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Author: Chance Harvey
Publisher: Pelican Publishing
ISBN: 9781455607365
Category : Biography & Autobiography
Languages : en
Pages : 346
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Book Description
A biography of the legendary early-twentieth-century New Orleans writer who directed the Federal Writers’ Project WPA guide to Louisiana. Here is the first full biography of the legendary writer known as Mr. Louisiana and Mr. New Orleans. Lyle Saxon’s life was colorful, busy, and full of contrasts. He presented himself as the perfect Southern gentleman, but he grew up fatherless in modest circumstances. As host of a French Quarter salon, Saxon dispensed drinks, anecdotes, loans, and advice to many friends, including William Faulkner, Oliver La Farge, and Sherwood Anderson, yet he was often lonely and retreated to his solitary cabin at Melrose plantation. While Saxon was ambivalent toward his work with the WPA Writers’ Project, begrudging the time it took from his own writing, the Louisiana division was, under his direction, the most productive in the United States. Though Saxon’s history books bought him fame and a place in New York literary circles, he was deeply insecure about his talent and mourned his inability to write novels. A Southern-literature scholar and a longtime fan of Lyle Saxon, Professor Harvey has researched the facts behind Saxon myths and presents the reality behind his legend. This volume also contains excerpts from Saxon’s correspondence with family and friends, including letters from Grace King, William Spratling, and Sherwood Anderson. Praise for The Life and Selected Letters of Lyle Saxon “[Harvey’s] use of Saxon’s letters . . . provide a unique and objective way of analyzing this fascinating individual while allowing Saxon to speak for himself.” —Louisiana Libraries “Pays him the respect he deserves and uncovers the essential loneliness of the most convivial of men.” —New Orleans Times-Picayune “Saxon’s life makes an interesting story and Harvey’s prose brings it fully to life.” —Brookhaven Daily Leader
Author: Chance Harvey
Publisher: Pelican Publishing
ISBN: 9781455607365
Category : Biography & Autobiography
Languages : en
Pages : 346
Get Book Here
Book Description
A biography of the legendary early-twentieth-century New Orleans writer who directed the Federal Writers’ Project WPA guide to Louisiana. Here is the first full biography of the legendary writer known as Mr. Louisiana and Mr. New Orleans. Lyle Saxon’s life was colorful, busy, and full of contrasts. He presented himself as the perfect Southern gentleman, but he grew up fatherless in modest circumstances. As host of a French Quarter salon, Saxon dispensed drinks, anecdotes, loans, and advice to many friends, including William Faulkner, Oliver La Farge, and Sherwood Anderson, yet he was often lonely and retreated to his solitary cabin at Melrose plantation. While Saxon was ambivalent toward his work with the WPA Writers’ Project, begrudging the time it took from his own writing, the Louisiana division was, under his direction, the most productive in the United States. Though Saxon’s history books bought him fame and a place in New York literary circles, he was deeply insecure about his talent and mourned his inability to write novels. A Southern-literature scholar and a longtime fan of Lyle Saxon, Professor Harvey has researched the facts behind Saxon myths and presents the reality behind his legend. This volume also contains excerpts from Saxon’s correspondence with family and friends, including letters from Grace King, William Spratling, and Sherwood Anderson. Praise for The Life and Selected Letters of Lyle Saxon “[Harvey’s] use of Saxon’s letters . . . provide a unique and objective way of analyzing this fascinating individual while allowing Saxon to speak for himself.” —Louisiana Libraries “Pays him the respect he deserves and uncovers the essential loneliness of the most convivial of men.” —New Orleans Times-Picayune “Saxon’s life makes an interesting story and Harvey’s prose brings it fully to life.” —Brookhaven Daily Leader
Author: Jack Dunsmoor
Publisher: Lulu.com
ISBN: 1483428540
Category : Biography & Autobiography
Languages : en
Pages : 611
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Book Description
OK2BG is narrative nonfiction, a Memoir about a guy who wants to be a Mentor preferably to a teenager, so they can have a decent & meaningful conversation about stuff & preferably with a kid at-risk, or just otherwise lost, in order to help both the teenager as well as the determined subject of this story realize their unique potential & find or reinforce their place in the world. Overall, a chronicle about the author’s attempt over several years to understand the question of ‘why do I want to be a Mentor’ which eventually helps him become a more insightful person. Subsequently in September, 2010 after a plague of teen suicides, Jack turns his attention to researching gay biographies into optimistically appropriate groups of books for gay kids at-risk, from bullying. After 5 years Jack has categorized 2,000+ books in the form of Memoirs, Biographies & Autobiographies written by or about 1,000+ allegedly gay men. The primary message in OK2BG is to read & reassess before you run asunder!
Author: Rien Fertel
Publisher: LSU Press
ISBN: 0807158240
Category : Foreign Language Study
Languages : en
Pages : 220
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Book Description
In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output -- histories and novels, poetry and plays -- that white Creoles used to imagine themselves as a unified community of writers and readers. Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of "Creole" and used it as a marker of status and power. By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.
Author: Robin Clifford Wood
Publisher: Simon and Schuster
ISBN: 1647420466
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
Born of illustrious New England stock, Rachel Field was a National Book Award–winning novelist, a Newbery Medal–winning children’s writer, a poet, playwright, and rising Hollywood success in the early twentieth century. Her light was abruptly extinguished at the age of forty-seven, when she died at the pinnacle of her personal happiness and professional acclaim. Fifty years later, Robin Clifford Wood stepped onto the sagging floorboards of Rachel’s long-neglected home on the rugged shores of an island in Maine and began dredging up Rachel’s history. She was determined to answer the questions that filled the house’s every crevice: Who was this vibrant, talented artist whose very name entrances those who still remember her work? Why is that work—so richly remunerated and widely celebrated in her lifetime—so largely forgotten today? The journey into Rachel’s world took Wood further than she ever dreamed possible, unveiling a life fraught with challenge, and buried by tragedy, and yet incandescent with joy. The Field House is a book about beauty—beauty in Maine island landscapes, in friendship, love, and heartbreak; beauty hidden beneath a woman’s woefully unbeautiful exterior; beauty in a rare, delightful spirit that still whispers from the past. Just listen.
