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Author: Robert R. Clewis
Publisher: Cambridge University Press
ISBN: 0521516684
Category : Philosophy
Languages : en
Pages : 273
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Book Description
This book shows how certain crucial concepts in Kant's aesthetics and practical philosophy fit together and deepen our understanding of his thought.
Author: Robert R. Clewis
Publisher: Cambridge University Press
ISBN: 0521516684
Category : Philosophy
Languages : en
Pages : 273
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Book Description
This book shows how certain crucial concepts in Kant's aesthetics and practical philosophy fit together and deepen our understanding of his thought.
Author: Paul Crowther
Publisher: Clarendon Press
ISBN: 0191520039
Category : Philosophy
Languages : en
Pages : 188
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Book Description
In recent years Kant's aesthetic theory has been the subject of a widespread revival of interest amongst English-speaking philosophers. This revival, however, has not so far encompassed Kant's aesthetic of the sublime. This neglect is unfortunate because, amongst Continental philosophers, the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Paul Crowther thus breaks new ground by providing what is probably the first monograph in any language to be devoted exclusively to Kant's theory of the sublime.
Author: Paul Guyer
Publisher: Cambridge University Press
ISBN: 1316583058
Category : Philosophy
Languages : en
Pages : 384
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Book Description
Values of Beauty discusses major ideas and figures in the history of aesthetics from the beginning of the eighteenth century to the end of the twentieth century. The core of the book features Paul Guyer's essays on the epochal contribution of Immauel Kant, and sets Kant's work in the context of predecessors, contemporaries, and successors including David Hume, Alexander Gerard, Archibald Alison, Arthur Schopenhauer, and John Stuart Mill All of the essays emphasize the complexity rather than isolation of our aesthetic experience of both nature and art; and the interconnection of aesthetic values such as beauty and sublimity on the one hand, and prudential and moral values on the other. Guyer emphasizes that the idea of the freedom of the imagination as the key to both artistic creation and aesthetic experience has been a common thread throughout the modern history of aesthetics, although the freedom of the imagination has been understood and connected to other forms of freedom in a variety of ways.
Author: Robert Doran
Publisher: Cambridge University Press
ISBN: 1316368858
Category : Philosophy
Languages : en
Pages :
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Book Description
In this book, Robert Doran offers the first in-depth treatment of the major theories of the sublime, from the ancient Greek treatise On the Sublime (attributed to 'Longinus') and its reception in early modern literary theory to the philosophical accounts of Burke and Kant. Doran explains how and why the sublime became a key concept of modern thought and shows how the various theories of sublimity are united by a common structure - the paradoxical experience of being at once overwhelmed and exalted - and a common concern: the preservation of a notion of transcendence in the face of the secularization of modern culture. Combining intellectual history with literary theory and philosophical analysis, his book provides a new, searching and multilayered account of a concept that continues to stimulate thought about our responses to art, nature and human events.
Author: Robert R. Clewis
Publisher: Bloomsbury Publishing
ISBN: 1350112771
Category : Philosophy
Languages : en
Pages : 281
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Book Description
While Kant is commonly regarded as one of the most austere philosophers of all time, this book provides quite a different perspective of the founder of transcendental philosophy. Kant is often thought of as being boring, methodical, and humorless. Yet the thirty jokes and anecdotes collected and illustrated here for the first time reveal a man and a thinker who was deeply interested in how humor and laughter shape how we think, feel, and communicate with fellow human beings. In addition to a foreword on Kant's theory of humor by Noël Carroll as well as Clewis's informative chapters, Kant's Humorous Writings contains new translations of Kant's jokes, quips, and anecdotes. Each of the thirty excerpts is illustrated and supplemented by historical commentaries which explain their significance.
Author: Sophia Vasalou
Publisher: Oxford University Press
ISBN: 0192577174
Category : Philosophy
Languages : en
Pages : 463
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Book Description
Magnanimity is a virtue that has led many lives. Foregrounded early on by Plato as a philosophical virtue par excellence, it became one of the crown jewels in Aristotle's account of human excellence and was accorded equally salient place by other ancient thinkers. It is one of the most distinctive elements of the ancient tradition to filter into the medieval Islamic and Christian worlds. It sparked important intellectual engagements and went on to carve deep tracks through several of the later philosophies to inherit from this tradition. Under changing names and reworked forms, it would continue to breathe in the thought of Descartes and Hume, Kant, and Nietzsche. Its many lives have been joined by important continuities, yet they have also been fragmented by discontinuities -- discontinuities reflecting larger shifts in ethical perspectives and competing answers to questions about the nature of the good life, the moral nature of human beings, and their relationship to the social and natural world they inhabit. They have also been punctuated by moments of intense controversy in which the vision of human greatness has itself been called into doubt. The aim of this volume is to provide an insight into the complex trajectory of a virtue whose glitter has at times been as dazzling as it has been divisive. By exploring the many lives it has lived, we will be in a better position to evaluate whether this is a virtue we still want to make central to our own ethical lives, and why.
