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Author: Jean Genet
Publisher: Grove/Atlantic, Inc.
ISBN: 0802194303
Category : Drama
Languages : en
Pages : 172
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Book Description
The two plays collected in this volume represent Genet’s first attempts to analyze the mores of a bourgeois society he had previously been content simply to vilify. In The Maids, two domestic workers, deeply resentful of their inferior social position, try to revenge themselves against society by destroying their employer. When their attempt to betray their mistress’s lover to the police fails and they are in danger of being found out, they dream of murdering Madame, little aware of the true power behind their darkest fantasy. In Deathwatch, two convicts try to impress a third, who is on the verge of achieving legendary status in criminal circles. But neither realizes the lengths to which they will go to gain respect or that, in the end, nothing they can do—including murder—will get them what they are searching for.
Author: Jean Genet
Publisher: Grove/Atlantic, Inc.
ISBN: 0802194303
Category : Drama
Languages : en
Pages : 172
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Book Description
The two plays collected in this volume represent Genet’s first attempts to analyze the mores of a bourgeois society he had previously been content simply to vilify. In The Maids, two domestic workers, deeply resentful of their inferior social position, try to revenge themselves against society by destroying their employer. When their attempt to betray their mistress’s lover to the police fails and they are in danger of being found out, they dream of murdering Madame, little aware of the true power behind their darkest fantasy. In Deathwatch, two convicts try to impress a third, who is on the verge of achieving legendary status in criminal circles. But neither realizes the lengths to which they will go to gain respect or that, in the end, nothing they can do—including murder—will get them what they are searching for.
Author: Jean Genet
Publisher: Grove Press
ISBN: 0802151582
Category : Antiques & Collectibles
Languages : en
Pages : 210
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Book Description
Explicitly political, The Screens is set within the context of the Algerian War. The play's cast of over fifty characters moves through seventeen scenes, the world of the living breaching the world of the dead by means of shifting the screens--the only scenery--in a brilliant tour de force of spectacle and drama.
Author: Jean Genet
Publisher:
ISBN: 9780571251513
Category : French drama
Languages : en
Pages : 0
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Book Description
"Deathwatch," Jean Genet's earliest, shortest and most formally straightforward play, was first performed in Paris in 1949. It retains an intense power and makes an excellent introduction to his later dramas - "The Maids," "The Balcony," "The Blacks," "The Screens." The French text of "Deathwatch," published by Gallimard, was extensively altered by Genet during rehearsal; and Bernard Frechtman's translation is of the final 'performance' version, which supersedes the original published text. Three convicts share a cramped prison cell. There is no question as to which of them is the dominant dog in the pack: Green Eyes (Yeux-Verts) has brutally murdered a woman and is to be executed. Lefranc and the younger novice-like Maurice are inside for less grave crimes. But both of them covet Green Eyes' attention, baiting each other in the process, a duel that drives inexorably toward violence.
Author: Jean Genet
Publisher: Open Road + Grove/Atlantic
ISBN: 0802194249
Category : Fiction
Languages : en
Pages : 207
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Book Description
The shattering novel of underground life the New York Times called “a cry of rapture and horror . . . the purest lyrical genius.” Jean Genet’s debut novel Our Lady of the Flowers, which is often considered to be his masterpiece, was written entirely in the solitude of a prison cell. A semi- autobiographical account of one man’s journey through the Paris demi-monde, dubbed “the epic of masturbation” by no less a figure than Jean-Paul Sartre, the novel’s exceptional value lies in its exquisite ambiguity.
Author: Jean Genet
Publisher: Grove Press
ISBN: 9780802130877
Category : Fiction
Languages : en
Pages : 266
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Book Description
A fictionalized account of the author's lover, Jean Decarin, who was killed in the Resistance during the liberation of Paris in World War II.
Author: Jean Genet
Publisher: Grove Press
ISBN: 9780802130884
Category : Fiction
Languages : en
Pages : 308
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Book Description
This nightmarish account of prison life during the German occupation of France is dominated by the figure of the condemned murderer Harcamone, who takes root and bears unearthly blooms in the ecstatic and brooding imagination of his fellow prisoner Genet.
Author: Marguerite Yourcenar
Publisher: Macmillan
ISBN: 0374519064
Category : Fiction
Languages : en
Pages : 130
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Book Description
"It was with Alexis that, in 1929, Marguerite Yourcenar began her career as a novelist. Few literary debuts in this centry are quite as astonishing; for this profound analysis of a man's homosexuality was written by a young woman of twenty-four. The novel takes the form of a letter from the protagonist, Alexis, to his wife, Monique. His letter declares that he can no longer continue in the marriage, that he must obey the demands of his own sexuality, against which he has struggled in vain, to achieve a freedom without which he cannot live"--Back cover.
Author: Mischa Twitchin
Publisher: Springer
ISBN: 1137478721
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?
Author: Rachel Edwards
Publisher: OUP Oxford
ISBN: 0191541699
Category : History
Languages : en
Pages : 142
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Book Description
The 1933 killing by the Papin sisters of their mistress and her daughter was an act of unexampled violence by women against women, whose repercussions have been felt in French culture ever since. It received wide journalistic coverage at the time, and subsequently prominent literary figures such as Jean-Paul Sartre, Simone de Beauvoir and Jean Genet have dealt with the case, which has also formed the basis of a stage play (by Wendy Kesselmann) and films by Nico Papatakis, Nancy Meckler and Claude Chabrol. The case casts fascinating light on French provincial life between the wars, the role of women (especially unmarried ones) in French society, and French views of the criminal outsider. Its impact on psychoanalytic discourse, through the work first of Jacques Lacan, then of Francis Dupré and Marie-Magdeleine Lessana, has also been considerable, notably in its contribution to the development of the key notion of the mirror-phase. The almost obsessive recurrence of the case makes of it a fascinating prism through which to examine multiple aspects of recent French culture.
Author: Kenneth Krauss
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634967
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
In this volume, Kenneth Krauss maintains that if readers are to comprehend playscripts as plays, they must imagine the theatre audience - so vital to the staging of any script, but conspicuously absent from the text itself. Krauss examines what has been written about reading playscripts (or "playreading") and proposes four possible ways, founded on a reception-oriented approach to theatre communication and spectator response, that playreaders may construct a sense of theatre audiences.