Author: John Shelton Reed
Publisher: LSU Press
ISBN: 0807147648
Category : History
Languages : en
Pages : 346
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Book Description
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.
Author: Scott S. Ellis
Publisher: Univ. Press of Mississippi
ISBN: 1604733594
Category : History
Languages : en
Pages : 332
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Book Description
Celebrated in media and myth, New Orleans's French Quarter (Vieux Carr(r)) was the original settlement of what became the city of New Orleans. In Madame Vieux Carr(r), Scott S. Ellis presents the social and political history of this famous district as it evolved from 1900 through the beginning of the twenty-first century. From the immigrants of the 1910s, to the preservationists of the 1930s, to the nightclub workers and owners of the 1950s and the urban revivalists of the 1990s, Madame Vieux Carr(r) examines the many different people who have called the Quarter home, who have defined its character, and who have fought to keep it from being overwhelmed by tourism's neon and kitsch. The old French village took on different roles--bastion of the French Creoles, Italian immigrant slum, honky-tonk enclave, literary incubator, working-class community, and tourist playground. The Quarter has been a place of refuge for various groups before they became mainstream Americans. Although the Vieux Carr(r) has been marketed as a free-wheeling, boozy tourist concept, it exists on many levels for many groups, some with competing agendas. Madame Vieux Carr(r) looks, with unromanticized frankness, at these groups, their intentions, and the future of the South's most historic and famous neighborhood. The author, a former Quarter resident, combines five years of research, personal experience, and unique interviews to weave an eminently readable history of one of America's favorite neig
Author: Patricia Austin Becker
Publisher: LSU Press
ISBN: 0807170283
Category : History
Languages : en
Pages : 368
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Book Description
A National Historic Landmark with a complex and remarkable two-hundred-year history, Melrose Plantation near Natchitoches, Louisiana, was home to many notable women, including freedwoman and entrepreneur Marie Thérèse Coincoin and artist Clementine Hunter. Among that influential group, Cammie Henry, the mistress of Melrose during the first half of the twentieth century, stands out as someone who influenced the plantation’s legacy in dramatic and memorable ways. In Cane River Bohemia, Patricia Austin Becker provides a vivid biography of this fascinating figure. Born on a sugar plantation in south Louisiana in 1871, Cammie Henry moved with her husband to Melrose in 1899 and immediately set to work restoring the property. She extended her impact on Melrose, the surrounding community, and the region when she began to host an artist colony in the 1920s and 1930s. Writers and painters visiting the bucolic setting could focus on their creative pursuits and find encouragement for their efforts. The most frequent visitors—considered by Cammie to be her circle of “congenial souls”—included writer/journalist Lyle Saxon, naturalist Caroline Dormon, author Ada Jack Carver, and painter Alberta Kinsey. Artists and artisans such as Harnett Kane, Roark Bradford, William Spratling, Doris Ulmann, and Sherwood Anderson also found their way to Melrose. In addition to hosting well-known guests, Henry began a collection of history books, nineteenth-century manuscripts, and scrapbooks of clippings and memorabilia that later brought her attention from the wider world. Researchers and writers contacted Henry frequently as the reputation of her library grew, and today the Cammie G. Henry Research Center at Northwestern State University houses this impressive collection that serves as a lasting tribute to Henry’s passion for the preservation of words as well as for the South’s material culture, including quilting, spinning, and gardening.
Author: Margaret Rose Vendryes
Publisher: Univ. Press of Mississippi
ISBN: 9781604730920
Category : Art
Languages : en
Pages : 256
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Book Description
A celebration of the acclaimed African American modern sculptor
Author: Daniel H. Usner
Publisher: University of Georgia Press
ISBN: 082034849X
Category : History
Languages : en
Pages : 136
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Book Description
River-cane baskets woven by the Chitimachas of south Louisiana are universally admired for their beauty and workmanship. Recounting friendships that Chitimacha weaver Christine Paul (1874–1946) sustained with two non-Native women at different parts of her life, this book offers a rare vantage point into the lives of American Indians in the segregated South. Mary Bradford (1869–1954) and Caroline Dormon (1888–1971) were not only friends of Christine Paul; they were also patrons who helped connect Paul and other Chitimacha weavers with buyers for their work. Daniel H. Usner uses Paul’s letters to Bradford and Dormon to reveal how Indian women, as mediators between their own communities and surrounding outsiders, often drew on accumulated authority and experience in multicultural negotiation to forge new relationships with non-Indian women. Bradford’s initial interest in Paul was philanthropic, while Dormon’s was anthropological. Both certainly admired the artistry of Chitimacha baskets. For her part, Paul saw in Bradford and Dormon opportunities to promote her basketry tradition and expand a network of outsiders sympathetic to her tribe’s vulnerability on many fronts. As Usner explores these friendships, he touches on a range of factors that may have shaped them, including class differences, racial attitudes, and shared ideals of womanhood. The result is an engaging story of American Indian livelihood, identity, and self-determination.
Author: Janet Allured
Publisher: University of Georgia Press
ISBN: 0820342696
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
Highlights the significant historical contributions of some of Louisiana's most noteworthy and also overlooked women from the eighteenth century to the present. This volume underscores the cultural, social, and political distinctiveness of the state and showcases how these women affected its history.
