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Author: Lanfranco Rasponi
Publisher: Amadeus Press
ISBN:
Category : Woman singers
Languages : en
Pages : 664
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Book Description
Interviews with fifty-six great operatic divas of the twentieth century illuminate their lives, their art, and the world of modern opera.
Author: Lanfranco Rasponi
Publisher: Amadeus Press
ISBN:
Category : Woman singers
Languages : en
Pages : 664
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Book Description
Interviews with fifty-six great operatic divas of the twentieth century illuminate their lives, their art, and the world of modern opera.
Author: Lanfranco Rasponi
Publisher: Orion
ISBN:
Category : Opera
Languages : en
Pages : 664
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Book Description
Author: Hilary Poriss
Publisher: Oxford University Press
ISBN: 0199744653
Category : Music
Languages : en
Pages : 237
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Book Description
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Author: Lewis Clinton Strang
Publisher:
ISBN:
Category : Actresses, American
Languages : en
Pages : 330
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Book Description
Author: Laura Empson
Publisher: Oxford University Press
ISBN: 0198744781
Category : Executive ability
Languages : en
Pages : 279
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Book Description
This book reveals the power dynamics and interpersonal politics that lie at the heart of professional organizations. Drawing on the latest academic theory, and based on interviews with over 500 senior professionals, it analyses how professionals come together to create 'leadership'. It explains how change happens and why leaders so often fail.
Author: Rupert Christiansen
Publisher: Penguin Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
Overzicht van leven en werk van gevierde operazangeressen uit de laatste driehonderd jaar.
Author: Rachel Cowgill
Publisher: Oxford University Press, USA
ISBN: 0195365887
Category : Biography & Autobiography
Languages : en
Pages : 415
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Book Description
Female characters assumed increasing prominence in the narrative of 19th and early 20th century opera. This book shines a light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled doomed women onstage before an audience.
Author: Megan Chance
Publisher: Crown
ISBN: 0307461025
Category : Fiction
Languages : en
Pages : 434
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Book Description
Opera singer Sabine Conrad is the toast of nineteenth-century New York high society. A celebrated soprano with the voice of an angel, she is showered with adulation by her audiences and courted by wealthy patrons. But behind the scenes, her every move is controlled by a Svengali-like manager, Gideon Price. When her attempt to escape him goes tragically awry, she flees, leaving behind a grisly murder. Three years later, as Marguerite Olson, she has put aside the prima donna she once was to run a low-class theater in Seattle. Hidden among prostitutes, drunks, and miners, a desperate and determined Marguerite carefully guards the secrets of her old life—until her past returns to offer a terrifying proposition. Prima Donna captures both the glittering decadence of New York and the rough raunchy waterfront of Seattle, as Marguerite, caught between two worlds, must find the strength to confront the truth of her past and choose which voice defines her in this dark and harrowing novel.
Author: Paul Wink
Publisher: Oxford University Press
ISBN: 0190857749
Category : Psychology
Languages : en
Pages : 232
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Book Description
Prima Donna: The Psychology of Maria Callas explores the psychological mechanisms underlying the hypnotic power of Callas's artistry and the unfolding of her tragic life story. Although precipitated by the trauma and shame that followed her abandonment by Aristotle Onassis and the rapid deterioration of her voice, Callas's midlife disintegration reflects deep psychological vulnerabilities. In this book, Wink utilizes cutting-edge advances in research on developmental psychology and narcissism to shed light on Callas's puzzling personal deterioration during the last nine years of her life. Lacking a cohesive and integrated sense of self, Callas sought affirmation and vitality from adoring audiences and older men including her husband Battista Meneghini and her long-term partner Onassis. The propensity to fuse her identity with stage roles contributed to her artistic greatness, but envy and the lack of an intrinsic sense of meaning and worth intensified her vulnerability to life's vicissitudes. Prima Donna is both a powerful study of Callas's life and a contribution to the greater body of work on the psychology of artists.
Author: Adrienne Simpson
Publisher: Routledge
ISBN: 1135949859
Category : Art
Languages : en
Pages : 217
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Book Description
This biography tells the story of Alice May, a touring prima donna in the nineteenth century who took part in pioneering performances of the popular light operas of the day, including the first production of Gilbert and Sullivan's The Sorcerer.
