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Author: James Longenbach
Publisher: W. W. Norton & Company
ISBN: 0393078957
Category : Poetry
Languages : en
Pages : 91
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Book Description
Imagine a house that's furnished with anything you could needùevery person you've loved, living or dead, every story you've told, mythic or mundane. The Iron Key unlocks the door to this house. Names, dates, addresses, receipts, books, paintingsùthese elegantly composed poems are cluttered with the accumulated treasures of a lifetime. But a painful acknowledgment of loss fuels this dream of abundance, and to embrace deprivation is to feel the promise of everything still to come: the poem to be written, the friend to be mourned, the child to be loved. Throughout The Iron Key the city of Venice stands for this promise, at once fragile and magnificent, but the poems themselves take place in upstate New York or suburban New Jersey, in the dead of winter and in a country perpetually at war. Again and again, out of unpropitious circumstances, The Iron Key brings us to the oldest threshold, the door that opens onto the future. We cannot know that beauty will survive there, but the poems themselves are proof that we will continue to be overwhelmed by the beautiful. --Book Jacket.
Author: James Longenbach
Publisher: W. W. Norton & Company
ISBN: 0393078957
Category : Poetry
Languages : en
Pages : 91
Get Book Here
Book Description
Imagine a house that's furnished with anything you could needùevery person you've loved, living or dead, every story you've told, mythic or mundane. The Iron Key unlocks the door to this house. Names, dates, addresses, receipts, books, paintingsùthese elegantly composed poems are cluttered with the accumulated treasures of a lifetime. But a painful acknowledgment of loss fuels this dream of abundance, and to embrace deprivation is to feel the promise of everything still to come: the poem to be written, the friend to be mourned, the child to be loved. Throughout The Iron Key the city of Venice stands for this promise, at once fragile and magnificent, but the poems themselves take place in upstate New York or suburban New Jersey, in the dead of winter and in a country perpetually at war. Again and again, out of unpropitious circumstances, The Iron Key brings us to the oldest threshold, the door that opens onto the future. We cannot know that beauty will survive there, but the poems themselves are proof that we will continue to be overwhelmed by the beautiful. --Book Jacket.
Author: Eleanor Wilner
Publisher: University of Michigan Press
ISBN: 0472052039
Category : Language Arts & Disciplines
Languages : en
Pages : 233
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Book Description
The venture of this inviting collection is to look, from the many vantages that the 35 poets in this eclectic anthology chose to look, at what it was—knowing that a poem can’t be conceived in advance of its creation—that helped their poems to emerge or connected them over time. The Rag-Picker's Guide to Poetry permits an inside view of how poets outwit internal censors and habits of thought, showing how the meticulous and the spontaneous come together in the process of discovery. Within are contained the work and thoughts of: Betty Adcock Joan Aleshire Debra Allbery Elizabeth Arnold David Baker Rick Barot Marianne Boruch Karen Brennan Gabrielle Calvocoressi Michael Collier Carl Dennis Stuart Dischell Roger Fanning Chris Forhan Reginald Gibbons Linda Gregerson Jennifer Grotz Brooks Haxton Tony Hoagland Mark Jarman A. Van Jordan Laura Kasischke Mary Leader Dana Levin James Longenbach Thomas Lux Maurice Manning Heather McHugh Martha Rhodes Alan Shapiro Daniel Tobin Ellen Bryant Voigt Alan Williamson Eleanor Wilner C. Dale Young
Author: James Longenbach
Publisher: Graywolf Press
ISBN: 1555970672
Category : Literary Criticism
Languages : en
Pages : 179
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Book Description
An illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe) "This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's preface The Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
Author: James Longenbach
Publisher: Art Of
ISBN:
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
"Poetry is the sound of language organized in lines." James Longenbach opens The Art of the Poetic Line with that essential statement. Through a range of examples - from Shakespeare and Milton to Ashbery and Glück - Longenbach describes the function of line in metered, rhymed, syllabic, and free-verse poetry. That function is sonic, he argues, and our true experience of it can only be identified in relation to other elements in a poem. Syntax and the interaction of different kinds of line endings are primary to understanding line, as is the relationship of lineated poems to prose poetry. The Art of the Poetic Line is a vital new resource by one of America's most important critics and one of poetry's most engaging practitioners.
