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Author: Andrew M. Beresford
Publisher: Tamesis Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
An introduction to the legends of Saints Thaïs and Pelagia, together with critical editions of the five Castilian redactions. The legends of the holy harlots, Thaïs and Pelagia, are two of the most controversial accounts of female sanctity to have circulated in Spain during the Middle Ages. In this book, which reviews the origin and development of theircults, the author reconsiders the relationships that have traditionally been thought to exist between them and three of the other so-called prostitute saints: Mary Magdalene, Mary of Egypt, and Mary the niece of Abraham. This is accompanied by an evaluation of the five Castilian versions of the two legends and their Latin sources, followed by a reading of their thematic and structural significance, with particular emphasis paid to the ways in which the twowomen renounce their sins and embark on the slow and agonizing path of redemption. The book is completed by critical editions of the five Castilian versions. ANDREW M. BERESFORD lectures in Spanish at the University of Durham.
Author: Andrew M. Beresford
Publisher: Tamesis Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 186
Get Book Here
Book Description
An introduction to the legends of Saints Thaïs and Pelagia, together with critical editions of the five Castilian redactions. The legends of the holy harlots, Thaïs and Pelagia, are two of the most controversial accounts of female sanctity to have circulated in Spain during the Middle Ages. In this book, which reviews the origin and development of theircults, the author reconsiders the relationships that have traditionally been thought to exist between them and three of the other so-called prostitute saints: Mary Magdalene, Mary of Egypt, and Mary the niece of Abraham. This is accompanied by an evaluation of the five Castilian versions of the two legends and their Latin sources, followed by a reading of their thematic and structural significance, with particular emphasis paid to the ways in which the twowomen renounce their sins and embark on the slow and agonizing path of redemption. The book is completed by critical editions of the five Castilian versions. ANDREW M. BERESFORD lectures in Spanish at the University of Durham.
Author: Juliette Vuille
Publisher: Boydell & Brewer
ISBN: 184384589X
Category : Literary Collections
Languages : en
Pages : 298
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Book Description
First comprehensive investigation of the major significance of female sinners turned saints in medieval literature.
Author: Morris
Publisher:
ISBN:
Category : Crosses
Languages : en
Pages : 706
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Book Description
Author: Emma Gatland
Publisher: Boydell & Brewer Ltd
ISBN: 1855662299
Category : Biography & Autobiography
Languages : en
Pages : 267
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Book Description
This book examines one collection of saints' lives, or sanctorals, and the twenty-five female saints witnessed therein. Included in the study are transcriptions of twenty-two previously unedited lives.
Author: Phyllis A. Bird
Publisher: Penn State Press
ISBN: 1646020189
Category : Religion
Languages : en
Pages : 315
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Book Description
Harlot or Holy Woman? presents an exhaustive study of qedešah, a Hebrew word meaning “consecrated woman” but rendered “prostitute” or “sacred prostitute” in Bible translations. Reexamining biblical and extrabiblical texts, Phyllis A. Bird questions how qedešah came to be associated with prostitution and offers an alternative explanation of the term, one that suggests a wider participation for women as religious specialists in Israel’s early cultic practice. Bird’s study reviews all the texts from classical antiquity cited as sources for an institution of “sacred prostitution,” alongside a comprehensive analysis of the cuneiform texts from Mesopotamia containing the cognate qadištu and Ugaritic texts containing the masculine cognate qdš. Through these texts, Bird presents a portrait of women dedicated to a deity, engaged in a variety of activities from cultic ritual to wet-nursing, and sharing a common generic name with the qedešah of ancient Israel. In the final chapter she returns to biblical texts, reexamining them in light of the new evidence from the ancient Near East. Considering alternative models for constructing women’s religious roles in ancient Israel, this wholly original study offers new interpretations of key texts and raises questions about the nature of Israelite religion as practiced outside the royal cult and central sanctuary.
Author: Ryan D. Giles
Publisher: University of Toronto Press
ISBN: 1442664371
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
In Inscribed Power, Ryan D. Giles explores the function of amuletic prayers, divine names, and incantation formulas that were inscribed and printed on parchment, paper and other media, and at the same time inserted into classic literary works in Spain. Giles’ insightful analysis of the intersection between amulets and literary texts offers fresh and original interpretations of well-known texts such as the Poema de mío Cid, the Libro de Alexandre, the Libro de buen amor, Celestina, Lazarillo de Tormes, and the Buscón. Inscribed Power is a fascinating work that highlights specific amuletic texts that were used to heal, protect, or otherwise provide a blessing or curse to discover how their powers could influence fictional lives at different moments in the development of Spanish literature.
Author: Sonia Velázquez
Publisher: University of Chicago Press
ISBN: 0226826104
Category : Religion
Languages : en
Pages : 243
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Book Description
"Theologians, poets, artists, and laypeople alike have been fascinated by Saint Mary of Egypt's legend since it was first recorded in the seventh century. Mary's prominence is religious and symbolic, encompassing sin and sanctity, the excesses of nymphomania and asceticism, the charms of nubile youth and the wrinkles of old age. In Promiscuous Grace, scholar of religion Sonia Velázquez thinks with Saint Mary of Egypt about what beauty has to do with holiness. With an archive spanning medieval Spanish poetry, Baroque paintings, a seventeenth-century hagiographic drama, and Balzac's treatment of Saint Mary in Le chef-d'oeuvre inconnu, Velázquez argues for the relevance of the appeal to the senses and the importance of the surface in religious texts. She draws on insights from philosophy, literary history and theory, and religious, visual and gender studies, and pays close attention to the texture of the words and images that make the legend of Saint Mary of Egypt come alive and remain relevant today"--
Author: Judith M. Bennett
Publisher: University of Pennsylvania Press
ISBN: 0812200217
Category : History
Languages : en
Pages : 365
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Book Description
When we think about the European past, we tend to imagine villages, towns, and cities populated by conventional families—married couples and their children. Although most people did marry and pass many of their adult years in the company of a spouse, this vision of a preindustrial Europe shaped by heterosexual marriage deceptively hides the well-established fact that, in some times and places, as many as twenty-five percent of women and men remained single throughout their lives. Despite the significant number of never-married lay women in medieval and early modern Europe, the study of their role and position in that society has been largely neglected. Singlewomen in the European Past opens up this group for further investigation. It is not only the first book to highlight the important minority of women who never married but also the first to address the critical matter of differences among women from the perspective of marital status. Essays by leading scholars—among them Maryanne Kowaleski, Margaret Hunt, Ruth Mazo Karras, Susan Mosher Stuard, Roberta Krueger, and Merry Wiesner—deal with topics including the sexual and emotional relationships of singlewomen, the economic issues and employment opportunities facing them, the differences between the lives of widows and singlewomen, the conflation of singlewomen and prostitutes, and the problem of female slavery. The chapters both illustrate the roles open to the singlewoman in the thirteenth through eighteenth centuries and raise new perspectives about the experiences of singlewomen in earlier times.
Author: ElizabethCarson Pastan
Publisher: Routledge
ISBN: 1351544519
Category : History
Languages : en
Pages : 611
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Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Author: Sarah Buxton
Publisher: Cambridge Scholars Publishing
ISBN: 1527563219
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Mirroring, doubling, imitation, parody, intertextuality. The contributors to this volume — all postgraduate researchers at the time of writing — engage with some of these familiar words to produce articles that deal with the concept of “reflections” in literary and visual culture. Ranging from Italian Golden Age theatre to contemporary French literature and from Cuban film to German fiction, the twelve essays in this volume provide a fresh look at Modern Language Studies, highlighting in particular, the interdisciplinary nature of this field. On one level, the volume speaks to those exploring Modern Language Studies for the first time, for example, undergraduate students, who seek a greater understanding of the dialogue between language and culture. However, the individual essays also have the potential to attract experienced scholars either looking for new knowledge on specialist subjects, or ways of approaching research in Modern Languages. Through its central theme, Reflections: New Perspectives in Modern Languages and Cultures makes some suggestions about the way forward for Modern Language Studies.
