Author: Jessica Norledge
Publisher: Palgrave Macmillan
ISBN: 9783030931025
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
This book presents an extended account of the language of dystopia, exploring the creativity and style of dystopian narratives and mapping the development of the genre from its early origins through to contemporary practice. Drawing upon stylistic, cognitive-poetic and narratological approaches, the work proposes a stylistic profile of dystopia, arguing for a reader-led discussion of genre that takes into account reader subjectivity and personal conceptualisations of prototypicality. In examining and identifying those aspects of language that characterise dystopian narratives and the experience of reading dystopian fictions, the work discusses in particular the manipulation and construction of dystopian languages, the conceptualisation of dystopian worlds, the reading of dystopian minds, the projection of dystopian ethics, the unreliability of dystopian refraction, and the evolution and hybridity of the dystopian genre.
Author: David W. Sisk
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
As the 20th century has progressed, dystopian fiction has gained power as utopian fiction has become increasingly irrelevant. As an overtly didactic genre, dystopia extrapolates terrifying near-futures from disturbing current trends. In order to quickly create an atmosphere that is at once plausible and terrifying, dystopian writers almost universally turn to an idea certain to generate both fear and sympathy in the reader—the dual concept of language as the primary tool by which repressive societies stifle dissent, and simultaneously as the primary weapon used by rebels bent on understanding, resisting, and countering such oppression. This volume traces the evolution of language's centrality in 20th-century dystopias in English, including Brave New World, 1984, A Clockwork Orange, The Handmaid's Tale, Native Tongue, The Judas Rose, and Riddley Walker. The brilliance of Orwell's 1984 has led to a backlash: many critics have smugly asserted that, as the year 1984 has passed without taking the shape of his fiction, Orwell's novel and the dystopia in general have lost their affective power and relevance. But as the 20th century progresses, dystopian fiction has gained power as utopian fiction has become increasingly irrelevant. As an overtly didactic genre, dystopia extrapolates terrifying near-futures from disturbing current trends. In order to quickly create an atmosphere that is at once plausible and terrifying, dystopian writers almost universally turn to an idea certain to generate both fear and sympathy in the reader—the dual concept of language as the primary tool by which repressive societies stifle dissent, and simultaneously as the primary weapon used by rebels bent on understanding, resisting, and countering such oppression. This volume traces the evolution of language's centrality in 20th-century dystopias in English, beginning with Huxley's ^IBrave New World^R and Orwell's ^I1984^R. As dystopian fiction has branched out to embrace multiple viewpoints and agendas, the emphasis on language has remained at the center of the dystopian impulse. These include the first-person narrative dystopia, such as Anthony Burgess's ^IA Clockwork Orange^R; the feminist dystopia, such as Margaret Atwood's ^IThe Handmaid's Tale^R and Suzette Elgin's ^INative Tongue^R and ^IThe Judas Rose^R; and the post-apocalyptic/mythic dystopia, such as Russell Hoban's ^IRiddley Walker^R. While other scholars have often alluded to the importance of language within specific literary dystopias, this book transcends earlier studies by presenting a generic model of dystopian language use.
Author: Kurt Vonnegut
Publisher: Createspace Independent Pub
ISBN: 9781480171848
Category : Fiction
Languages : en
Pages : 24
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Book Description
A sardonic old man, about two hundred years old, sat on a stepladder, painting a mural he did not like. Back in the days when people aged visibly, his age would have been guessed at thirty-five or so. Aging had touched him that much before the cure for aging was found. The mural he was working on depicted a very neat garden. Men and women in white, doctors and nurses, turned the soil, planted seedlings, sprayed bugs, spread fertilizer.
Author: Scotto Moore
Publisher: Tordotcom
ISBN: 1250767695
Category : Fiction
Languages : en
Pages : 361
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Book Description
“This is a stand-alone novel with material enough for six... By the halfway point, it had blown my mind twice... an audacious, genre-bending whirlwind.” —New York Times “It reads like Snow Crash had a dance-off with Gideon the Ninth, in a world where language isn't a virus from outer space, it's a goddamn alien invasion.” —Charles Stross In modern day Los Angeles, a shadowy faction led by the Governor of California develops the arcane art of combat linguistics, planting the seeds of a future totalitarian empire. Isobel is the Queen of the medieval rave-themed VR game Sparkle Dungeon. Her prowess in the game makes her an ideal candidate to learn the secrets of "power morphemes"—unnaturally dense units of meaning that warp perception when skilfully pronounced. But Isobel’s reputation makes her the target of a strange resistance movement led by spellcasting anarchists, who may be the only thing stopping the cabal from toppling California over the edge of a terrible transformation, with forty million lives at stake. Time is short for Isobel to level up and choose a side—because the cabal has attracted much bigger and weirder enemies than the anarchist resistance, emerging from dark and vicious dimensions of reality and heading straight for planet Earth! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Jessica Norledge
Publisher: Springer Nature
ISBN: 303093103X
Category : Language Arts & Disciplines
Languages : en
Pages : 253
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Book Description
This book presents an extended account of the language of dystopia, exploring the creativity and style of dystopian narratives and mapping the development of the genre from its early origins through to contemporary practice. Drawing upon stylistic, cognitive-poetic and narratological approaches, the work proposes a stylistic profile of dystopia, arguing for a reader-led discussion of genre that takes into account reader subjectivity and personal conceptualisations of prototypicality. In examining and identifying those aspects of language that characterise dystopian narratives and the experience of reading dystopian fictions, the work discusses in particular the manipulation and construction of dystopian languages, the conceptualisation of dystopian worlds, the reading of dystopian minds, the projection of dystopian ethics, the unreliability of dystopian refraction, and the evolution and hybridity of the dystopian genre.
