Author: Jacopo Sannazaro
Publisher: Wayne State University Press
ISBN: 9780814325766
Category : Literary Collections
Languages : en
Pages : 262
Book Description
This work contains prose translation of the poems of Neo-Latin poet Jacopo Sannazaro (1458-1530), whose work provides insights into Renaissance art, literature and socio-political history. The text also examines topics such as his influence on the development of English poetry.
The Major Latin Poems of Jacopo Sannazaro
Author: Jacopo Sannazaro
Publisher: Wayne State University Press
ISBN: 9780814325766
Category : Literary Collections
Languages : en
Pages : 262
Book Description
This work contains prose translation of the poems of Neo-Latin poet Jacopo Sannazaro (1458-1530), whose work provides insights into Renaissance art, literature and socio-political history. The text also examines topics such as his influence on the development of English poetry.
Publisher: Wayne State University Press
ISBN: 9780814325766
Category : Literary Collections
Languages : en
Pages : 262
Book Description
This work contains prose translation of the poems of Neo-Latin poet Jacopo Sannazaro (1458-1530), whose work provides insights into Renaissance art, literature and socio-political history. The text also examines topics such as his influence on the development of English poetry.
Latin Poetry
Author: Jacopo Sannazaro
Publisher: Harvard University Press
ISBN: 9780674034068
Category : History
Languages : en
Pages : 598
Book Description
Sannazaro (1456-1530) is most famous for having written the first pastoral romance in European literature, the Arcadia (1504). But after this work, he devoted himself entirely to Latin poetry modeled on his beloved Virgil. In addition to his epic The Virgin Birth (1526), he also composed Piscatory Eclogues, an adaption of the eclogue form.
Publisher: Harvard University Press
ISBN: 9780674034068
Category : History
Languages : en
Pages : 598
Book Description
Sannazaro (1456-1530) is most famous for having written the first pastoral romance in European literature, the Arcadia (1504). But after this work, he devoted himself entirely to Latin poetry modeled on his beloved Virgil. In addition to his epic The Virgin Birth (1526), he also composed Piscatory Eclogues, an adaption of the eclogue form.
The Reception of the Homeric Hymns
Author: Andrew Faulkner
Publisher: Oxford University Press
ISBN: 0191086967
Category : Literary Collections
Languages : en
Pages : 468
Book Description
The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively little attention and there remains much to explore, particularly in the area of their reception in later Greco-Roman literature and art. This volume aims to address this gap in scholarship by discussing a variety of Latin and Greek texts and authors across the late Hellenistic, Imperial, and Late Antique periods, including studies of major Latin authors, such as Virgil, Horace, and Ovid, and Byzantine authors writing in classicizing verse. While much of the book deals with classical reception of the Hymns, including looking beyond the textual realm to their influence on art, the editors and contributors have extended its scope to include discussion of Italian literature of the fifteenth century, German scholarship of the nineteenth century, and the English Romantic poets, demonstrating the enduring legacy of the Homeric Hymns in the literary world.
Publisher: Oxford University Press
ISBN: 0191086967
Category : Literary Collections
Languages : en
Pages : 468
Book Description
The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively little attention and there remains much to explore, particularly in the area of their reception in later Greco-Roman literature and art. This volume aims to address this gap in scholarship by discussing a variety of Latin and Greek texts and authors across the late Hellenistic, Imperial, and Late Antique periods, including studies of major Latin authors, such as Virgil, Horace, and Ovid, and Byzantine authors writing in classicizing verse. While much of the book deals with classical reception of the Hymns, including looking beyond the textual realm to their influence on art, the editors and contributors have extended its scope to include discussion of Italian literature of the fifteenth century, German scholarship of the nineteenth century, and the English Romantic poets, demonstrating the enduring legacy of the Homeric Hymns in the literary world.
Encyclopedia of Italian Literary Studies: A-J
Author: Gaetana Marrone
Publisher: Taylor & Francis
ISBN: 1579583903
Category : Italian literature
Languages : en
Pages : 2258
Book Description
Publisher description
Publisher: Taylor & Francis
ISBN: 1579583903
Category : Italian literature
Languages : en
Pages : 2258
Book Description
Publisher description
Campania in the Flavian Poetic Imagination
Author: Antony Augoustakis
Publisher: Oxford University Press
ISBN: 0192534823
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
The region of Campania with its fertility and volcanic landscape exercised great influence over the Roman cultural imagination. A hub of activity outside the city of Rome, the Bay of Naples was a place of otium, leisure and quiet, repose and literary productivity, and yet also a place of danger: the looming Vesuvius inspired both fear and awe in the region's inhabitants, while the Phlegraean Fields evoked the story of the gigantomachy and sulphurous lakes invited entry to the Underworld. For Flavian writers in particular, Campania became a locus for literary activity and geographical disaster when in 79 CE, the eruption of the volcano annihilated a great expanse of the region, burying under a mass of ash and lava the surrounding cities of Pompeii, Herculaneum, and Stabiae. In the aftermath of such tragedy the writers examined in this volume - Martial, Silius Italicus, Statius, and Valerius Flaccus - continued to live, work, and write about Campania, which emerges from their work as an alluring region held in the balance of luxury and peril.
Publisher: Oxford University Press
ISBN: 0192534823
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
The region of Campania with its fertility and volcanic landscape exercised great influence over the Roman cultural imagination. A hub of activity outside the city of Rome, the Bay of Naples was a place of otium, leisure and quiet, repose and literary productivity, and yet also a place of danger: the looming Vesuvius inspired both fear and awe in the region's inhabitants, while the Phlegraean Fields evoked the story of the gigantomachy and sulphurous lakes invited entry to the Underworld. For Flavian writers in particular, Campania became a locus for literary activity and geographical disaster when in 79 CE, the eruption of the volcano annihilated a great expanse of the region, burying under a mass of ash and lava the surrounding cities of Pompeii, Herculaneum, and Stabiae. In the aftermath of such tragedy the writers examined in this volume - Martial, Silius Italicus, Statius, and Valerius Flaccus - continued to live, work, and write about Campania, which emerges from their work as an alluring region held in the balance of luxury and peril.
Wine
Author: John Varriano
Publisher: Reaktion Books
ISBN: 186189886X
Category : Cooking
Languages : en
Pages : 282
Book Description
For oenophiles, casual wine-drinkers, and aesthetes alike, an informative and entertaining history sure to delight even the most sensitive palates. From celebrations of Bacchus in ancient Rome to the Last Supper and casual dinner parties, wine has long been a key component of festivities, ceremonies, and celebrations. Made by almost every civilization throughout history, in every part of the world, wine has been used in religious ceremonies, inspired artists and writers, been employed as a healing medicine, and, most often, sipped as a way to relax with a gathering of friends. Yet, like all other forms of alcohol, wine has also had its critics, who condemn it for the drunkenness and bad behavior that arise with its overconsumption. Wine can render you tongue-tied or philosophical; it can heal wounds or damage health; it can bring society together or rend it. In this fascinating cultural history of wine, John Varriano takes us on a tour of wine’s lively story, revealing the polarizing effect wine has had on society and culture through the ages. From its origins in ancient Egypt and Mesopotamia to the expanding contemporary industries in Australia, New Zealand, and America, Varriano examines how wine is made and how it has been used in rituals, revelries, and remedies throughout history. In addition, he investigates the history of wine’s transformative effects on body and soul in art, literature, and science from the mosaics of ancient Rome to the poetry of Dickinson and Neruda and the paintings of Caravaggio and Manet. A spirited exploration, this book will delight lovers of sauvignon blanc or pinot noir, as well as those who are interested in the rich history of human creativity and consumption.
Publisher: Reaktion Books
ISBN: 186189886X
Category : Cooking
Languages : en
Pages : 282
Book Description
For oenophiles, casual wine-drinkers, and aesthetes alike, an informative and entertaining history sure to delight even the most sensitive palates. From celebrations of Bacchus in ancient Rome to the Last Supper and casual dinner parties, wine has long been a key component of festivities, ceremonies, and celebrations. Made by almost every civilization throughout history, in every part of the world, wine has been used in religious ceremonies, inspired artists and writers, been employed as a healing medicine, and, most often, sipped as a way to relax with a gathering of friends. Yet, like all other forms of alcohol, wine has also had its critics, who condemn it for the drunkenness and bad behavior that arise with its overconsumption. Wine can render you tongue-tied or philosophical; it can heal wounds or damage health; it can bring society together or rend it. In this fascinating cultural history of wine, John Varriano takes us on a tour of wine’s lively story, revealing the polarizing effect wine has had on society and culture through the ages. From its origins in ancient Egypt and Mesopotamia to the expanding contemporary industries in Australia, New Zealand, and America, Varriano examines how wine is made and how it has been used in rituals, revelries, and remedies throughout history. In addition, he investigates the history of wine’s transformative effects on body and soul in art, literature, and science from the mosaics of ancient Rome to the poetry of Dickinson and Neruda and the paintings of Caravaggio and Manet. A spirited exploration, this book will delight lovers of sauvignon blanc or pinot noir, as well as those who are interested in the rich history of human creativity and consumption.
Poetry and Identity in Quattrocento Naples
Author: Matteo Soranzo
Publisher: Routledge
ISBN: 1317079442
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Poetry and Identity in Quattrocento Naples approaches poems as acts of cultural identity and investigates how a group of authors used poetry to develop a poetic style, while also displaying their position toward the culture of others. Starting from an analysis of Giovanni Pontano’s Parthenopeus and De amore coniugali, followed by a discussion of Jacopo Sannazaro’s Arcadia, Matteo Soranzo links the genesis and themes of these texts to the social, political and intellectual vicissitudes of Naples under the domination of Kings Alfonso and Ferrante. Delving further into Pontano’s literary and astrological production, Soranzo illustrates the consolidation and eventual dispersion of this author’s legacy by looking at the symbolic value attached to his masterpiece Urania, and at the genesis of Sannazaro’s De partu Virginis. Poetic works written in neo-Latin and the vernacular during the Aragonese domination, in this way, are examined not only as literary texts, but also as the building blocks of their authors’ careers.
Publisher: Routledge
ISBN: 1317079442
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Poetry and Identity in Quattrocento Naples approaches poems as acts of cultural identity and investigates how a group of authors used poetry to develop a poetic style, while also displaying their position toward the culture of others. Starting from an analysis of Giovanni Pontano’s Parthenopeus and De amore coniugali, followed by a discussion of Jacopo Sannazaro’s Arcadia, Matteo Soranzo links the genesis and themes of these texts to the social, political and intellectual vicissitudes of Naples under the domination of Kings Alfonso and Ferrante. Delving further into Pontano’s literary and astrological production, Soranzo illustrates the consolidation and eventual dispersion of this author’s legacy by looking at the symbolic value attached to his masterpiece Urania, and at the genesis of Sannazaro’s De partu Virginis. Poetic works written in neo-Latin and the vernacular during the Aragonese domination, in this way, are examined not only as literary texts, but also as the building blocks of their authors’ careers.
Vittoria Colonna and the Spiritual Poetics of the Italian Reformation
Author: Abigail Brundin
Publisher: Routledge
ISBN: 1317001060
Category : History
Languages : en
Pages : 235
Book Description
Vittoria Colonna was one of the best known and most highly celebrated female poets of the Italian Renaissance. Her work went through many editions during her lifetime, and she was widely considered by her contemporaries to be highly skilled in the art of constructing tightly controlled and beautifully modulated Petrarchan sonnets. In addition to her literary contacts, Colonna was also deeply involved with groups of reformers in Italy before the Council of Trent, an involvement which was to have a profound effect on her literary production. In this study, Abigail Brundin examines the manner in which Colonna's poetry came to fulfil, in a groundbreaking and unprecedented way, a reformed spiritual imperative, disseminating an evangelical message to a wide audience reading vernacular literature, and providing a model of spiritual verse which was to be adopted by later poets across the peninsula. She shows how, through careful management of an appropriate literary persona, Colonna's poetry was able to harness the power of print culture to extend its appeal to a much broader audience. In so doing this book manages to provide the vital link between the two central facets of Vittoria Colonna's production: her poetic evangelism, and her careful construction of a gendered identity within the literary culture of her age. The first full length study of Vittoria Colonna in English for a century, this book will be essential reading for scholars interested in issues of gender, literature, religious reform or the dynamics of cultural transmission in sixteenth-century Italy. It also provides an excellent background and contextualisation to anyone wishing to read Colonna's writings or to know more about her role as a mediator between the worlds of courtly Petrachism and religious reform.
Publisher: Routledge
ISBN: 1317001060
Category : History
Languages : en
Pages : 235
Book Description
Vittoria Colonna was one of the best known and most highly celebrated female poets of the Italian Renaissance. Her work went through many editions during her lifetime, and she was widely considered by her contemporaries to be highly skilled in the art of constructing tightly controlled and beautifully modulated Petrarchan sonnets. In addition to her literary contacts, Colonna was also deeply involved with groups of reformers in Italy before the Council of Trent, an involvement which was to have a profound effect on her literary production. In this study, Abigail Brundin examines the manner in which Colonna's poetry came to fulfil, in a groundbreaking and unprecedented way, a reformed spiritual imperative, disseminating an evangelical message to a wide audience reading vernacular literature, and providing a model of spiritual verse which was to be adopted by later poets across the peninsula. She shows how, through careful management of an appropriate literary persona, Colonna's poetry was able to harness the power of print culture to extend its appeal to a much broader audience. In so doing this book manages to provide the vital link between the two central facets of Vittoria Colonna's production: her poetic evangelism, and her careful construction of a gendered identity within the literary culture of her age. The first full length study of Vittoria Colonna in English for a century, this book will be essential reading for scholars interested in issues of gender, literature, religious reform or the dynamics of cultural transmission in sixteenth-century Italy. It also provides an excellent background and contextualisation to anyone wishing to read Colonna's writings or to know more about her role as a mediator between the worlds of courtly Petrachism and religious reform.
Virgil's Fourth Eclogue in the Italian Renaissance
Author: L. B. T. Houghton
Publisher: Cambridge University Press
ISBN: 1108499929
Category : Drama
Languages : en
Pages : 395
Book Description
This pioneering study reveals the central place held by Virgil's 'messianic' Eclogue in the art and literature of Renaissance Italy.
Publisher: Cambridge University Press
ISBN: 1108499929
Category : Drama
Languages : en
Pages : 395
Book Description
This pioneering study reveals the central place held by Virgil's 'messianic' Eclogue in the art and literature of Renaissance Italy.
Adonis
Author: Carlo Caruso
Publisher: A&C Black
ISBN: 1472538811
Category : Art
Languages : en
Pages : 179
Book Description
In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) Adone, published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.
Publisher: A&C Black
ISBN: 1472538811
Category : Art
Languages : en
Pages : 179
Book Description
In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) Adone, published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.