The little country theater

The little country theater PDF Author: Alfred G. Arvold
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 155

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Book Description
"The little country theater" by Alfred G. Arvold. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The little country theater

The little country theater PDF Author: Alfred G. Arvold
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 155

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Book Description
"The little country theater" by Alfred G. Arvold. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Little Country Theater (Classic Reprint)

The Little Country Theater (Classic Reprint) PDF Author: Alfred G. Arvold
Publisher: Forgotten Books
ISBN: 9780332861432
Category : Biography & Autobiography
Languages : en
Pages : 276

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Book Description
Excerpt from The Little Country Theater New Year's Eve the last stroke of the brush was made. The quaint cottage, the snow white-capped mountain, the tumbling waterfall and the steep ascending cliffs were painted in a manner which brought many favorable com ments from competent art critics. The blend ing Of the colors was magnificent. It was genuine art. The beauty Of it all was that these two young men found that they could express themselves even on canvas. Just as they had painted their scenery on the stage Of the theater, so did they write their play, acting out each line before they put it in final form for presentation. Often they worked all night until four O'clock in the morning. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Little Theater Classics, Vol. 3 (Classic Reprint)

Little Theater Classics, Vol. 3 (Classic Reprint) PDF Author: Samuel Atkins Eliot
Publisher: Forgotten Books
ISBN: 9780267189083
Category : Drama
Languages : en
Pages : 252

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Book Description
Excerpt from Little Theater Classics, Vol. 3 The New York Draina League's Community Theatre Exchange has listed more than a hundred non-pro fessional producing groups now active the country over, and receives from them innumerable appeals for plays; so we may hope that these four, heavy as the volume may appear, will fill a real breach. SO far as We know, only the concluding farces of the first two volumes have been produced since this series began. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Little Country Theater

The Little Country Theater PDF Author:
Publisher:
ISBN:
Category : Little theater movement
Languages : en
Pages : 32

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Book Description


The Little Country Theatre

The Little Country Theatre PDF Author:
Publisher:
ISBN:
Category : Little theater movement
Languages : en
Pages : 34

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Book Description


Little Theater Classics, Vol. 2 (Classic Reprint)

Little Theater Classics, Vol. 2 (Classic Reprint) PDF Author: Samuel Atkins Eliot
Publisher:
ISBN: 9781330958124
Category : Drama
Languages : en
Pages : 264

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Book Description
Excerpt from Little Theater Classics, Vol. 2 With the return of peace and resumption of normal activities, the Little Theater Movement visibly revives and flourishes. It is less esoteric, more communal than it used to be. The Community Houses which will probably be erected everywhere in fitting memorial for those who died for democracy will normally include a stage: the theater has attained that degree of recognition in America. The art of the theater, though it still cannot be fostered and enjoyed on a profitable basis save when by a stroke of luck a play like Ervine's John Ferguson produced by the New York Theater Guild in May, 1919, meets unexpected, widespread public favor, yet finds ever-increasing interest and support. Not even in War's darkest days was its growth wholly checked; the Detroit Arts and Crafts Theater, the Provincetown Players in New York and Copeau's Theatre du Vieux Colombier, now lost to us once more in Paris, continued to pioneer and unfold new possibilities of drama and stagecraft. A yet more fervent discipleship among all who care for Art itself may be expected now, and consequently a more rapid, venturesome, and financially sustained progress should mark the next few years than signalized the movement's infancy in 1911-1918. Three of the plays in this second volume of our series were produced before the eclipse of 1918, - two of them in a good many little Theaters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

One Act Plays (Classic Reprint)

One Act Plays (Classic Reprint) PDF Author: Helen Louise Cohen
Publisher: Forgotten Books
ISBN: 9780484247849
Category : Drama
Languages : en
Pages : 420

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Book Description
Excerpt from One Act Plays The one-act play is a new form of the drama and more emphatically a new form of literature. Its possibilities began to attract the attention of European and American writers in the last decade of the nineteenth century, those years when so many dramatic traditions lapsed and so many precedents were established. It is significant that the Oldest play in the present collection is Maeterlinck's The Intruder, published in 1890. The history of this new form is of necessity brief. Before its vogue became general, one-act plays were being presented 'in vaudeville houses in this country and were being used as curtain raisers in London theatres for the purpose of marking time until the late-dining audiences should arrive. With the exception of the famous Grand Guignol Theatre in Paris, where the entertainment for an evening might consist of sev eral one-act plays, all of the hair-raising, blood-curdling variety, programs composed entirely of one-act plays were rare. Sir James Matthew Barrie is usually credited with being the first in England to write one-act plays intended to be grouped in a single production. A program of this character has been un common in the commercial theatre in America, but three of Barrie's one-act plays, constituting a single program, have met with enthusiastic response from American audiences. There are two new developments in the history of the theatre that have encouraged and promoted the writing of one act plays: the one is the Repertory Theatre abroad and the other is the Little Theatre movement on both sides of the At lantic. The repertory of the Irish Players, for example, is composed largely of one-act plays, and American Little Theatres are given over almost exclusively to the one-act play. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Theatre, Vol. 23

