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Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 556
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Book Description
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 556
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Book Description
Author: Julie A. Buckler
Publisher: Stanford University Press
ISBN: 9780804732475
Category : Music
Languages : en
Pages : 320
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Book Description
This book uses a literary lens to examine the diverse practices, lore, and texts of opera-going in imperial Russia.
Author: Pamela Lothspeich
Publisher: Taylor & Francis
ISBN: 1000912167
Category : Literary Criticism
Languages : en
Pages : 661
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Book Description
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to religious traditions and/or to peoples who have largely "stayed put"; the tendency to reimagine and retell stories in new ways over centuries; and the imbrication of epic storytelling and forms of colonialism and imperialism, especially those perpetuated and glorified by Euro-Americans over the past 500 years, resulting in unspeakable and immeasurable harms to humans, other living beings, and the planet Earth. The Epic World is a go-to volume for anyone interested in epic literature in a global framework. Engaging with powerful stories and ways of knowing beyond those of the predominantly white Global North, this field-shifting volume exposes the false premises of "Western civilization" and "Classics," and brings new questions and perspectives to epic studies.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 676
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Book Description
Author: Louise McReynolds
Publisher: Duke University Press
ISBN: 9780822327905
Category : Drama
Languages : en
Pages : 358
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Book Description
DIVUses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture--in particular, the uses to which popular culture was put in the Soviet period./div
Author: Julie Buckler
Publisher: University of Wisconsin Press
ISBN: 0299318303
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Throughout its modern history, Russia has seen a succession of highly performative social acts that play out prominently in the public sphere. This innovative volume brings the fields of performance studies and Russian studies into dialog for the first time and shows that performance is a vital means for understanding Russia's culture from the reign of Peter the Great to the era of Putin. These twenty-seven essays encompass a diverse range of topics, from dance and classical music to live poetry and from viral video to public jubilees and political protest. As a whole they comprise an integrated, compelling intervention in Russian studies. Challenging the primacy of the written word in this field, the volume fosters a larger intellectual community informed by theories and practices of performance from anthropology, art history, dance studies, film studies, cultural and social history, literary studies, musicology, political science, theater studies, and sociology.
Author: A. Fishzon
Publisher: Springer
ISBN: 1137023457
Category : History
Languages : en
Pages : 453
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Book Description
In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief. A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-siècle European popular and high culture, selfhood, authenticity, and political theater.
Author: Rebecca Mitchell
Publisher: Yale University Press
ISBN: 0300216491
Category : History
Languages : en
Pages : 336
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Book Description
A prevailing belief among Russia’s cultural elite in the early twentieth century was that the music of composers such as Sergei Rachmaninoff, Aleksandr Scriabin, and Nikolai Medtner could forge a shared identity for the Russian people across social and economic divides. In this illuminating study of competing artistic and ideological visions at the close of Russia’s “Silver Age,” author Rebecca Mitchell interweaves cultural history, music, and philosophy to explore how “Nietzsche’s orphans” strove to find in music a means to overcome the disunity of modern life in the final tumultuous years before World War I and the Communist Revolution.
Author: Ruth Bereson
Publisher: Routledge
ISBN: 1134469942
Category : Social Science
Languages : en
Pages : 238
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Book Description
The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
Author: Helena Goscilo
Publisher: Indiana University Press
ISBN: 0253027896
Category : History
Languages : en
Pages : 264
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Book Description
“Goscilo and Norris’ innovative anthology provides Slavic scholars with a panoramic view of the city’s literary, pictorial and social manifestations.” —Europe-Asia Studies For more than three centuries, St. Petersburg, founded in 1703 by Peter the Great as Russia’s westward-oriented capital and as a visually stunning showcase of Russia’s imperial ambitions, has been the country’s most mythologized city. Like a museum piece, it has functioned as a site for preservation, a literal and imaginative place where Russians can commune with idealized pasts. Preserving Petersburg represents a significant departure from traditional representations. By moving beyond the “Petersburg text” created by canonized writers and artists, the contributors to this engrossing volume trace the ways in which St. Petersburg has become a “museum piece,” embodying history, nostalgia, and recourse to memories of the past. The essays in this attractively illustrated volume trace a process of preservation that stretches back nearly three centuries, as manifest in the works of noted historians, poets, novelists, artists, architects, filmmakers, and dramatists. “The collection truly sparkles as the contributors each in turn take up this snuff box of a city . . . and breathe movement and life into the idealized Petersburg museum.” —Gregory Stroud, Bennington College “This collection brings together history, literature, architecture, and the politics of memory.” —Choice “An interesting and important contribution to existing scholarship on St. Petersburg’s myth, cult, and text . . . this volume is distinctive.” —Catharine Theimer Nepomnyashchy, Columbia University “A truly innovative contribution to the scholarship on Petersburg . . . The volume should be read by all serious Slavic scholars.” —Emily Johnson, University of Oklahoma
