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Author: Jason Berry
Publisher: University of Louisiana
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Up from the Cradle of Jazz is the inside story of New Orleans music from the rise of rhythm and blues through the post-Hurricane Katrina resurrection.
Author: Jason Berry
Publisher: University of Louisiana
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Up from the Cradle of Jazz is the inside story of New Orleans music from the rise of rhythm and blues through the post-Hurricane Katrina resurrection.
Author: Danny Barker
Publisher: Springer
ISBN: 1349099368
Category : Music
Languages : en
Pages : 247
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Book Description
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Author: Samuel Charters
Publisher: Univ. Press of Mississippi
ISBN: 1604733187
Category : Biography & Autobiography
Languages : en
Pages : 394
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Book Description
Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages--African American, white, and Creole--in jazz's formative years. Charters also maps the inroads blazed by the city's Italian immigrant musicians, who left their own imprint on the emerging styles. The study is based on the author's own interviews, begun in the 1950s, on the extensive material gathered by the Oral History Project in New Orleans, on the recent scholarship of a new generation of writers, and on an exhaustive examination of related newspaper files from the jazz era. The book extends the study area of his earlier book Jazz: New Orleans, 1885-1957, and breaks new ground with its in-depth discussion of the earliest New Orleans recordings. A Trumpet around the Corner for the first time brings the story up to the present, describing the worldwide interest in the New Orleans jazz revival of the 1950s and 1960s, and the exciting resurgence of the brass bands of the last decades. The book discusses the renewed concern over New Orleans's musical heritage, which is at great risk after the catastrophe of Hurricane Katrina's floodwaters. Samuel Charters, eminent historian of jazz and blues music, is author of the award-winning The Roots of the Blues and numerous other titles. A resident of Storrs, Connecticut, and Stockholm, Sweden, he is also a Grammy-winning record producer, musician, poet, and fiction writer and was inducted into the Blues Hall of Fame in 1994.
Author: Charles B. Hersch
Publisher: University of Chicago Press
ISBN: 0226328694
Category : Music
Languages : en
Pages : 304
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Book Description
Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune
Author: Richard Brent Turner
Publisher: Indiana University Press
ISBN: 0253025125
Category : Social Science
Languages : en
Pages : 240
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Book Description
This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.
Author: Bruce Boyd Raeburn
Publisher:
ISBN: 9780472116751
Category : Jazz
Languages : en
Pages : 0
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Book Description
A fascinating and insightful study of the development of New Orleans jazz and its effect on jazz history
Author: R. Collins
Publisher:
ISBN:
Category : History
Languages : en
Pages : 312
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Book Description
Author: Smith, Michael P.
Publisher: Pelican Publishing
ISBN: 9781455609567
Category : History
Languages : en
Pages : 218
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Book Description
An extraordinary documentation through photographs of the evolution of this yearly festival that in New Orleans has become a seasonal ritual comparable only to the revelry of Mardi Gras. Photographs.
Author: Thomas Lesher Morgan
Publisher: Turner
ISBN: 9781596525450
Category : Jazz
Languages : en
Pages : 0
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Book Description
New Orleans jazz thrilled the world in the twenties and traveled around the world in the thirties. In the forties and fifties, the world came to New Orleans to hear authentic New Orleans jazz played by real jazz musicians. The sixties brought Preservation Hall, a musical institution that even a hurricane couldn't kill. For the last 40 years, the New Orleans Jazz and Heritage Festival has been celebrating New Orleans' and Louisiana's unique culture and music. This volume contains rare photographs from the Louisiana State Museum's Jazz Collection, lovingly assembled and accompanied by captions written by award-winning author and Jazz Roots radio show host Tom Morgan. Those who love jazz will be amazed by these pictures of some of the best musicians ever to pick up an instrument. For those just beginning to learn about jazz, this 200-page volume is an excellent takeoff point to learn more about what made New Orleans jazz unique, and a source to discover musicians who can further enhance readers' listening pleasure.
Author: Matt Sakakeeny
Publisher: Duke University Press
ISBN: 0822377209
Category : Music
Languages : en
Pages : 249
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Book Description
Roll With It is a firsthand account of the precarious lives of musicians in the Rebirth, Soul Rebels, and Hot 8 brass bands of New Orleans. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Some achieve a degree of social mobility while many more encounter aggressive policing, exploitative economies, and a political infrastructure that creates insecurities in healthcare, housing, education, and criminal justice. The gripping narrative moves with the band members from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.
