The Lyric Art of Pierre Perrin, Founder of French Opera: Recueil de paroles de musique de Mr Perrin PDF Download
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Author: Louis E. Auld
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256
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Book Description
The Lyric Art of Pierre Perrin, Founder of French Opera. Part 3: Recueil de Paroles de Musique de Mr. Perrin. By Louis E. Auld. Study and edition of the lyric texts from Perrin. For more information, see http: //www.corpusmusicae.com/ms/ms42.htm
Author: Louis E. Auld
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256
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Book Description
The Lyric Art of Pierre Perrin, Founder of French Opera. Part 3: Recueil de Paroles de Musique de Mr. Perrin. By Louis E. Auld. Study and edition of the lyric texts from Perrin. For more information, see http: //www.corpusmusicae.com/ms/ms42.htm
Author: Louis E. Auld
Publisher:
ISBN:
Category : Libretto
Languages : en
Pages : 216
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Book Description
Part 1: Birth of French opera ; Part 2: Lyric theory and practice ; Part 3: Recueil de paroles de musique de Mr. Perrin.
Author: Louis E. Auld
Publisher:
ISBN:
Category : Librettists
Languages : en
Pages : 232
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Book Description
Author: Louis E. Auld
Publisher:
ISBN:
Category : Librettists
Languages : fr
Pages : 232
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Book Description
The Lyric Art of Pierre Perrin, Founder of French Opera. Part 3: Recueil de Paroles de Musique de Mr. Perrin. By Louis E. Auld. Study and edition of the lyric texts from Perrin. For more information, see http: //www.corpusmusicae.com/ms/ms42.htm
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 0807837733
Category : Music
Languages : en
Pages : 513
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Book Description
Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate. The second part recounts the development of the oratorio in Italy, circa 1640-1720. It reviews the social contexts, patrons, composers, poets, librettos, and music of the oratorio in Italy, especially in Vienna and Paris. The procedure adapted throughout the work is to treat first the social context, particularly the circumstances of performance of the oratorio in a given area and period, then to treat the libretto, and finally the music. For each geographic area and period, the author has selected for special attention a few oratorios that appear to be particularly important or representative. He has verified the information offered in the specialized literature whenever possible by reference to the music or documents. In a number of areas, particular seventeenth-century Italy, in which relatively few previous studies have been undertaken or secondary sources have proven to be inadequate, the author has examined the primary sources in manuscript and printed form -- music, librettos, and documents of early oratorio history. Impressive research and intelligent integration of disparate elements make this complicated, diffuse subject both readable and accessible to the student of music. Volume 2, The Oratorio in the Baroque Era: Protestant Germany and England, and Volume 3, The Oratorio in the Classical Era, continue and expand the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. This new work--the first English-language study of the history of the oratorio will become the standard work on its subject and an enduring contribution to music and scholarship. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Ignacio Prats-Arolas
Publisher: Taylor & Francis
ISBN: 1003846408
Category : Music
Languages : en
Pages : 304
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Book Description
This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Author: John S. Powell
Publisher: Clarendon Press
ISBN: 9780198165996
Category : History
Languages : en
Pages : 622
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Book Description
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Author: Tai Wai Li
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : History
Languages : en
Pages : 230
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Book Description
Esprit-Joseph-Antoine Blanchard, a contemporary of Jean-Philippe Rameau, is regarded as a representative composer of religious music in eighteenth-century France. This book focuses on the eleven grands motets selected by Marc-François Bêche, a highly esteemed singer of the Chapelle Royale, who had firsthand experience of Blanchard's music performed during the king's mass at Versailles. The author provides a comprehensive examination of Blanchard's finest motets by exploring concepts and ideas that are appropriate in illuminating the composer's musical style. He also discusses in detail various issues pertinent to the liturgical context and performance of this repertoire.
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 996
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Book Description
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 686
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Book Description
