Author: Thomas Cole National Historic Site
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Letters & Journal of Maria Bartow Cole
Author: Thomas Cole National Historic Site
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Letters
Author: Washington Irving
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 1042
Book Description
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 1042
Book Description
Thomas Cole
Author: John R. Stilgoe
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 116
Book Description
Thomas Cole: Drawn to Nature documents the first major exhibition on Thomas Cole organized by the Albany Institute of History & Art since 1941.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 116
Book Description
Thomas Cole: Drawn to Nature documents the first major exhibition on Thomas Cole organized by the Albany Institute of History & Art since 1941.
To Walk with Nature
Author: Howard S. Merritt
Publisher: Hudson River Museum
ISBN:
Category : Art
Languages : en
Pages : 68
Book Description
Publisher: Hudson River Museum
ISBN:
Category : Art
Languages : en
Pages : 68
Book Description
Annual Report
Author: New York State Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1130
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1130
Book Description
The Hand and the Spirit
Author: Jane Dillenberger
Publisher: Berkeley : University Art Museum
ISBN:
Category : Art, African
Languages : en
Pages : 196
Book Description
Publisher: Berkeley : University Art Museum
ISBN:
Category : Art, African
Languages : en
Pages : 196
Book Description
The Art of Thomas Cole
Author: Ellwood Parry
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
The New York Genealogical and Biographical Record
Author: Richard Henry Greene
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 392
Book Description
Report
Author: New York State Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 730
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 730
Book Description
The Empire of the Eye
Author: Angela L. Miller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
"The great nineteenth-century American landscape paintings - panoramic visions of natural design - have long been interpreted as expressions of the very spirit of national expansionism. Surveying American landscape art in light of its political, institutional, and cultural history from the 1820s through the post-Civil War era, Angela Miller profoundly alters our understanding of the genre. In this richly illustrated volume, she shows how landscape paintings, beyond reflecting the beauty and the power of nature, served as a medium through which disquieting questions concerning the future of the new republic could be raised symbolically." "Making use of a wide array of sources including diaries, letters, travel writings, criticism, and essays, Miller illuminates the meaning of landscape images for nineteenth-century viewers. She reassesses the ideological influence of Thomas Cole on successive generations of artists and reinterprets the new types of national landscape that emerged among New York-based painters beginning in the 1840s. Miller offers fresh analyses of such key works as Cole's View from Mount Holyoke, Northampton, Massachusetts (The Oxbow) (1836), Asher B. Durand's Progress (1853), John Frederick Kensett's White Mountains - Mount Washington (1851), Frederic Church's New England Scenery (1851), and Sanford Gifford's Kauterskill Clove (1862). The cultural identity expressed by nationalist landscape painting, she asserts, was marked by competing commitments to region and nation, by uncertainties over gender relations, and by the paradox of a nature simultaneously invested with spiritual values and used to underwrite an ideology of progress." "Enhanced by eight color plates and sixty-four black-and-white reproductions, The Empire of the Eye represents a major contribution to American cultural studies and the history of landscape art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
"The great nineteenth-century American landscape paintings - panoramic visions of natural design - have long been interpreted as expressions of the very spirit of national expansionism. Surveying American landscape art in light of its political, institutional, and cultural history from the 1820s through the post-Civil War era, Angela Miller profoundly alters our understanding of the genre. In this richly illustrated volume, she shows how landscape paintings, beyond reflecting the beauty and the power of nature, served as a medium through which disquieting questions concerning the future of the new republic could be raised symbolically." "Making use of a wide array of sources including diaries, letters, travel writings, criticism, and essays, Miller illuminates the meaning of landscape images for nineteenth-century viewers. She reassesses the ideological influence of Thomas Cole on successive generations of artists and reinterprets the new types of national landscape that emerged among New York-based painters beginning in the 1840s. Miller offers fresh analyses of such key works as Cole's View from Mount Holyoke, Northampton, Massachusetts (The Oxbow) (1836), Asher B. Durand's Progress (1853), John Frederick Kensett's White Mountains - Mount Washington (1851), Frederic Church's New England Scenery (1851), and Sanford Gifford's Kauterskill Clove (1862). The cultural identity expressed by nationalist landscape painting, she asserts, was marked by competing commitments to region and nation, by uncertainties over gender relations, and by the paradox of a nature simultaneously invested with spiritual values and used to underwrite an ideology of progress." "Enhanced by eight color plates and sixty-four black-and-white reproductions, The Empire of the Eye represents a major contribution to American cultural studies and the history of landscape art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved