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Author:
Publisher: Danscribe Books
ISBN:
Category : Poetry
Languages : en
Pages : 215
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Book Description
The LAST STANZA - An Anthology of Poems from Tel Aviv is the first book from StanzAviv, a creative collective of writers associated with Bar Ilan University and Tel Aviv University. STANZA members (or ‘Stanzites’) come from Israel, USA, UK, France, Canada, Latvia and beyond. Israel is a dramatic place and the poetry in this selection is humorous, political, tragic and inspiring. Topics range from seeking refuge, travelling in Africa, war, love, meditations on existence, being Jewish at Christmas, internet banking, waking up drunk on a riverside and more. Most poems in this ‘Stanzology’ are in English, plus there is a section in Hebrew. All profits from this book go to the ARDC (African Refugee Development Center), an NGO in south Tel Aviv that provides shelter, education, counseling and advice to refugees and asylum seekers in Israel.
Author:
Publisher: Danscribe Books
ISBN:
Category : Poetry
Languages : en
Pages : 215
Get Book Here
Book Description
The LAST STANZA - An Anthology of Poems from Tel Aviv is the first book from StanzAviv, a creative collective of writers associated with Bar Ilan University and Tel Aviv University. STANZA members (or ‘Stanzites’) come from Israel, USA, UK, France, Canada, Latvia and beyond. Israel is a dramatic place and the poetry in this selection is humorous, political, tragic and inspiring. Topics range from seeking refuge, travelling in Africa, war, love, meditations on existence, being Jewish at Christmas, internet banking, waking up drunk on a riverside and more. Most poems in this ‘Stanzology’ are in English, plus there is a section in Hebrew. All profits from this book go to the ARDC (African Refugee Development Center), an NGO in south Tel Aviv that provides shelter, education, counseling and advice to refugees and asylum seekers in Israel.
Author: Last Stanza Poetry Association
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 166
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Book Description
Issue #7 features poems of voodoo, Native American spirituality, ghosts, witches, fairies, portents, folk medicine, familiars, tree spirits, celestial musings, ancient gods, tricksters, tarot cards, and the unexpected. Poets in this issue: David Allen, Peter Anderson, Michael Ansara, Jaya Avendel, Ruth Aylett, Jan Ball, Lois Baer Barr, Marilyn Baszczynski, Roderick Bates, Mahasweta Baxipatra, Mandy Beattie, Michelle Blake, Michael Brockley, Michael H. Brownstein, Maureen Brustkern, Rebecca Byrkit, Dan Carpenter, KJ Carter, Luanne Castle, Alys Caviness-Gober, Jan Chronister, W. B. Cornwell, Say Davenport, Bruce Ducker, Russell duPont, Martin Goldie, James Green, Will Griffith, John D. Groppe, Gary Grossman, Jan Hall, Chris Hasara, Elizabeth Hill, John Hinton, Kaela Hinton, Gil Hoy, Kyle Hunter, David James, Jenny Kalahar, Patrick Kalahar, JL Kato, Jordan Krais, Norbert Krapf, Lucy J. Madison, Guna Moran, Jacob R. Moses, Rich Murphy, Sheila E. Murphy, Lylanne Musselman, James Nolan, Thomas Alan Orr, Jacky Pugh, Stephen R. Roberts, Marjorie Sadin, Prartho Sereno, Mary Sexson, Jeffrey Spahr-Summers, Michael E. Strosahl, Diana Thoresen, Theresa Timmons, Mary Kay Turner, Rp Verlaine, Ron Welburn, J. T. Whitehead, Matt Whybrew, Marilyn Wolf, Hiromi Yoshida, Judy Young. The featured artist is Amy Brewer-Davenport.
Author: Last Stanza Poetry Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 142
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Book Description
The dictionary is an excellent resource, but sometimes the very proper words in the dictionary aren't the ones you need to precisely describe a person, place, thing, or emotion. Edward Gorey and Lewis Carroll never needed to explain their nonsense words-either they were understood or not, but a sense of them tickled the surrounding lines and gave their writing a new color and flavor. Readers may not understand every undictionary entry in this issue, but they may quite like the poems' textures as you chew. Poets in this issue: David Allen, Lois Baer Barr, James Bowden, Jonathan Bracker, James Bradley, Jerry Bradley, Michael Brockley, Michael H. Brownstein, Dan Carpenter, Lucas Carpenter, Alys Caviness-Gober, Jan Chronister, Kathryn Dohrmann, Bruce Ducker, Katey Funderburgh, Daniel Godward, James Green, John D. Groppe, Gary D. Grossman, Helmut Haberkamm, Cynthia T. Hahn, Danielle Hanson, Karen Head, Tim Heerdink, John R. Hinton, Peter Huggins, Joseph Hutchison, Colin James, David James, Marc Janssen, Michael Lee Johnson, Arnold Johnston, Patrick Kalahar, Chuck Kellum, Norbert Krapf, Lylanne Musselman, Noble Poets, Levi Noe, Noreen Oesterlein, Deborah Ann Percy, Teresa Pruitt, Carlos Reyes, Warren Sidwell, M. E. Silverman, Robert Simon, Jeffrey Spahr-Summers, Kim Stafford, Michael E. Strosahl, David Vancil, Rp Verlaine, Nagueyalti Warren, James Eric Watkins, Bill Yarrow, Hiromi Yoshida.Illustrations are by Christina Hollering.
