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Author: Treve Rosoman
Publisher:
ISBN:
Category : Interior decoration
Languages : en
Pages : 66
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Book Description
Author: Treve Rosoman
Publisher:
ISBN:
Category : Interior decoration
Languages : en
Pages : 66
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Book Description
Author: Jessica Stokes
Publisher: Ilex Press
ISBN: 9781781572429
Category :
Languages : en
Pages : 96
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Book Description
If you love to colour, and enjoy experimenting with palettes and combinations, then this surprising and beautiful colouring book is for you. Discover twenty wallpapers in classic designs spanning the decades, from the 18th century to the present day. For each design there are several options to try different colour combinations, and in addition, each is accompanied by a room furnished for the era. The walls are yours to complete in the colours of your choice. And watch out for signs of their occupants: they have left a few clues!
Author: Elsie De Wolfe
Publisher:
ISBN:
Category : Interior decoration
Languages : en
Pages : 344
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Book Description
Author: Zoë Hendon
Publisher: Bloomsbury Publishing
ISBN: 1784423122
Category : Design
Languages : en
Pages : 77
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Book Description
We agonise and argue when choosing it; we admire, compliment and criticise it (or keep politely quiet about it); and the rest of the time we don't even notice it. Wallpaper has been the backdrop to our homes for hundreds of years. It can make a house feel cosy or trendy, modern or traditional, and it is one of the key elements of home décor through which to express personal taste. Despite the threat from plain-painted minimalism, wallpaper maintains a strong presence in modern domestic decoration. Zoë Hendon traces the history of wallpaper in Britain and its foremost designers, examining how social mobility and new technologies have influenced design trends. From early Chinoiserie, through William Morris and on to the 'feature wall', this book looks at wallpaper's surprisingly controversial place in shaping our sense of home.
Author: Charlotte Perkins Gilman
Publisher: Modernista
ISBN: 9180946518
Category :
Languages : en
Pages : 18
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Book Description
She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.
Author: Catherine Lynn
Publisher: W. W. Norton & Company
ISBN: 9780393014488
Category : Antiques & Collectibles
Languages : en
Pages : 570
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Book Description
Drawing on the extensive collections of the Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design, as well as from sources across America and Europe, the author documents the changing tastes in pattern and color preferences. Richly illustrated with 102 color plates and over 245 black and white photographs, this book is a stunning achievement.
Author: Catherine Lynn
Publisher:
ISBN:
Category : Wallpaper
Languages : en
Pages : 90
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Book Description
Author: Clare Taylor
Publisher: Routledge
ISBN: 1351021761
Category : Art
Languages : en
Pages : 234
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Book Description
Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.
Author: Charles Oman
Publisher: ABRAMS
ISBN:
Category : Wallpaper
Languages : en
Pages : 496
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Book Description
"Examines anonymous wallpapers and wallpaper designs from 1509 to 1978 as well as looking at works by individual artists."--
Author: Lucinda Hawksley
Publisher: National Geographic Books
ISBN: 0500518386
Category : Design
Languages : en
Pages : 0
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Book Description
The shocking story of a deadly trend in Victorian wallpaper design, illustrated by beautiful and previously unseen arsenic-riddled designs from the British National Archives In Germany, in 1814, Wilhelm Sattler created an extremely toxic arsenic and verdigris compound pigment, Schweinfurt green–known also as Paris, Vienna, or emerald green–which became an instant favorite amongst designers and manufacturers the world over, thanks to its versatility in creating enduring yellows, vivid greens, and brilliant blues. Most insidiously, the arsenic-laced pigment made its way into intricately patterned, brightly colored wallpapers and from there, as they became increasingly in vogue, into the Victorian home. As its use became widespread, commercial arsenic mines increased production to meet the near-insatiable demand. Not least of which was the UK’s largest mining plant, DGC whose owner was William Morris, originator of the British Arts and Crafts movement and arguably the finest wallpaper designer of his generation. Bitten by Witch Fever (Morris’s own phrase to dismiss arsenic- and- wall-paper-related public health concerns in 1885) tells this fatal story of Victorian home décor, building upon new research conducted especially for this book by the British National Archive, on their own samples. Spliced between the sections of text are stunning facsimiles of the wallpapers themselves.
