Author: Serafín Álvarez Quintero
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
The Lady from Alfaqueque
Author: Serafín Álvarez Quintero
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
The New Age
Author: Arthur Moore
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
Book Description
The Drama
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 554
Book Description
Monthly Bulletin
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
Book Description
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
Book Description
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1520
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1520
Book Description
Monthly Bulletin. New Series
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 866
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 866
Book Description
Four Plays by Serafin and Josquin Alvarez Quintero, in English Versions by Helen and Harley Granville-Barker
Author: Serafín Álvarez Quintero
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 326
Book Description
Margaret Webster
Author: Milly S. Barranger
Publisher: University of Michigan Press
ISBN: 0472026038
Category : Performing Arts
Languages : en
Pages : 581
Book Description
"In Milly Barranger, Margaret Webster has found the perfect biographer. In Margaret Webster, Milly Barranger has found her perfect subject. She brings to vivid life a fascinating and important theater figure whose public and private lives were of equal interest. In this carefully researched book, Webster's colleagues, lovers, and friends shine as brightly as she did. I wish she were here to read it." -Marian Seldes "Margaret Webster is a highly welcome addition to our knowledge of the first important female director in American theater. Remembered now especially for her staging of Othello with Paul Robeson, Uta Hagen, and Jose Ferrer, Margaret Webster was probably the best-known, in-demand, and admired director of Shakespeare in America in the 1940s and 1950s. Fascinating throughout, the book's discussions of working with Robeson, and of HUAC, which targeted her just as her career was reaching a peak, make for especially engrossing reading." -Oscar Brockett Margaret Webster: A Life in the Theater is an engrossing backstage account of the life of pioneering director Margaret Webster (1905-72). This is the first book-length biography of Webster, a groundbreaking stage and opera director whose career challenged not only stage tradition but also mainstream attitudes toward professional women. Often credited with first having brought Shakespeare to Broadway, and renowned for her bold casting of an African American (Paul Robeson) in the role of Othello, Webster was a creative force in modern American and British theater. Her story reveals the independent-minded artist undeterred by stage tradition and unmindful of rules about a woman's place in the professional theater. In addition to providing fascinating glimpses into Webster's personal and family life, Margaret Webster: A Life in the Theater also offers a who's-who list of the biggest names in New York and London theater of the time, as well as Hollywood: John Gielgud, Noël Coward, George Bernard Shaw, Uta Hagen, Sybil Thorndike, Eva LeGallienne, and John Barrymore, among others, all of whom crossed paths with Webster. Capping Webster's amazing story is her investigation by Senator Joseph McCarthy and HUAC, which left her unable to work for a year, and from which she never fully recovered.
Publisher: University of Michigan Press
ISBN: 0472026038
Category : Performing Arts
Languages : en
Pages : 581
Book Description
"In Milly Barranger, Margaret Webster has found the perfect biographer. In Margaret Webster, Milly Barranger has found her perfect subject. She brings to vivid life a fascinating and important theater figure whose public and private lives were of equal interest. In this carefully researched book, Webster's colleagues, lovers, and friends shine as brightly as she did. I wish she were here to read it." -Marian Seldes "Margaret Webster is a highly welcome addition to our knowledge of the first important female director in American theater. Remembered now especially for her staging of Othello with Paul Robeson, Uta Hagen, and Jose Ferrer, Margaret Webster was probably the best-known, in-demand, and admired director of Shakespeare in America in the 1940s and 1950s. Fascinating throughout, the book's discussions of working with Robeson, and of HUAC, which targeted her just as her career was reaching a peak, make for especially engrossing reading." -Oscar Brockett Margaret Webster: A Life in the Theater is an engrossing backstage account of the life of pioneering director Margaret Webster (1905-72). This is the first book-length biography of Webster, a groundbreaking stage and opera director whose career challenged not only stage tradition but also mainstream attitudes toward professional women. Often credited with first having brought Shakespeare to Broadway, and renowned for her bold casting of an African American (Paul Robeson) in the role of Othello, Webster was a creative force in modern American and British theater. Her story reveals the independent-minded artist undeterred by stage tradition and unmindful of rules about a woman's place in the professional theater. In addition to providing fascinating glimpses into Webster's personal and family life, Margaret Webster: A Life in the Theater also offers a who's-who list of the biggest names in New York and London theater of the time, as well as Hollywood: John Gielgud, Noël Coward, George Bernard Shaw, Uta Hagen, Sybil Thorndike, Eva LeGallienne, and John Barrymore, among others, all of whom crossed paths with Webster. Capping Webster's amazing story is her investigation by Senator Joseph McCarthy and HUAC, which left her unable to work for a year, and from which she never fully recovered.
American Theatre: A Chronicle of Comedy and Drama 1914-1930
Author: Gerald Bordman
Publisher: Oxford University Press
ISBN: 9780195090789
Category : Art
Languages : en
Pages : 460
Book Description
The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.
Publisher: Oxford University Press
ISBN: 9780195090789
Category : Art
Languages : en
Pages : 460
Book Description
The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.
American Theatre
Author: Gerald Bordman
Publisher: Oxford University Press
ISBN: 0195358082
Category : Performing Arts
Languages : en
Pages : 481
Book Description
This book concludes Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1970, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O'Neill's Long Day's Journey Into Night, Tennessee William's A Streetcar Named Desire, and Arthur Miller's Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman's lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book and the preceding volumes of American Theatre stand as the premier history of American drama.
Publisher: Oxford University Press
ISBN: 0195358082
Category : Performing Arts
Languages : en
Pages : 481
Book Description
This book concludes Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1970, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O'Neill's Long Day's Journey Into Night, Tennessee William's A Streetcar Named Desire, and Arthur Miller's Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman's lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book and the preceding volumes of American Theatre stand as the premier history of American drama.