The Lyric Art of Pierre Perrin, Founder of French Opera PDF Download
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Author: Louis E. Auld
Publisher:
ISBN:
Category : Librettists
Languages : en
Pages : 232
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Book Description
Author: Louis E. Auld
Publisher:
ISBN:
Category : Librettists
Languages : en
Pages : 232
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Book Description
Author: Louis E. Auld
Publisher:
ISBN: 9780931902284
Category : Librettists
Languages : en
Pages : 216
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Book Description
Author: Louis E. Auld
Publisher:
ISBN: 9780931902284
Category :
Languages : en
Pages : 0
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Book Description
The Lyric Art of Pierre Perrin, Founder of French Opera. Part 1: Birth of French Opera. By Louis E. Auld. Study with music examples. For more information, see http: //www.corpusmusicae.com/ms/ms41.htm
Author: Louis E. Auld
Publisher:
ISBN: 9780931902284
Category : Libretto
Languages : en
Pages :
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Book Description
Author: Louis E. Auld
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256
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Book Description
The Lyric Art of Pierre Perrin, Founder of French Opera. Part 3: Recueil de Paroles de Musique de Mr. Perrin. By Louis E. Auld. Study and edition of the lyric texts from Perrin. For more information, see http: //www.corpusmusicae.com/ms/ms42.htm
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Louis E. Auld
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
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Book Description
Author: Music History and Literature San Francisco Conservatory of Music John Spitzer Chair
Publisher: Oxford University Press, USA
ISBN: 9780199719914
Category : Music
Languages : en
Pages : 670
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Book Description
This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.
Author: John Spitzer
Publisher: Oxford University Press
ISBN: 0198164343
Category : Music
Languages : en
Pages : 635
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Book Description
This book traces the emergence of the orchestra from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and ArcangeloCorelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon.Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.
Author: Georgia Cowart
Publisher: University Rochester Press
ISBN: 9780835718820
Category : Music
Languages : en
Pages : 284
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Book Description
The seventeenth and eighteenth centuries in France were witness to dramatic changes in all aspects of social and cultural life. During this era, a new and modern spirit of critical inquiry arose, a change in ethos that had a major effect on all the arts. French Musical Thought, 1600-1800 is a diverse collection of essays offering new perspectives and insight on musical opinion during one of the most fascinating periods in French history. The essays in this volume, the authors of which include musicologists, historians and literary scholars, illuminate clearly the relationship of critical thought in music to contemporary developments in philosophy, art, literature and politics. In the final analysis, scholars contend that music aesthetics, criticism and theory can be understood only against the backdrop of a dynamic cultural milieu.Contributors: Claude V. Palisca, Jane R. Stevens, Louis E. Auld, Gloria Flaherty, Robert M. Isherwood, Albert Cohen, Barbara Russano Hanning, David Allen Duncan, Charles Dill, Georgia Cowart.
