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Author: Jennifer Forrest
Publisher: McFarland
ISBN:
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
This work examines film series. Some are representative of three periods in American film history--silent cinema, Classic Hollywood cinema, and the post-Classic or New Hollywood cinema. And some are in the tradition of other national cinemas, including those of France, Germany, Hong Kong, Japan and India. The series are examined from a variety of cultural and critical perspectives. In the initial chapter the editor analyzes the series form. Part One examines early cinema, outlining the events and situations after 1907 that allowed early filmmakers to begin creating series based on the complex narratives of popular fiction. Part Two explores the cultural implications of such series as Tarzan, Nancy Drew, and Maisie. Chapters in Part Three analyze James Bond and Star Wars, two of the most widely recognized series in Hollywood history. Part Four examines mid-century Germany's Fridericus and France's Angelique and Caroline. The final part presents studies of the postwar Japanese series Godzilla and Tora-San, the popular Better Tomorrow series from Hong Kong, and several Hindi series from postcolonial India.
Author: Jennifer Forrest
Publisher: McFarland
ISBN:
Category : Performing Arts
Languages : en
Pages : 324
Get Book Here
Book Description
This work examines film series. Some are representative of three periods in American film history--silent cinema, Classic Hollywood cinema, and the post-Classic or New Hollywood cinema. And some are in the tradition of other national cinemas, including those of France, Germany, Hong Kong, Japan and India. The series are examined from a variety of cultural and critical perspectives. In the initial chapter the editor analyzes the series form. Part One examines early cinema, outlining the events and situations after 1907 that allowed early filmmakers to begin creating series based on the complex narratives of popular fiction. Part Two explores the cultural implications of such series as Tarzan, Nancy Drew, and Maisie. Chapters in Part Three analyze James Bond and Star Wars, two of the most widely recognized series in Hollywood history. Part Four examines mid-century Germany's Fridericus and France's Angelique and Caroline. The final part presents studies of the postwar Japanese series Godzilla and Tora-San, the popular Better Tomorrow series from Hong Kong, and several Hindi series from postcolonial India.
Author: Kathleen Loock
Publisher: Univ of California Press
ISBN: 0520976223
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.
Author: Stuart Henderson
Publisher: Bloomsbury Publishing
ISBN: 1839020199
Category : Performing Arts
Languages : en
Pages : 396
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Book Description
This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form.
Author: Carolyn Jess-Cooke
Publisher: State University of New York Press
ISBN: 1438430310
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
The first collection of essays devoted to the phenomenon of the film sequel.
Author: K. Loock
Publisher: Springer
ISBN: 1137263350
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
A dynamic investigation of processes of cultural reproduction – remaking and remodelling – which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives.
Author: Jennifer Forrest
Publisher: Routledge
ISBN: 1000682463
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme’s 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a responsive public. For some, the attraction of the acrobatic clown for the creative imagination may have been his ability to embody the plight of the artist: these artistes generally led an ambulatory and uncertain existence. Other artists and writers, however, particularly the Decadents, perceived in the circus acrobat – including the acrobatic clown – a conceptual and performative tool for liberating their points of view from the prison-house of aesthetic convention. If authors’ protagonists were themselves sometimes failures, their aesthetic innovations often produced exhilarating artistic triumphs. Among the works examined in this study are the circus posters of Jules Chéret, Thomas Couture’s Pierrot and Harlequin paintings, Honoré Daumier’s saltimbanque paintings, Edgar Degas’s Miss Lala au Cirque Fernando, Édouard Manet’s Un bar au Folies-Bergère, the pantomimes of the Hanlon-Lees troupe, and novels, short stories, and poems by Théodore de Banville, Edmond de Goncourt, J. K. Huysmans, Gustave Kahn, Jules Laforgue, Catulle Mendès, Octave Mirbeau, Jean Richepin, Edouard Rod, and Marcel Schwob.
Author: Daniel Herbert
Publisher: Edinburgh University Press
ISBN: 1474451381
Category : Electronic books
Languages : en
Pages : 256
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Book Description
Through a set of vibrant case studies, this collection investigates rebooting as a practice that seeks to remake an entire film series or franchise, with ambitions that are at once respectful and revisionary.
Author: C. Perkins
Publisher: Springer
ISBN: 0230371973
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Drawing on a wide range of examples, this book – the first devoted to the phenomenon of the film trilogy– provides a dynamic investigation of the ways in which the trilogy form engages key issues in contemporary discussions of film remaking, adaptation, sequelization and serialization.
Author: Felicity Collins
Publisher: John Wiley & Sons
ISBN: 1118942558
Category : Performing Arts
Languages : en
Pages : 634
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Book Description
The first comprehensive volume of original essays on Australian screen culture in the twenty-first century. A Companion to Australian Cinema is an anthology of original essays by new and established authors on the contemporary state and future directions of a well-established national cinema. A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century. The essays address six thematically-organized propositions – that Australian cinema is an Indigenous screen culture, an international cinema, a minor transnational imaginary, an enduring auteur-genre-landscape tradition, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max, and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and nature-cam documentaries. New research on trends – such as the convergence of television and film, digital transformations of screen production and the shifting roles of women on and off-screen – highlight how established precedents have been influenced by new realities beyond both cinema and the national. Written in an accessible style that does not require knowledge of cinema studies or Australian studies Presents original research on Australian actors, such as Cate Blanchett and Chris Hemsworth, their training, branding, and path from Australia to Hollywood Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity Expands the critical definition of cinema to include YouTube channels, transmedia documentaries, multiplatform changescapes and cinematic remix Introduces readers to founding texts in Australian screen studies A Companion to Australian Cinema is an ideal introductory text for teachers and students in areas including film and media studies, cultural and gender studies, and Australian history and politics, as well as a valuable resource for educators and other professionals in the humanities and creative arts.
Author: I.Q. Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1501347535
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
After 45 years, Steven Spielberg's Jaws remains the definitive summer blockbuster, a cultural phenomenon with a fierce and dedicated fan base. The Jaws Book: New Perspectives on the Classic Summer Blockbuster is an exciting illustrated collection of new critical essays that offers the first detailed and comprehensive overview of the film's significant place in cinema history. Bringing together established and young scholars, the book includes contributions from leading international writers on popular cinema including Murray Pomerance, Peter Krämer, Sheldon Hall, Nigel Morris and Linda Ruth Williams, and covers such diverse topics as the film's release, reception and canonicity; its representation of masculinity and children; the use of landscape and the ocean; its status as a western; sequels and fan-edits; and its galvanizing impact on the horror film, action movie and contemporary Hollywood itself.
