The Lost Panoramas of the Mississippi PDF Download
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Author: John Francis McDermott
Publisher:
ISBN:
Category : Mississippi River
Languages : en
Pages : 240
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Book Description
"The panorama was a ... newsreel travelogue documentary 'movie' all rolled into one long, long, pictorial canvas between two slowly revolving cylinders ... [to the] acccompaniment of explanatory narration by the panoramist, passed the great river, its banks and bluffs, its steamers and squatters' shacks, its hamlets and cities, from St. Paul to New Orleans." Dust jacket.
Author: John Francis McDermott
Publisher:
ISBN:
Category : Mississippi River
Languages : en
Pages : 240
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Book Description
"The panorama was a ... newsreel travelogue documentary 'movie' all rolled into one long, long, pictorial canvas between two slowly revolving cylinders ... [to the] acccompaniment of explanatory narration by the panoramist, passed the great river, its banks and bluffs, its steamers and squatters' shacks, its hamlets and cities, from St. Paul to New Orleans." Dust jacket.
Author: John William Reps
Publisher: University of Missouri Press
ISBN: 0826204163
Category : Canada
Languages : en
Pages : 594
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Book Description
Union list catalog of the lithographic views of cities and towns made during the 19th century.
Author: Laurie Garrison
Publisher: Taylor & Francis
ISBN: 1040128971
Category : History
Languages : en
Pages : 513
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Book Description
The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.
Author: Laurie Garrison
Publisher: Taylor & Francis
ISBN: 1040128963
Category : History
Languages : en
Pages : 415
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Book Description
The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.
Author: S. Tenneriello
Publisher: Springer
ISBN: 1137360623
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
Scenic spectacles collapse the borders of graphic and visual arts, multimedia technology, spectatorship and architecture. Drawing upon various systems of commercial, institutional and public spectacle that intersect with scenic stages of the national landscape, Tenneriello examines how spectacle is entrenched in the formation of national identity.
Author: Bernard Comment
Publisher: Reaktion Books
ISBN: 9781861891235
Category : Architecture
Languages : en
Pages : 282
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Book Description
In this book, Bernard Comment examines the wide variety of panoramas featuring both the old and the new worlds. Included among views of cities are Robert Baker's View of Edinburgh and depictions of Paris, Moscow and Lima.
Author: Peter E. Palmquist
Publisher: Stanford University Press
ISBN: 9780804740579
Category : Photography
Languages : en
Pages : 784
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Book Description
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
Author: Erkki Huhtamo
Publisher: MIT Press
ISBN: 0262547546
Category : Social Science
Languages : en
Pages : 461
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Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
Author: Brian W. Dippie
Publisher: U of Nebraska Press
ISBN: 9780803216839
Category : Art
Languages : en
Pages : 600
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Book Description
George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life?more than thirty years?wasødevoted largely to promoting, repainting, and selling his collection?in short, to seeking patronage. Catlin and His Contemporaries examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as doomed and competed with them for federal assistance. In a young republic with little institutional and governmental support available, painters, writers, and scholars became rivals and sometimes bitter adversaries. Brian W. Dippie untangles the complex web of interrelationships between artists, government officials, members of Congress, businessmen, antiquarians and literati, kings and queens, and the Indians themselves. In this history of the politics of patronage during the nineteenth century, luminaries like Henry Rowe Schoolcraft, Henry H. Sibley, John James Audubon, Alfred Jacob Miller, and Karl Bodmer are linked with Catlin in a contest for the support of the arts, setting a precedent for later generations. That the contenders "produced so much of enduring importance under such trying circumstances," Dippie observes,"was the sought-for miracle that had seemed to elude them in their lives."
Author: Scott MacDonald
Publisher: Univ of California Press
ISBN: 0520926455
Category : Performing Arts
Languages : en
Pages : 505
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Book Description
The Garden in the Machine explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualizes his discussion with a wide-ranging and deeply informed analysis of the depiction of place in nineteenth- and twentieth-century literature, painting, and photography. Accessible and engaging, this book examines the manner in which these films represent nature and landscape in particular, and location in general. It offers us both new readings of the films under consideration and an expanded sense of modern film history. Among the many antecedents to the films and videos discussed here are Thomas Cole's landscape painting, Thoreau's Walden, Olmsted and Vaux's Central Park, and Eadweard Muybridge's panoramic photographs of San Francisco. MacDonald analyzes the work of many accomplished avant-garde filmmakers: Kenneth Anger, Bruce Baillie, James Benning, Stan Brakhage, Nathaniel Dorsky, Hollis Frampton, Ernie Gehr, Larry Gottheim, Robert Huot, Peter Hutton, Marjorie Keller, Rose Lowder, Marie Menken, J.J. Murphy, Andrew Noren, Pat O'Neill, Leighton Pierce, Carolee Schneemann, and Chick Strand. He also examines a variety of recent commercial feature films, as well as independent experiments in documentary and such contributions to independent video history as George Kuchar's Weather Diaries and Ellen Spiro's Roam Sweet Home. MacDonald reveals the spiritual underpinnings of these works and shows how issues of race, ethnicity, gender, and class are conveyed as filmmakers attempt to discover forms of Edenic serenity within the Machine of modern society. Both personal and scholarly, The Garden in the Machine will be an invaluable resource for those interested in investigating and experiencing a broader spectrum of cinema in their teaching, in their research, and in their lives.
