Author: Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 208
Book Description
The London Stage: 1700-1729, by E. L. Avery
Author: Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 208
Book Description
The London Stage, 1660-1800: 1700-1729, edited with a critical introd. by E. L. Avery. 2 v
Author: Publisher:
ISBN:
Category : London (England)
Languages : en
Pages :
Book Description
The London Stage, 1660-1800. Part 2: 1700-1729. Edited with a critical introduction by E. L. Avery
Author: Emmett Langdon AVERYPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The London Stage
Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
London Stage, 1700-1729
Author: E. L. AveryPublisher:
ISBN:
Category :
Languages : en
Pages : 192
Book Description
The London Stage, 1660-1800: 1700-1729, edited with a critical introd. by E. L. Avery. 2 v
Author: William Van LennepPublisher:
ISBN:
Category : London (England)
Languages : en
Pages : 648
Book Description
CONTENTS.--pt. 2. 1700-1729, edited with a critical introd. by E. L. Avery. 2 v.
The London Stage, 1660-1800: 1729-1747, edited with a critical introd. by A. H. Scouten. 2 v
Author: William Van LennepPublisher:
ISBN:
Category : London (England)
Languages : en
Pages : 848
Book Description
CONTENTS.--pt. 2. 1700-1729, edited with a critical introd. by E. L. Avery. 2 v.
The London Stage, 1660-1800: 1660-1700, edited by W. Van Lennep, with a critical introd. by E. L. Avery and A. H. Scouten
Author: Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 856
Book Description
CONTENTS.--pt. 2. 1700-1729, edited with a critical introd. by E. L. Avery. 2 v.
The Lively Arts of the London Stage, 1675–1725
Author: Kathryn LowerrePublisher: Routledge
ISBN: 1351886517
Category : Performing Arts
Languages : en
Pages : 306
Book Description
Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.
The London Stage, 1660-1800: v. 1-3. 1776-1800
Author: Publisher:
ISBN:
Category : Dance
Languages : en
Pages :
Book Description
CONTENTS.--pt. 2. 1700-1729, edited with a critical introd. by E. L. Avery. 2 v.
