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Author: John Jea
Publisher:
ISBN: 9781409981121
Category : Biography & Autobiography
Languages : en
Pages : 88
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Book Description
John Jea (1773-? ) was an African-American slave. He was sold into slavery in New York with his family, where they worked for a Dutch couple, Oliver and Angelika Triehuen. After learning to read the Bible, he was freed and eventually embarked on a journey to Boston, New Orleans, South America, Holland, France, Germany, Ireland and England, where he worked as a preacher. In 1811 he published his autobiography, The Life, History, and Unparalleled Sufferings of John Jea, the African Preacher, along with poems, thus being one of the first African-American poets to have written an autobiography.
Author: John Jea
Publisher:
ISBN: 9781409981121
Category : Biography & Autobiography
Languages : en
Pages : 88
Get Book Here
Book Description
John Jea (1773-? ) was an African-American slave. He was sold into slavery in New York with his family, where they worked for a Dutch couple, Oliver and Angelika Triehuen. After learning to read the Bible, he was freed and eventually embarked on a journey to Boston, New Orleans, South America, Holland, France, Germany, Ireland and England, where he worked as a preacher. In 1811 he published his autobiography, The Life, History, and Unparalleled Sufferings of John Jea, the African Preacher, along with poems, thus being one of the first African-American poets to have written an autobiography.
Author: David Dabydeen
Publisher: Routledge
ISBN: 1000748618
Category : Language Arts & Disciplines
Languages : en
Pages : 395
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Book Description
Most writers associated with the first generation of British Romanticism - Blake, Coleridge, Wordsworth, Southey, Thelwall, and others - wrote against the slave trade. This edition collects a corpus of work which reflects the issues and theories concerning slavery and the status of the slave.
Author: W. Jeffrey. Bolster
Publisher: Harvard University Press
ISBN: 0674028473
Category : History
Languages : en
Pages : 349
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Book Description
Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together--even as deeply internalized prejudices drove them apart--but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.An epic tale of the rise and fall of black seafaring, Black Jacks is African Americans' freedom story presented from a fresh perspective.
Author: Bénédicte Boisseron
Publisher: Columbia University Press
ISBN: 0231546742
Category : Nature
Languages : en
Pages : 234
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Book Description
The animal-rights organization PETA asked “Are Animals the New Slaves?” in a controversial 2005 fundraising campaign; that same year, after the Humane Society rescued pets in the aftermath of Hurricane Katrina while black residents were neglected, some declared that white America cares more about pets than black people. These are but two recent examples of a centuries-long history in which black life has been pitted against animal life. Does comparing human and animal suffering trivialize black pain, or might the intersections of racialization and animalization shed light on interlinked forms of oppression? In Afro-Dog, Bénédicte Boisseron investigates the relationship between race and the animal in the history and culture of the Americas and the black Atlantic, exposing a hegemonic system that compulsively links and opposes blackness and animality to measure the value of life. She analyzes the association between black civil disobedience and canine repression, a history that spans the era of slavery through the use of police dogs against protesters during the civil rights movement of the 1960s to today in places like Ferguson, Missouri. She also traces the lineage of blackness and the animal in Caribbean literature and struggles over minorities’ right to pet ownership alongside nuanced readings of Derrida and other French theorists. Drawing on recent debates on black lives and animal welfare, Afro-Dog reframes the fast-growing interest in human–animal relationships by positioning blackness as a focus of animal inquiry, opening new possibilities for animal studies and black studies to think side by side.
Author: Rimi Xhemajli
Publisher: Wipf and Stock Publishers
ISBN: 172526921X
Category : Religion
Languages : en
Pages : 346
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Book Description
In The Supernatural and the Circuit Riders, Rimi Xhemajli shows how a small but passionate movement grew and shook the religious world through astonishing signs and wonders. Beginning in the late eighteenth century, early American Methodist preachers, known as circuit riders, were appointed to evangelize the American frontier by presenting an experiential gospel: one that featured extraordinary phenomena that originated from God’s Spirit. In employing this evangelistic strategy of the gospel message fueled by supernatural displays, Methodism rapidly expanded. Despite beginning with only ten official circuit riders in the early 1770s, by the early 1830s, circuit riders had multiplied and caused Methodism to become the largest American denomination of its day. In investigating the significance of the supernatural in the circuit rider ministry, Xhemajli provides a new historical perspective through his eye-opening demonstration of the correlation between the supernatural and the explosive membership growth of early American Methodism, which fueled the Second Great Awakening. In doing so, he also prompts the consideration of the relevance and reproduction of such acts in the American church today.