The Theatre, Vol. 23 PDF Author: Addison Bright
Publisher: Forgotten Books
ISBN: 9780266623144
Category : Drama
Languages : en
Pages : 744

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Book Description
Excerpt from The Theatre, Vol. 23: A Monthly Review of the Drama, Music, and the Fine Arts; January to June, 1894 HE Abb Marignan, as soldier of the Church, bore his fighting title well. He was a tall, thin priest, very fanatical, of an ecstatic but upright soul. All his beliefs were fixed, without ever a wavering. He thought that he understood God thoroughly, that he penetrated His designs, His wishes, His in tentions. When he promenaded with great strides in the garden-walk of his little country parsonage, sometimes a question rose in his mind Why did God make that? And in fancy taking the place of God, he searched obstinately, and nearly always he found the reason. It is not he who would have mur mured in a transport of pious humility, O Lord, Thy ways are past finding out He said to himself, I am the servant of God I ought to know the reason of what He does, or to divine it if I do not. Everything in nature seemed to him created with an absolute and admirable logic. The wherefore and the because were always balanced. The dawns were made to render glad your waking, the days to ripen the harvests, the rains to water them, the evenings to prepare for sleeping, and the nights dark for sleep. The four seasons corresponded perfectly to all the needs of agriculture; and to him the suspicion could never have come that nature has no intentions and that all which lives has bent itself, on the contrary, to'the hard conditions of different-periods, of climates, and of matter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Drama, 1916, Vol. 6

The Drama, 1916, Vol. 6 PDF Author: Theodore Ballou Hinckley
Publisher: Forgotten Books
ISBN: 9781334491436
Category : Drama
Languages : en
Pages : 712

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Book Description
Excerpt from The Drama, 1916, Vol. 6: A Quarterly Magazine Devoted to the Enjoyment of the Play and the Theatre European Dramatists, and The Changing Drama. His previous articles in the Drum are: Trans valuation of Contemporary Dramatic Values, The Printed Play: A New Technic, and The Published Play. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Play Producing for School and Little Theatre Stages (Classic Reprint)

Play Producing for School and Little Theatre Stages (Classic Reprint) PDF Author: Frederick H. Koch
Publisher: Forgotten Books
ISBN: 9781528466264
Category : Business & Economics
Languages : en
Pages : 232

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Book Description
Excerpt from Play Producing for School and Little Theatre Stages In the fall of 1918 when the formation of The Carolina Playmakers was planned at Chapel Hill, the Bureau of Community Drama was organized in the Extension Division of the University to encourage the producing of plays in the schools and towns of North Carolina. More than this, it has been our hope from the first to create an active interest in the writing of original folk-plays drawn from the native folk life. From these simple beginnings a remarkable renaissance in the drama has come. Today there is acting and playwriting everywhere in our Carolina country, in high schools, colleges, and little theatres from the Great Smoky Mountains to the sea. The formation of our state-wide Carolina Dramatic Association, twelve years ago, made secure the foundations of a real people's theatre in North Carolina. The rising tide of dramatic endeavor was unchecked by the hazards of the devastating financial crisis. The Twelfth Annual Festival and State Tournament of the Association, held in The Playmakers Theatre at Chapel Hill in March, was a thrilling adventure for all of us. The Festival was truly a dramatic revival. Three hundred and fourteen (314) players and directors presented thirty-one (31) plays (eleven of them original). Many of them brought their own scenery and properties. Some of them traveled hundreds of miles. And more than 3500 people attended the Festival. Through the generosity of one of the Foundations last year we were able to make available to the state the services of an Extension Instructor in Dramatic Arts, Mr. John W. Parker, Playmaker alum nus. The whole state became his campus. During the year he drove more than thirty thousand miles in assisting teachers in developing dramatics in the schools and in training directors for towns and country communities all over North Carolina. During the year he conducted five classes in Play Production, with a total enrollment of one hundred and fifty (150) students (mostly teachers), representing over sixty (60) towns and communities. The students received regu lar University credits, applicable toward a degree or toward renewing or raising teaching certificates. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.