stigmatized indigenous identities. Shlossberg’s weaving of ethnographic data and cultural theory demystifies the way mask makers ascribe meaning to their practices and illuminates how these practices are influenced by state and cultural institutions. Demonstrating how the practice of mask making negotiates ethnoracial identity with regard to the Mexican state and the United States, Shlossberg shows how it derives meaning, value, and economic worth in the eyes of the state and cultural institutions that mediate between the mask maker and the market.
Author: Philip V. Bohlman
Publisher: Indiana University Press
ISBN: 9780253112606
Category : Social Science
Languages : en
Pages : 188
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Book Description
"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." -- Bruno Nettl "... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." -- Asian Folklore Studies "... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... " -- Folklore Forum "... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.
Author: Dr. Soumen Sen
Publisher: Anjali Publishers
ISBN: 8189620681
Category : Social Science
Languages : en
Pages : 129
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Book Description
The essays are written in the context of the so-called tribal areas of the north-eastern region of India. The base data in most cases have however been collected from Meghalaya, the Khasi-Jaintia Hills in particular, my primary research universe. However, the ethnic groups living in the mountainous terrain of India’s north-east, show a characteristic unity, despite linguistic and cultural diversities, that of being in a state of social format called ‘tribal’ facing similar problems of static life, economy and under-development. Added to this are the tensions generated in recent years when education and some waves of development reached the region and tribal self-governing states in the Indian Union came in to being. Consequently, new issues have come into the fore–the issues relating to self-assertion, retention of the age-old cultural identity, the crisis of adjustment between tradition and modernity, and above all, the tensions of a change-over from the tranquil folklife to modern hurly-burly including those of the fast moving world in the days of globalization. Consequently, there also appeared a concern with folklore, the search for a ‘lore’ of essential core, to write a new history. Khasi Jaintia Oral Texts Folklore and Development Antithetic NorthEast India Mentalities,The Folklife and the Socio Psychologial Issues of Development Identity Narrative, Ritual and Historical Jaintia Religion and Identity Khasi Orality Khasi-Jaintia Genre of Folklore The Nongkrem Dances of Khasi Meghalaya Hills, Dales and Groves Folk, Court, Popular Hermeneutics of Religious Practices Verrier Elwin North-East Frontier
Author: J. Thomas Rimer
Publisher: Princeton University Press
ISBN: 140086125X
Category : History
Languages : en
Pages : 321
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Book Description
This collection of essays represents the first attempt in this country to examine systematically the nature and development of modern Japanese self-consciousness as expressed through culture. The essays reveal eloquently the extent to which important aspects of Japanese intellectual life in the early twentieth century were inspired by European models of cultural criticism, ranging from Kant and Hegel to Nietzsche, Marx, Durkheim, and Bergson. Implicitly comparative, this collection raises the question whether "late" industrialization and related processes call forth cultural convergence (as between "East" and "West") or whether a living culture transforms these processes and makes one nation's experience significantly different from that of others. Together with the editor, the contributors include Brett de Bary, Thomas W. Burkman, H. D. Harootunian, Germaine A. Hoston, Nozomu Kawamura, Stephen W. Kohl, William R. LaFleur, Hajimu Nakano, Donald Roden, Miriam Silverberg, Eugene Soviak, Jackie Stone, Shuji Takashina, and Makoto Ueda. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Tomasz Wicherkiewicz
Publisher: Walter de Gruyter
ISBN: 311090540X
Category : Language Arts & Disciplines
Languages : en
Pages : 553
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Book Description
The book presents unique literature in a minority ethnolect – the Germanic dialect of Wilamowice in Southern Poland. The manuscripts, written in the ethnolect at the beginning of the 20th century, were discovered in 1989. The book contains full versions of several texts of various length written by Florian Biesik, who decided to create a literary standard for Wilamowicean in order to prove its non-German, but possibly Anglo-Saxon, Dutch, Flemish or Frisian origin. Thus it presents both the dialectal literature and the most important elements of the local culture during the final stages of its extinction.
Author: Anthony Shay
Publisher: Springer Nature
ISBN: 3031233360
Category : Performing Arts
Languages : en
Pages : 343
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Book Description
This book is about the folk: the folk in folk dance, the folk in folklore, the folk in folk wisdom. When we see folk dance on the stage or in a tourist setting, which is the way in which many of us experience folk dance, the question arises are these the “real folk” performing their authentic dances? Or are they urban, well trained, carefully-rehearsed professional dancers who make their livelihood as representatives of a specific nation-state acting as the folk? Or something in between? This study delves more deeply into the folk, their origins, their identities in order to know the source of inspiration for ethno identity dances - dances prepared for the stage and the ballroom and for public performances from ballet, state folk dance ensembles and their amateur emulators, immigrant folk dance group performances, and tourist presentations. These dances, unlike modern dance, ballet, or most vernacular dances, always have strong ethnic references. It will also look at a gallery of choreographers and artistic directors across a wide spectrum of dance genres.
Author: Matthew Gelbart
Publisher: Cambridge University Press
ISBN: 1139466089
Category : Music
Languages : en
Pages : 265
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Book Description
We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.