Author: Sidney Woodson Peery
Publisher:
ISBN:
Category : Censorship
Languages : en
Pages : 0
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Book Description
The dystopian genre in literature is not a happy genre. We are not drawn to works of dystopian fiction because we expect to be satisfied: there are no "fuzzy feelings" in books like Aldous Huxley's Brave New World, George Orwell's 1984, or Yevgeny Zamyatin's We. Rather, we are fascinated by the thought processes and the questions that these nightmarish societies inspire. This thesis explores one such question, namely: what is the relationship between language, the individual, and society at large? Through an analysis of the three pivotal dystopian books above, I show how this relationship plays a key role in the development of any dystopia, and that these governments' exploitation of this relationship is the root of what we find most disturbing in dystopian literature.
Author: Gary J Byrnes
Publisher: Gary J Byrnes
ISBN:
Category : Art
Languages : en
Pages : 19
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Book Description
Unlock the chilling power of language with the "Newspeak Dictionary," an essential guide to the official language of Oceania in George Orwell’s seminal dystopian novel, "1984." Crafted to control thought and quash rebellion, Newspeak is not just a linguistic tool but a weapon of totalitarian power, meticulously designed to eliminate unapproved patterns of thought and simplify the English language to the barest essentials. This comprehensive dictionary meticulously decodes the deliberately restrictive language used to enforce conformity and stifle free thought among the citizens of Orwell’s fictional superstate. Each entry is not only a definition but a glimpse into the dark heart of linguistic manipulation and authoritarian control. From commonplace terms like "thoughtcrime" and "doublethink" to the subtler nuances of "duckspeak" and "ownlife," this dictionary explores the terrifying efficacy of Newspeak in shaping reality and consciousness. Dive into the pages of the Newspeak Dictionary to explore the Orwellian vision of a world where language is both a prison and the key to understanding the mechanics of dystopia. Whether you're a student, scholar, or a curious mind seeking to understand the depth of Orwell's vision, this dictionary serves as a crucial companion to one of the most influential novels ever written, offering profound insights into the role of language in society and the endless battle for freedom of thought.
Author: Gregory Scott Katsoulis
Publisher: Harlequin
ISBN: 1488015473
Category : Young Adult Fiction
Languages : en
Pages : 304
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Book Description
In a world where every word and gesture is copyrighted, patented or trademarked, one girl elects to remain silent rather than pay to speak, and her defiant and unexpected silence threatens to unravel the very fabric of society. Speth Jime is anxious to deliver her Last Day speech and celebrate her transition into adulthood. The moment she turns fifteen, Speth must pay for every word she speaks (“Sorry” is a flat ten dollars and a legal admission of guilt), for every nod ($0.99/sec), for every scream ($0.99/sec) and even every gesture of affection. She’s been raised to know the consequences of falling into debt, and can’t begin to imagine the pain of having her eyes shocked for speaking words that she’s unable to afford. But when Speth’s friend Beecher commits suicide rather than work off his family’s crippling debt, she can’t express her shock and dismay without breaking her Last Day contract and sending her family into Collection. Backed into a corner, Speth finds a loophole: rather than read her speech—rather than say anything at all—she closes her mouth and vows never to speak again. Speth’s unexpected defiance of tradition sparks a media frenzy, inspiring others to follow in her footsteps, and threatens to destroy her, her family and the entire city around them.
Author: Suzette Haden Elgin
Publisher: The Feminist Press at CUNY
ISBN: 1558617760
Category : Fiction
Languages : en
Pages : 329
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Book Description
First published in 1984, Native Tongue earned wide critical praise, and cult status as well. Set in the twenty-second century after the repeal of the Nineteenth Amendment, the novel reveals a world where women are once again property, denied civil rights, and banned from public life. In this world, Earth’s wealth relies on interplanetary commerce, for which the population depends on linguists, a small, clannish group of families whose women breed and become perfect translators of all the galaxies’ languages. The linguists wield power, but live in isolated compounds, hated by the population, and in fear of class warfare. But a group of women is destined to challenge the power of men and linguists. Nazareth, the most talented linguist of her family, is exhausted by her constant work translating for the government, supervising the children’s language education in the Alien-in-Residence interface chambers, running the compound, and caring for the elderly men. She longs to retire to the Barren House, where women past childbearing age knit, chat, and wait to die. What Nazareth does not yet know is that a clandestine revolution is going on in the Barren Houses: there, word by word, women are creating a language of their own to free them of men’s domination. Their secret must, above all, be kept until the language is ready for use. The women’s language, Láadan, is only one of the brilliant creations found in this stunningly original novel, which combines a page-turning plot with challenging meditations on the tensions between freedom and control, individuals and communities, thought and action. A complete work in itself, it is also the first volume in Elgin’s acclaimed Native Tongue trilogy.
Author: Shawn Coyne
Publisher: Black Irish Entertainment LLC
ISBN: 1936891360
Category : Reference
Languages : en
Pages : 459
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Book Description
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