Author: James Longenbach
Publisher: University of Chicago Press
ISBN: 022671618X
Category : Literary Criticism
Languages : en
Pages : 127
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Book Description
A poet and scholar explores how lyric poetry works by examining the lives and works of thirteen twentieth- and twenty-first–century American poets and musicians. For more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics. Praise for The Lyric Now “Longenbach is a lyric poet, practical critic, and literary scholar. These are distinct roles, and there are vanishingly few people good, let alone so distinguished, in all three. In The Lyric Now, he brings a career’s worth of wisdom to bear while writing with élan and urgency for both the specialist and nonspecialist reader. No one is better at explaining how poems work, how literary history happens, and why we should care about both.” —Langdon Hammer, author of James Merrill: Life and Art “[Longenbach] does prove—with stylistic wit and epigrammatic verve—that close reading can be a literary art in its own right. . . . Taken together, these essays . . . make an implicit case for the importance of syntax to lyric poetry. This is particularly evident in Longenbach’s reading of Moore’s “The Octopus,” and in masterful readings of poems by Jorie Graham and Carl Philips. When he contrasts Patti Smith’s prose and John Ashbery’s poetry with the songs of Bob Dylan, his skill as an expert close reader proves his point about the power of syntax. This volume proves a simple yet fundamental truth: “a lyric works particularly, sentence by sentence, line by line”. . . . Summing Up: Highly recommended.” —Choice
Author: Henia Karmel
Publisher: Univ of California Press
ISBN: 9780520940741
Category : Poetry
Languages : en
Pages : 164
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Book Description
Buchenwald survivors Ilona and Henia Karmel were seventeen and twenty years old when they entered the Nazi labor camps from the Kraków ghetto. These remarkable poems were written during that time. The sisters wrote the poems on worksheets stolen from the factories where they worked by day and hid them in their clothing. During what she thought were the last days of her life, Henia entrusted the poems to a cousin who happened to pass her in the forced march at the end of the war. The cousin gave them to Henia's husband in Kraków, who would not locate and reunite with his wife for another six months. This is the first English publication of these extraordinary poems. Fanny Howe's deft adaptations preserve their freshness and innocence while making them entirely compelling. They are presented with a biographical introduction that conveys the powerful story of the sisters' survival from capture to freedom in 1946.
Author: Walter Scott
Publisher: DigiCat
ISBN:
Category : Poetry
Languages : en
Pages : 2314
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Book Description
This edition includes: Introduction: SIR WALTER SCOTT AND LADY MORGAN by Victor Hugo MEMORIES AND PORTRAITS by Robert Louis Stevenson SCOTT AND HIS PUBLISHERS by Charles Dickens POETRY: Notable Poems MARMION THE LADY OF THE LAKE THE LAY OF THE LAST MINSTREL ROKEBY THE VISION OF DON RODERICK THE BRIDAL OF TRIERMAIN THE FIELD OF WATERLOO THE LORD OF THE ISLES HAROLD THE DAUNTLESS Translations and Imitations from German Ballads THE WILD HUNTSMAN WILLIAM AND HELEN FREDERICK AND ALICE THE FIRE-KING THE NOBLE MORINGER THE BATTLE OF SEMPACH THE ERL-KING Contributions to "The Minstrelsy of the Scottish Border" THE EVE OF ST. JOHN CADYOW CASTLE THOMAS THE RHYMER THE GRAY BROTHER GLENFINLAS; OR, LORD RONALD'S CORONACH Poems from Novels and Other Poems THE VIOLET TO A LADY - WITH FLOWERS FROM A ROMAN WALL BOTHWELL CASTLE THE SHEPHERD'S TALE CHEVIOT THE REIVER'S WEDDING THE BARD'S INCANTATION HELLVELLYN THE DYING BARD THE NORMAN HORSESHOE THE MAID OF TORO THE PALMER THE MAID OF NEIDPATH WANDERING WILLIE HUNTING SONG EPITAPH. DESIGNED FOR A MONUMENT IN LICHFIELD CATHEDRAL PROLOGUE TO MISS BAILLIK'S PLAY OF THE FAMILY LEGEND THE POACHER SONG THE BOLD DRAGOON ON THE MASSACRE OF GLENCOE FOR A' THAT AND A' THAT SONG, FOR THE ANNIVERSARY MEETING OF THE PITT CLUB OF SCOTLAND PHAROS LOQUITUR The Minstrelsy of the Scottish Border ANDREW LANG'S VIEW OF SCOTT: LETTERS TO DEAD AUTHORS by Andrew Lang THE POEMS OF SIR WALTER SCOTT by Andrew Lang SIR WALTER SCOTT AND THE BORDER MINSTRELSY by Andrew Lang Sir Walter Scott (1771-1832) was a Scottish historical novelist, playwright and poet.
