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Author: Edmond de Goncourt
Publisher: New York Review of Books
ISBN: 9781590171905
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
No evocation of Parisian life in the second half of the nineteenth century can match that found in the journals of the brothers Goncourt The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of color, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists. Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.
Author: Edmond de Goncourt
Publisher: New York Review of Books
ISBN: 9781590171905
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
No evocation of Parisian life in the second half of the nineteenth century can match that found in the journals of the brothers Goncourt The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of color, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists. Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.
Author: Edmond de Goncourt
Publisher:
ISBN:
Category : Authors, French
Languages : en
Pages : 494
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Book Description
Author: Edmond de Goncourt
Publisher:
ISBN:
Category : Novelists, French
Languages : en
Pages : 412
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Book Description
Author: Emily Apter
Publisher: Cornell University Press
ISBN: 1501722697
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Shoes, gloves, umbrellas, cigars that are not just objects—the topic of fetishism seems both bizarre and inevitable. In this venturesome and provocative book, Emily Apter offers a fresh account of the complex relationship between representation and sexual obsession in turn-of-the-century French culture. Analyzing works by authors in the naturalist and realist traditions as well as making use of documents from a contemporary medical archive, she considers fetishism as a cultural artifact and as a subgenre of realist fiction. Apter traces the web of connections among fin-de-siècle representations of perversion, the fiction of pathology, and the literary case history. She explores in particular the theme of "female fetishism" in the context of the feminine culture of mourning, collecting, and dressing.
Author: T.J. Clark
Publisher: Knopf
ISBN: 0525520511
Category : Art
Languages : en
Pages : 636
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Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
Author:
Publisher: BRILL
ISBN: 9042027320
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
This volume examines the multifaceted ways in which textual material in nineteenth-century European cultures intersected with non-literary cultural artefacts and concepts. The essays consider the presence of such diverse phenomena as the dandy, nationhood, diasporic identity, operatic and dramatic personae and effects, trapeze artists, paintings, and the grotesque and fantastic in the work of a variety of writers from France, Germany, Spain, Britain, Russia, Greece and Italy. The volume argues for a view of the long nineteenth century as a century of lively cultural dialogue and exchange between national and sub-national cultures, between ‘high’ and popular art forms, and between different genres and different media, and it will be of interest to general readers and scholars alike.
Author: Edmond de Goncourt
Publisher: London, New York, Oxford University Press
ISBN:
Category : Authors, French
Languages : en
Pages : 482
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Book Description
Author: Edmond de Goncourt
Publisher:
ISBN:
Category : Authors, French
Languages : fr
Pages : 1364
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Book Description
Author: Marie Belloc Lowndes
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Selections from the Goncourt brothers' journal and letters, interspersed with commentary and biographical narrative.
Author: W. N. P. Barbellion
Publisher: Read Books Ltd
ISBN: 1473345375
Category : Literary Collections
Languages : en
Pages : 287
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Book Description
This book contains Bruce Frederick Cummings' (pseudonym: W. N. P. Barbellion) 1919 work, "The Journal of a Disappointed Man". Hailed by Ronald Blythe as "among the most moving diaries ever created", it is full of astute and frank observations, interesting personal philosophy, and profound introspection. The first edition contains a preface by H. G. Wells, which caused many people think it a work of fiction; however, Well's dispelled this rumour even though the true identity of its author was unknown until his death. A fascinating and unique volume, "The Journal of a Disappointed Man" constitutes a must-read for all lovers of non-fiction and would make for a worthy addition to any collection. Bruce Frederick Cummings (1889 - 919) was an English diarist most famous for this work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
