The Legacies of Jean-Luc Godard PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Legacies of Jean-Luc Godard PDF full book. Access full book title The Legacies of Jean-Luc Godard by Douglas Morrey. Download full books in PDF and EPUB format.
Author: Douglas Morrey
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589215
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
The artistic impact of Jean-Luc Godard, whose career in cinema has spanned over fifty years and yielded a hundred or more discrete works in different media cannot be overestimated, not only on French and other world cinemas, but on fields as diverse as television, video art, gallery installation, philosophy, music, literature, and dance. The Legacies of Jean-Luc Godard marks an initial attempt to map the range and diversity of Godard’s impact across these different fields. It contains reassessments of key films like Vivre sa vie and Passion as well as considerations of Godard’s influence over directors like Christophe Honoré. Contributors look at Godard’s relation to philosophy and influence over film philosophy through reference to Wittgenstein, Deleuze, and Cavell, and show how Godard’s work in cinema interacts with other arts, such as painting, music, and dance. They suggest that Godard’s late work makes important contributions to debates in memory and Holocaust Studies. The volume will appeal to a non-specialist audience with its discussions of canonical films and treatment of themes popular within film studies programs such as cinema and ethics. But it will also attract academic specialists on Godard with its chapters on recent works, including Dans le noir du temps (2002) and Voyage(s) en utopie (2006), interventions in long-running academic debates (Godard, the Holocaust, and anti- Semitism), and treatment of rarely discussed areas of Godard’s work (choreographed movement).
Author: Douglas Morrey
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589215
Category : Performing Arts
Languages : en
Pages : 273
Get Book Here
Book Description
The artistic impact of Jean-Luc Godard, whose career in cinema has spanned over fifty years and yielded a hundred or more discrete works in different media cannot be overestimated, not only on French and other world cinemas, but on fields as diverse as television, video art, gallery installation, philosophy, music, literature, and dance. The Legacies of Jean-Luc Godard marks an initial attempt to map the range and diversity of Godard’s impact across these different fields. It contains reassessments of key films like Vivre sa vie and Passion as well as considerations of Godard’s influence over directors like Christophe Honoré. Contributors look at Godard’s relation to philosophy and influence over film philosophy through reference to Wittgenstein, Deleuze, and Cavell, and show how Godard’s work in cinema interacts with other arts, such as painting, music, and dance. They suggest that Godard’s late work makes important contributions to debates in memory and Holocaust Studies. The volume will appeal to a non-specialist audience with its discussions of canonical films and treatment of themes popular within film studies programs such as cinema and ethics. But it will also attract academic specialists on Godard with its chapters on recent works, including Dans le noir du temps (2002) and Voyage(s) en utopie (2006), interventions in long-running academic debates (Godard, the Holocaust, and anti- Semitism), and treatment of rarely discussed areas of Godard’s work (choreographed movement).
Author: Douglas Morrey
Publisher: Manchester University Press
ISBN: 1526141558
Category : Performing Arts
Languages : en
Pages : 284
Get Book Here
Book Description
This volume offers a new interpretation of the whole of Godard's career in cinema. Drawing examples from all periods of Godard's filmmaking, it examines the parallels between the director's innovative approach to film form and wider developments in French culture and thought since 1950.
Author: Wheeler Winston Dixon
Publisher: State University of New York Press
ISBN: 1438401248
Category : Social Science
Languages : en
Pages : 314
Get Book Here
Book Description
One of the most important, controversial, and prolific filmmakers in film history, and a founder of French New Wave cinema, Jean-Luc Godard has maintained an unbroken string of films in various genres and mediums from the late 1950s onward. Godard has established a reputation as a rebel who can work within and outside the system, producing films that are creative, breathtakingly beautiful, and yet commercial enough to earn back their production costs. In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa. Free from the jargon and value judgments that have marred much of what has been written about Godard, this is the only book that covers the entirety of Godard's career, from his early film criticism for Cahiers du Cinema to his most recent video/film work. Illustrated with forty-six rare stills and researched in detail, it is the Godard book for the 1990s.
Author: Irmgard Emmelhainz
Publisher: Springer
ISBN: 3319720953
Category : Performing Arts
Languages : en
Pages : 327
Get Book Here
Book Description
This book offers an examination of the political dimensions of a number of Jean-Luc Godard’s films from the 1960s to the present. The author seeks to dispel the myth that Godard’s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard’s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard’s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director’s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard’s work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard’s ongoing inquiry on the role filmmakers can have in progressive political engagement.
Author: Bert Rebhandl
Publisher: University of Wisconsin Pres
ISBN: 0299341801
Category : Motion picture producers and directors
Languages : en
Pages : 253
Get Book Here
Book Description
Author: Michael Baumgartner
Publisher: Oxford University Press
ISBN: 0190497157
Category : Motion picture music
Languages : en
Pages : 521
Get Book Here
Book Description
"This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of metafilm music describes how Godard thinks with film music about film music. Metafilm music manifests itself in Godard's work in four distinct manners: as fragmentized musical cues; as the same fragment verbatim repeated several times; as extrapolated, short excerpts from classical or popular music; and as music mixed unusually loudly into the soundtrack. With a detailed analysis of these parameters, the book explores fragmented and repeated music as Godard's critique of the leitmotif technique. Godard further self-reflexively investigates genre-specific music in musical comedies, films noir, and melodramas, as well as prototypical film music as arguably its own musical genre. His last foray into metafilm music entails music-making as a metaphor for filmmaking. By thinking with music about the function of film music, Godard has created throughout his career multi-layered soundtracks which challenge the conventional norms of film music and sound"--
Author: David Sterritt
Publisher: Cambridge University Press
ISBN: 9780521589710
Category : Performing Arts
Languages : en
Pages : 320
Get Book Here
Book Description
The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, the filmmaker's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. In subsequent chapters, he traces Godard's visionary ideas through six of his key films, including Breathless, My Life to Live, Weekend, Numéro deux, Hail Mary, and Nouvelle Vague formats. Linking Godard's works to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century.
Author: Timothy Barnard
Publisher: Caboose
ISBN: 9781927852477
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
Books are central to the work of Jean-Luc Godard, avid reader of pulp fiction and philosophical treatises, classical drama and modernist novels, scientific tomes and Maoist doctrine, comic books and volumes of art history. Books inform Godard's thinking and inspire his work in a manner unlike that of any other filmmaker. Godard and his characters quote from books incessantly, altering and inflecting them in ways which provide an entry into his thoughts and his aesthetic, derived in large part from its literary component. How are viewers of his films to navigate this dizzying subterranean world of quotations, adaptations, references, homages and borrowings? In this one-of-a-kind volume, 50 specialists working in a dozen countries engage with 109 individual books by 90 authors found over nearly 70 years of Godard's films and writings. Each of these readable three-page mini-essays explores a corner of the extraordinary breadth and depth of Godard's reading, introducing the volume to the reader and unlocking its importance to Godard. Reading with Jean-Luc Godard is not only an invaluable tool for the study of Godard's films; it sheds new light on cinema's longstanding dialogue with the printed word and makes an original and lively contribution to writing the history of ideas. Fredric Jameson contributes both a preface and a coda to bookend Reading with Jean-Luc Godard. An extensive bibliography rounds out the volume to encourage readers to seek out some of the books they will discover and want to explore on their own as they read along with Godard.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
Get Book Here
Book Description
Author: Jean-luc Godard
Publisher: Da Capo Press
ISBN: 9780306802591
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.
