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Author: André Gide
Publisher: University of Illinois Press
ISBN: 9780252069307
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
Presents the author's journals that testify a disciplined intelligence in a constantly maturing thought. This book offers details of his personal life and spiritual conflicts, accounts of his travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation.
Author: André Gide
Publisher: University of Illinois Press
ISBN: 9780252069307
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
Presents the author's journals that testify a disciplined intelligence in a constantly maturing thought. This book offers details of his personal life and spiritual conflicts, accounts of his travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation.
Author: André Gide
Publisher: University of Illinois Press
ISBN: 9780252069314
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
"Beginning with a single entry for the year 1889, when he was twenty, and continuing intermittently but indefatigably through his life, theJournals of Andr Gideconstitute an enlightening, moving, and endlessly fascinating chronicle of creative energy and conviction. Astutely and thoroughly annotated by Justin O'Brien in consultation with Gide himself, this translation is the definitive edition of Gide's complete journals.The complete journals, representing sixty years of a varied life, testify to a disciplined intelligence in a constantly maturing thought. These pages contain aesthetic appreciations, philosophic reflections, sustained literary criticism, notes for the composition of his works, details of his personal life and spiritual conflicts, accounts of his extensive travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation. Gide records his progress as a writer and a reader as well as his contacts and conversations with the bright lights of contemporary Europe, from Paul Valry, Paul Claudel, Lon Blum, and Auguste Rodin to Marcel Proust, Stephen Mallarm, Oscar Wilde, and Nadia Boulanger. Devoid of affectation, alternately overtaken by depression and animated by a sense of urgency and hunger for literature and beauty, Gide read voraciously, corresponded voluminously, and thought profoundly, always questioning and doubting in search of the unadulterated truth. ""The only drama that really interests me and that I should always be willing to depict anew,"" he wrote, ""is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, to his integration. Most often the obstacle is within him. And all the rest is merely accidental."""
Author: David H. Walker
Publisher: Routledge
ISBN: 1315505126
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This book presents a selection of some of the most significant critical work written on Andre Gide during his lifetime and since. As a major writer of the twentieth-century, his life and creative output, as well as his role as a leading intellectual, attracted comment from prominent contemporaries and continues to have relevance today. Containing a substantial introduction and overview, this compilation offers a variety of illuminating perspectives that will inform and guide the general and specialist reader.
Author: Helen Phelps Bailey
Publisher: Librairie Droz
ISBN: 9782600034708
Category : Hamlet (Legendary character)
Languages : en
Pages : 228
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Book Description
Author: Christopher John Murray
Publisher: Taylor & Francis
ISBN: 1579583849
Category : History
Languages : en
Pages : 748
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Book Description
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.
Author: John Schad
Publisher: Apollo Books
ISBN: 9781845193829
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
Oscar Wilde famously spoke of 'the critic as artist' whilst Terry Eagleton once celebrated 'the critic as clown'. This exciting new volume brings together a range of writings that seek to radically re-imagine the often pale figure of the literary critic. In doing so we here glimpse a host of unfamiliar figures from the critic as pedestrian to the critic as suicide through the critic as revivalist and even the critic as bodger. The result is a book that seeks to locate the truly critical critic -- or, to be paradoxical, the critic as critic; the critic who is a critic of criticism as conventionally understood. This is the final volume of the immensely successful 'Critical Inventions' series.
Author: Nina Cornyetz
Publisher: Routledge
ISBN: 1134031548
Category : History
Languages : en
Pages : 353
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Book Description
Perversion and modern Japan focuses on the psychoanalytic approach to the study of modern Japan. Using a wide range of psychoanalytic approaches the contributors to this book have brought together chapters on everything from the Ajase complex to underpants, from fascist modernism in literature to internet-based suicide pacts.
Author: Barry Charles Tharaud
Publisher: Boydell & Brewer
ISBN: 1640140808
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Shows that the writings of Paul Bowles, who is often seen as a literary renegade, owe much to the antinomian American tradition of Emerson and his literary descendants.
Author: Gisèle Sapiro
Publisher: Duke University Press
ISBN: 0822395126
Category : Literary Criticism
Languages : en
Pages : 806
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Book Description
The French Writers' War, 1940–1953, is a remarkably thorough account of French writers and literary institutions from the beginning of the German Occupation through France's passage of amnesty laws in the early 1950s. To understand how the Occupation affected French literary production as a whole, Gisèle Sapiro uses Pierre Bourdieu's notion of the "literary field." Sapiro surveyed the career trajectories and literary and political positions of 185 writers. She found that writers' stances in relation to the Vichy regime are best explained in terms of institutional and structural factors, rather than ideology. Examining four major French literary institutions, from the conservative French Academy to the Comité national des écrivains, a group formed in 1941 to resist the Occupation, she chronicles the institutions' histories before turning to the ways that they influenced writers' political positions. Sapiro shows how significant institutions and individuals within France's literary field exacerbated their loss of independence or found ways of resisting during the war and Occupation, as well as how they were perceived after Liberation.
Author: Min Tian
Publisher: Springer
ISBN: 3319971786
Category : Performing Arts
Languages : en
Pages : 315
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Book Description
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
