The Life and Work of Albert Ernest Carrier-Belleuse

The Life and Work of Albert Ernest Carrier-Belleuse PDF Author: June Ellen Hargrove
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1180

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The Life and Work of Albert Ernest Carrier-Belleuse

The Life and Work of Albert Ernest Carrier-Belleuse PDF Author: June Ellen Hargrove
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1180

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Book Description


The Life and Work of Albert Ernest Carrier-Belleuse

The Life and Work of Albert Ernest Carrier-Belleuse PDF Author: June Ellen Hargrove
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 321

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The Life and Work of Albert Carrier-Belleuse

The Life and Work of Albert Carrier-Belleuse PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 316

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The Life and Work of Albert Carrier-Belleuse

The Life and Work of Albert Carrier-Belleuse PDF Author: June Ellen Hargrove
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 602

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Albert Carrier-Belleuse. 1824-1887

Albert Carrier-Belleuse. 1824-1887 PDF Author: Achille Segard
Publisher:
ISBN:
Category :
Languages : fr
Pages : 91

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Zinc Sculpture in America, 1850-1950

Zinc Sculpture in America, 1850-1950 PDF Author: Carol A. Grissom
Publisher: Associated University Presse
ISBN: 9780874130317
Category : Art
Languages : en
Pages : 720

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Book Description
Introduced in the United States as a new material for statuary in the mid-nineteenth century, zinc has properties that allowed replication at low cost. It was used to produce modestly priced serial sculpture displayed throughout the nation on fountains, public monuments, and war memorials. Imitative finishes created the illusion of more costly bronze, stone, or polychrome wood. This first comprehensive overview of American zinc sculpture is interdisciplinary, engaging aspects of art history, popular culture, local history, technology, and art conservation. Included is a generously illustrated catalogue presenting more than eight hundred statues organized by type: trade figures and Indians, gods and goddesses, fountain figures, animals, famous men, military figures, firemen, cemetery memorials, and religous subjects. The compilation of data on these statues will be valuable to scholars, filling the current void in research libraries. The author's experience as a conservator will also make the an essential resource for historic preservationists seeking to repair statues now damaged by years of outdoor exposure. This book has 555 illustrations, 354 of which are in color. Carol Grissom is Senior Objects Conservator at the Smithsonian's Museum Conservation Institute.

The Man Who Invented Motion Pictures

The Man Who Invented Motion Pictures PDF Author: Paul Fischer
Publisher: Simon and Schuster
ISBN: 1982114827
Category : Art
Languages : en
Pages : 416

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Book Description
In 1888 Louis Le Prince shot the world's first motion picture. In 1890, weeks before the public unveiling of his camera and projector - a year before Thomas Edison announced that he had invented a motion picture camera - Le Prince stepped on a train in France - and disappeared without a trace. He was never seen or heard from again, and his body never found

"Sculptors and Design Reform in France, 1848 to 1895 "

Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245

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Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.

National Identity and Nineteenth-Century Franco-Belgian Sculpture

National Identity and Nineteenth-Century Franco-Belgian Sculpture PDF Author: Jana Wijnsouw
Publisher: Routledge
ISBN: 1351778145
Category : Art
Languages : en
Pages : 322

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Book Description
This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.

Blacks and Blackness in European Art of the Long Nineteenth Century

Blacks and Blackness in European Art of the Long Nineteenth Century PDF Author: AdrienneL. Childs
Publisher: Routledge
ISBN: 1351573489
Category : Art
Languages : en
Pages : 252

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Book Description
Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ?negative? and ?positive? that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-si?e photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from G?cault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.