Author: Jeremy Tambling
Publisher: Routledge
ISBN: 1317865391
Category : Language Arts & Disciplines
Languages : en
Pages : 238
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Book Description
Many people are intimidated by poetry, thinking it difficult and high-brow and not for them. But it is still considered an essential part of art and literature. RE:Verse asks; Why and How should we read poetry? This book, aimed at people just starting with literature, takes nothing for granted but opens poetry up to all in a way that makes it both exciting and fresh. Examples are taken from a balanced combination of traditional writers such as Keats, Wordsworth, Blake and Shakespeare, and modern poets such as Seamus Heaney, Jackie Kay and Benjamin Zephaniah. RE:Verse ranges over all periods of literature, and over the many critical theories that attempt to show why poetry matters. It places poems into their historical context, looks at poetry in translation, and discusses why much poetry is so difficult as to seem almost unreadable. It sets the standard for talking about how to read poetry, and what to do when this seems to be impossibly difficult. Ultimately, it is the essential, easy-to-read guide to the subject.
Author: Michelle Bonzcek Evory
Publisher: Open Suny Textbooks
ISBN: 9781942341505
Category :
Languages : en
Pages : 190
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Book Description
Naming the Unnameable: An Approach to Poetry for the New Generation assembles a wide range of poetry from contemporary poets, along with history, advice, and guidance on the craft of poetry. Informed by a consideration to the psychology of invention, Michelle Bonczek Evory¿s writing philosophy emphasizes both spontaneity and discipline, teaching students how to capture the chaos in our memories, imagination, and bodies with language, and discovering ways to mold them into their own cosmos, sculpt them like clay on a page. Exercises aim to make writing a form of play in its early stages that gives way to more enriching insights through revision, embracing the writing of poetry as both a love of language and a tool that enables us to explore ourselves and understand the world. Naming the Unnameable promotes an understanding of poetry as a living art and provides ways for students to involve themselves in the growing contemporary poetry community that thrives in America today.
Author: William Robert Fisher
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 52
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Book Description
Author: William E. Engel
Publisher: Routledge
ISBN: 1317146867
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Bringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.
Author: David Noel Freedman
Publisher: Penn State Press
ISBN: 1575065193
Category : History
Languages : en
Pages : 103
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Book Description
From the Preface: “The alphabetic acrostic is one of the most easily identifiable poetic forms in the Hebrew Bible. Examples can be found in prophetic discourse (Nahum), the lament over the destruction of Jerusalem (Lamentations), liturgical song (Psalms), and wisdom literature (Proverbs). Yet its very obviousness has tended to deflect deeper exploration of its structure and purpose. Since Mowinckel denigrated the acrostics in the Psalms as a “disintegration of style,’ too often scholars have simply noted and then ignored the form. “There is no a priori reason that alphabetic acrostics should be less creative, expressive, or complex than other psalms. Thus the essays collected here investigate the acrostic format as a legitimate option for Israelite poets rather than as the refuge of uninspired epigones....The fruit of over twenty years’ close reading of these psalms, the following essays reveal the poets’ consummate mastery of the demanding acrostic form and deserve incorporation in future discussions of biblical poetic art.
Author: Robert H. Ray
Publisher: Routledge
ISBN: 1317681886
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
First published in 1995, this title provides the reader with a compendium of useful information for any reader of George Herbert to have at hand. It includes key biographical information, situates the poetry in its historical and cultural context, and, where appropriate, explains theological concepts and traditions which have a direct bearing on the verse. The aim throughout is to enhance understanding and appreciation, without being exhaustive. A George Herbert Companion will be of most use to general readers and undergraduate students coming to this poetry for the first time, and will interest students of Anglican Caroline theology and hymnology.
Author: Lawrence Kennedy Schmidt
Publisher: Routledge
ISBN: 1134943768
Category : Philosophy
Languages : en
Pages : 193
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Book Description
This series provides short, accessible and lively introduction to the major schools, movements and traditions in philosophy and the history of ideas since the beginning of the Enlightenment. All books in the series are written for undergraduates meeting the subject for the first time. Hermeneutics concerns itself with the theory of understanding and the interpretation of language. The question of how to correctly interpret and understand others remains one of the most contested branches of philosophy. In Understanding Hermeneutics Lawrence Schmidt provides an introduction to modern hermeneutics through a systematic examination of the ideas of its key philosophical proponents. Chapter 1 examines the ideas, of the Protestant theologian, Friedrich Schleiermacher, who argues that misunderstanding is always possible so we must always employ interpretation if we are to understnad correctly. Chapter 2 discusses the ideas of Dilthey, who maintains that understanding in the humanities is fundamentally different from explanation in the natural sciences, and who presents a methodology to judge what another person means or feels by means of their language and also their gestures, facial expressions, and manners of acting. Chapter 3 explores the ideas of Heidegger who radicalizes the concept by shifting its focus from interpreting texts to an existential interpretation of human being. In Chapter 4 the recent ideas of Gadamer are examined, which extend to examining the structures of hermeneutic experience and to question the supremacy of the natural sciences as models for truth. The final chapters consider some of the criticisms and controversies surrounding hermeneutics, including the work of Habermas, Hirsch, Ricoeur and Derrida, and the prospects for the future of hermeneutics.
