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Author: Walter Scott
Publisher:
ISBN:
Category : Scottish poetry
Languages : en
Pages : 344
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Book Description
Author: Walter Scott
Publisher:
ISBN:
Category : Scottish poetry
Languages : en
Pages : 344
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Author: Louis Chude-Sokei
Publisher: Duke University Press
ISBN: 0822387069
Category : Social Science
Languages : en
Pages : 289
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Book Description
The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes. Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.
Author: Ronald Schuchard
Publisher: Oxford University Press
ISBN: 0199230005
Category : Art
Languages : en
Pages : 474
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Book Description
Recovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats's literary life, Ronald Schuchard's book provides an historical, biographical, and critical reconstruction of the poet's attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech.
Author: Jim Harrison
Publisher: Grove/Atlantic, Inc.
ISBN: 0802190219
Category : Fiction
Languages : en
Pages : 216
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Book Description
A collection of novellas from the New York Times–bestselling author—“arguably America’s foremost master of the novella . . . A force of nature on the page” (The Washington Post). The Mark Twain Award–winning author of Legends of the Fall delivers three novellas that highlight his phenomenal range as a writer, shot through with his trademark wit and keen insight into the human condition. Harrison has fun with his own reputation in the title novella, about an aging writer in Montana who weathers the slings and arrows of literary success and tries to cope with the sow he buys on a whim and the unplanned litter of piglets that follows soon after. In Eggs, a Montana woman reminisces about collecting eggs at her grandparents’ country house. Years later, having never had a child, she attempts to do so. And in The Case of the Howling Buddhas, retired Detective Sunderson—a recurring character from Harrison’s New York Times bestseller The Great Leader and The Big Seven—is hired to investigate a bizarre cult that achieves satori by howling along with howler monkeys at the zoo. “Still independent, fierce and feral,” The Ancient Minstrel confirms Jim Harrison as one of the most cherished and important writers in modern America (David Gates, The New York Times).
Author: Walter Scott
Publisher:
ISBN:
Category : Minstrels
Languages : en
Pages : 334
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Book Description
Author: Walter Scott
Publisher: BoD – Books on Demand
ISBN: 3387038437
Category : Fiction
Languages : en
Pages : 494
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Stephen Burge Johnson
Publisher: Univ of Massachusetts Press
ISBN: 1558499342
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
Author:
Publisher: CUA Press
ISBN: 0813234352
Category : History
Languages : en
Pages : 286
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Book Description
An anonymous minstrel in thirteenth-century France composed this gripping account of historical events in his time. Crusaders and Muslim forces battle for control of the Holy Land, while power struggles rage between and among religious authorities and their conflicting secular counterparts, pope and German emperor, the kings of England and the kings of France. Meanwhile, the kings cannot count on their independent-minded barons to support or even tolerate the royal ambitions. Although politics (and the collapse of a royal marriage) frame the narrative, the logistics of war are also in play: competing military machinery and the challenges of transporting troops and matariel. Inevitably, the civilian population suffers. The minstrel was a professional story-teller, and his livelihood likely depended on his ability to captivate an audience. Beyond would-be objective reporting, the minstrel dramatizes events through dialogue, while he delves into the motives and intentions of important figures, and imparts traditional moral guidance. We follow the deeds of many prominent women and witness striking episodes in the lives of Eleanor of Aquitaine, Richard the Lionhearted, Blanche of Castile, Frederick the Great, Saladin, and others. These tales survive in several manuscripts, suggesting that they enjoyed significant success and popularity in their day. Samuel N. Rosenberg produced this first scholarly translation of the Old French tales into English. References that might have been obvious to the minstrel’s original audience are explained for the modern reader in the indispensable annotations of medieval historian Randall Todd Pippenger. The introduction by eminent medievalist William Chester Jordan places the minstrel’s work in historical context and discusses the surviving manuscript sources.
Author: Kevin Byrne
Publisher: Routledge
ISBN: 1000172570
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship
