Author: Josephine Meckseper
Publisher: Sternberg Press
ISBN: 9781933128146
Category : Installations (Art)
Languages : en
Pages : 0
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Book Description
Only appearances remain: why not raise them to the level of a style? --E. M. Cioran This fully illustrated, artist-designed catalogue features the most recent work of New York-based Josephine Meckseper, including her work for the 2006 Whitney Biennial. The artist suggests that our desire for luxury goods and fashion is induced by media-driven ruling regimes, and comes to the conclusion that partisan politics are just another status symbol. Radicalism quickly morphs into radical chic, which is just one more object to be fetishized and sold in a museum-gallery-boutique that samples utopian dreams ranging from the communists to the hippies. "In Meckseper's work, politics becomes a style, and commitment an object to be displayed in a chic display cabinet, suggestive of those in museums and ethnographic societies," write the curators of the 2005 Lyon Biennale. "Meckseper explores the questionable links between images of political news, the fashion industry and advertising." Contributors Sylvère Lotringer
Author: Josephine Meckseper
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
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Book Description
The Kunstmuseum Stuttgart presents the first extensive mid-career survey of Josephine Meckseper's multimedia work on four floors of the museum with over 150 works from Meckseper's oeuvre consisting of large installations, window displays, sculptures, paintings, photographs and films.
Author: Victor Brand
Publisher: Jrp Ringier
ISBN:
Category : Art
Languages : en
Pages : 448
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Book Description
Edited by Andrew Roth, Philip Aarons. Text by Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson.
Author: Burkhard Riemschneider
Publisher:
ISBN: 9783836505116
Category : Art movements
Languages : en
Pages : 594
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Book Description
From the Publisher: Art Now Volume I brings together the recent work and biographical information for our selection of the 150 most influential artists working at the end of the 20th century. Art Now also includes a sort of service guide, produced in collaboration with The Art Newspaper, which lists museums, restaurants, and hotels we recommend you check out while you're cruising the global art scene, and even gives the scoop on how much one can expect to pay for a Damien Hirst or a Sharon Lockhart and whom to contact if you decide to buy. We also let you know useful details like how many prints Wolfgang Tillmans made for a certain edition and what sorts of sums big players like Koons, Sherman, and Struth bring in at auction. Think of it as an indispensable reference book, travel guide, and art market directory all rolled into one.
Author: Max Schumann
Publisher: Printed Matter, Incorporated
ISBN: 9780894390852
Category : Art
Languages : en
Pages : 0
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Book Description
"Edited by Max Schumann, Director of Printed Matter, and with a foreword and afterword by art writer and Colab member Walter Robinson, the book traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the late 1970's through the mid 1980's."--Printed Matter website.
Author: Nick Relph
Publisher:
ISBN: 9781639016853
Category : Art
Languages : en
Pages : 0
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Book Description
A new title from Nick Relph, published by Pre-Echo Press.
Author: Gwen Allen
Publisher: MIT Press
ISBN: 0262015196
Category : Art
Languages : en
Pages : 377
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Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
Author: Yasufumi Nakamori
Publisher:
ISBN: 9780300207828
Category : ART
Languages : en
Pages : 0
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Book Description
18 contributed articles interspersed with 21 short studies (one page of text and 3 pages of pictures) of particular artists/photographers.
Author: Christoph Behnke
Publisher:
ISBN: 9783956790775
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law-based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows - which also included the works of winners of the Daniel Frese Prize - at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Author: Lori Cole
Publisher: Penn State Press
ISBN: 0271081708
Category : Art
Languages : en
Pages : 451
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Book Description
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as “How do you imagine Latin America?” and “What should American art be?” issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba’s Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of “America,” particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like “American art,” as well as “modernism” and “avant-garde,” were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges. The book traces a genealogy of the genre from the Renaissance paragone, or “comparison of the arts,” through the rise of enquêtes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists’ and writers’ understanding of themselves and their place in the world. Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole’s original and compellingly crafted work.