Author: Gary Banham
Publisher: Bloomsbury Publishing
ISBN: 1472586808
Category : Philosophy
Languages : en
Pages : 451
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Book Description
Immanuel Kant is widely considered to be the most important and influential thinker of modern Europe and the late Enlightenment. His philosophy is extraordinarily wide-ranging and his influence has been pervasive throughout eighteenth, nineteenth and twentieth-century thought, in particular in the work of the German Idealists, and also in both Analytic and Continental philosophy today. Now available as a new and expanded edition in paperback, this accessible companion to Kant features more than 100 specially commissioned entries, written by a team of experts in the field, covering every aspect of his philosophy. The Bloomsbury Companion to Kant presents a comprehensive overview of the historical and philosophical context in which Kant wrote and the various features, themes and topics apparent in his thought. It also includes extensive synopses of all his major published works and a survey of the key lines of reception and influence including a new addition on Schopenhauer's reception of Kant. It concludes with a thorough bibliography of English language secondary literature, now expanded for this edition to include all cutting-edge publications in the area. This is an essential and practical research tool for those working in the field of eighteenth-century German philosophy and Kant.
Author: Joshua W Rayman
Publisher: University of Wales Press
ISBN: 0708325076
Category : Philosophy
Languages : en
Pages : 234
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Book Description
A book considering Kant's account of the overpowering feeling of the sublime, and the moral law within, which exercised an extraordinary influence on the movements of Romanticism, Hegelian phenomenology, and Continental Philosophy.
Author: Stephen R. Palmquist
Publisher: Routledge
ISBN: 0429958900
Category : Philosophy
Languages : en
Pages : 292
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Book Description
Kant on Intuition: Western and Asian Perspectives on Transcendental Idealism consists of 20 chapters, many of which feature engagements between Kant and various Asian philosophers. Key themes include the nature of human intuition (not only as theoretical—pure, sensible, and possibly intellectual—but also as relevant to Kant’s practical philosophy, aesthetics, the sublime, and even mysticism), the status of Kant’s idealism/realism, and Kant’s notion of an object. Roughly half of the chapters take a stance on the recent conceptualism/non-conceptualism debate. The chapters are organized into four parts, each with five chapters. Part I explores themes relating primarily to the early sections of Kant’s first Critique: three chapters focus mainly on Kant’s theory of the "forms of intuition" and/or "formal intuition", especially as illustrated by geometry, while two examine the broader role of intuition in transcendental idealism. Part II continues to examine themes from the Aesthetic but shifts the main focus to the Transcendental Analytic, where the key question challenging interpreters is to determine whether intuition (via sensibility) is ever capable of operating independently from conception (via understanding); each contributor offers a defense of either the conceptualist or the non-conceptualist readings of Kant’s text. Part III includes three chapters that explore the relevance of intuition to Kant’s theory of the sublime, followed by two that examine challenges that Asian philosophers have raised against Kant’s theory of intuition, particularly as it relates to our experience of the supersensible. Finally, Part IV concludes the book with five chapters that explore a range of resonances between Kant and various Asian philosophers and philosophical ideas.
Author: James Harold
Publisher: Oxford University Press
ISBN: 0197539793
Category : Medical
Languages : en
Pages : 793
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Book Description
"Art has not always had the same salience in philosophical discussions of ethics that many other elements of our lives have. There are well-defined areas of "applied ethics" corresponding to nature, business, health care, war, punishment, animals, and more, but there is no recognized research program in "applied ethics of the arts" or "art ethics." Art often seems to belong to its own sphere of value, separate from morality. The first questions we ask about art are usually not about its moral rightness or virtue, but about its beauty or originality. However, it is impossible to do any serious thinking about the arts without engaging in ethical questions"--