Author: Stephen R. Berry
Publisher: Yale University Press
ISBN: 0300210256
Category : History
Languages : en
Pages : 337
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Book Description
In October 1735, James Oglethorpe’s Georgia Expedition set sail from London, bound for Georgia. Two hundred and twenty-seven passengers boarded two merchant ships accompanied by a British naval vessel and began a transformative voyage across the Atlantic that would last nearly five months. Chronicling their passage in journals, letters, and other accounts, the migrants described the challenges of physical confinement, the experiences of living closely with people from different regions, religions, and classes, and the multi-faceted character of the ocean itself. Using their specific journey as his narrative arc, Stephen Berry’s A Path in the Mighty Waters tells the broader and hereto underexplored story of how people experienced their crossings to the New World in the eighteenth-century. During this time, hundreds of thousands of Europeans – mainly Irish and German – crossed the Atlantic as part of their martial, mercantile, political, or religious calling. Histories of these migrations, however, have often erased the ocean itself, giving priority to activities performed on solid ground. Reframing these histories, Berry shows how the ocean was more than a backdrop for human events; it actively shaped historical experiences by furnishing a dissociative break from normal patterns of life and a formative stage in travelers’ processes of collective identification. Shipboard life, serving as a profound conversion experience for travelers, both spiritually and culturally, resembled the conditions of a frontier or border zone where the chaos of pure possibility encountered an inner need for stability and continuity, producing permutations on existing beliefs. Drawing on an impressive array of archival collections, Berry’s vivid and rich account reveals the crucial role the Atlantic played in history and how it has lingered in American memory as a defining experience.
Author: Nicole N. Aljoe
Publisher: University of Virginia Press
ISBN: 081393639X
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Focusing on slave narratives from the Atlantic world of the eighteenth and early nineteenth centuries, this interdisciplinary collection of essays suggests the importance—even the necessity—of looking beyond the iconic and ubiquitous works of Olaudah Equiano, Frederick Douglass, and Harriet Jacobs. In granting sustained critical attention to writers such as Briton Hammon, Omar Ibn Said, Juan Francisco Manzano, Nat Turner, and Venture Smith, among others, this book makes a crucial contribution not only to scholarship on the slave narrative but also to our understanding of early African American and Black Atlantic literature. The essays explore the social and cultural contexts, the aesthetic and rhetorical techniques, and the political and ideological features of these noncanonical texts. By concentrating on earlier slave narratives not only from the United States but from the Caribbean, South America, and Latin America as well, the volume highlights the inherent transnationality of the genre, illuminating its complex cultural origins and global circulation.
Author: Kari J. Winter
Publisher: University of Georgia Press
ISBN: 0820339539
Category : Social Science
Languages : en
Pages : 235
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Book Description
As a young man, John B. Prentis (1788-1848) expressed outrage over slavery, but by the end of his life he had transported thousands of enslaved persons from the upper to the lower South. Kari J. Winter's life-and-times portrayal of a slave trader illuminates the clash between two American dreams: one of wealth, the other of equality. Prentis was born into a prominent Virginia family. His grandfather, William Prentis, emigrated from London to Williamsburg in 1715 as an indentured servant and rose to become the major shareholder in colonial Virginia's most successful store. William's son Joseph became a Revolutionary judge and legislator who served alongside Thomas Jefferson, Patrick Henry, and James Madison. Joseph Jr. followed his father's legal career, whereas John was drawn to commerce. To finance his early business ventures, he began trading in slaves. In time he grew besotted with the high-stakes trade, appeasing his conscience with the populist platitudes of Jacksonian democracy, which aggressively promoted white male democracy in conjunction with white male supremacy. Prentis's life illuminates the intertwined politics of labor, race, class, and gender in the young American nation. Participating in a revolution in the ethics of labor that upheld Benjamin Franklin as its icon, he rejected the gentility of his upbringing to embrace solidarity with "mechanicks," white working-class men. His capacity for admirable thoughts and actions complicates images drawn by elite slaveholders, who projected the worst aspects of slavery onto traders while imagining themselves as benign patriarchs. This is an absorbing story of a man who betrayed his innate sense of justice to pursue wealth through the most vicious forms of human exploitation.
Author: Verner D. Mitchell
Publisher: Rowman & Littlefield
ISBN: 1538101467
Category : Art
Languages : en
Pages : 410
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Book Description
This reference identifies key contributors to the Black Arts Movement, the name given to a group of poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. This book also discusses major works produced during the period, as well as significant publications, influential groups, and organizations.
Author: Henry Louis Gates, Jr.
Publisher: Oxford University Press
ISBN: 0199874514
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Hailed in The New York Times Book Review as "eclectic, exciting, convincing, provocative" and in The Washington Post Book World as "brilliantly original," Henry Louis Gates, Jr.'s The Signifying Monkey is a groundbreaking work that illuminates the relationship between the African and African-American vernacular traditions and black literature. It elaborates a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, Gates uncovers a unique system for interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. Exploring the process of signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. This superb 25th-Anniversary Edition features a new preface by Gates that reflects on the impact of the book and its relevance for today's society as well as a new afterword written by noted critic W. T. J. Mitchell.