Author: Walter Scott
Publisher: e-artnow
ISBN: 8026838815
Category : Poetry
Languages : en
Pages : 2305
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Book Description
This carefully crafted ebook: "The Complete Poetry of Sir Walter Scott” is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Introduction: SIR WALTER SCOTT AND LADY MORGAN by Victor Hugo MEMORIES AND PORTRAITS by Robert Louis Stevenson SCOTT AND HIS PUBLISHERS by Charles Dickens POETRY: Notable Poems MARMION THE LADY OF THE LAKE THE LAY OF THE LAST MINSTREL ROKEBY THE VISION OF DON RODERICK THE BRIDAL OF TRIERMAIN THE FIELD OF WATERLOO THE LORD OF THE ISLES HAROLD THE DAUNTLESS Translations and Imitations from German Ballads THE WILD HUNTSMAN WILLIAM AND HELEN FREDERICK AND ALICE THE FIRE-KING THE NOBLE MORINGER THE BATTLE OF SEMPACH THE ERL-KING Contributions to "The Minstrelsy of the Scottish Border” THE EVE OF ST. JOHN CADYOW CASTLE THOMAS THE RHYMER THE GRAY BROTHER GLENFINLAS; OR, LORD RONALD'S CORONACH Poems from Novels and Other Poems THE VIOLET TO A LADY - WITH FLOWERS FROM A ROMAN WALL BOTHWELL CASTLE THE SHEPHERD'S TALE CHEVIOT THE REIVER'S WEDDING THE BARD'S INCANTATION HELLVELLYN THE DYING BARD THE NORMAN HORSESHOE THE MAID OF TORO THE PALMER THE MAID OF NEIDPATH WANDERING WILLIE HUNTING SONG EPITAPH. DESIGNED FOR A MONUMENT IN LICHFIELD CATHEDRAL PROLOGUE TO MISS BAILLIK'S PLAY OF THE FAMILY LEGEND THE POACHER SONG THE BOLD DRAGOON ON THE MASSACRE OF GLENCOE FOR A' THAT AND A' THAT SONG, FOR THE ANNIVERSARY MEETING OF THE PITT CLUB OF SCOTLAND PHAROS LOQUITUR The Minstrelsy of the Scottish Border ANDREW LANG'S VIEW OF SCOTT: LETTERS TO DEAD AUTHORS by Andrew Lang THE POEMS OF SIR WALTER SCOTT by Andrew Lang SIR WALTER SCOTT AND THE BORDER MINSTRELSY by Andrew Lang Sir Walter Scott (1771-1832) was a Scottish historical novelist, playwright and poet.
Author: Arthur Conan Doyle
Publisher: Good Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 6833
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Book Description
Arthur Conan Doyle's 'Ultimate Collection' encompasses a vast array of literary works, including 21 novels, 188 short stories, 88 poems, and 7 plays. Doyle's writing style is characterized by its tightly structured plots, intricate mysteries, and vivid character portrayals, making him a pioneer in the detective fiction genre. His works often delve into themes of justice, morality, and the complexities of human nature, reflecting the societal concerns of his time. The inclusion of spiritual writings, historical pieces, and personal memoirs further showcases Doyle's versatility as a writer. With detailed illustrations to accompany each piece, readers are transported into the captivating world of Doyle's imagination. Arthur Conan Doyle's diverse collection is a testament to his enduring literary legacy and continues to captivate audiences worldwide. This comprehensive anthology is a must-read for fans of classic literature, detective fiction enthusiasts, and anyone seeking a glimpse into the mind of a literary master.
Author: Various Authors
Publisher: Library of Alexandria
ISBN:
Category : Poetry
Languages : en
Pages : 882
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Book Description
Several considerations have prompted the editor of this volume in the compilation of its pages. It constitutes a contribution to the national literature which is assumed to be not unworthy of it, and which is otherwise valuable as illustrating the degree of mental and art development which has been made, in a large section of the country, under circumstances greatly calculated to stimulate talent and provoke expression, through the higher utterances of passion and imagination. Though sectional in its character, and indicative of a temper and a feeling which were in conflict with nationality, yet, now that the States of the Union have been resolved into one nation, this collection is essentially as much the property of the whole as are the captured cannon which were employed against it during the progress of the late war. It belongs to the national literature, and will hereafter be regarded as constituting a proper part of it, just as legitimately to be recognized by the nation as are the rival ballads of the cavaliers and roundheads, by the English, in the great civil conflict of their country. The emotional literature of a people is as necessary to the philosophical historian as the mere details of events in the progress of a nation. This is essential to the reputation of the Southern people, as illustrating their feelings, sentiments, ideas, and opinions--the motives which influenced their actions, and the objects which they had in contemplation, and which seemed to them to justify the struggle in which they were engaged. It shows with what spirit the popular mind regarded the course of events, whether favorable or adverse; and, in this aspect, it is even of more importance to the writer of history than any mere chronicle of facts. The mere facts in a history do not always, or often, indicate the true animus, of the action. But, in poetry and song, the emotional nature is apt to declare itself without reserve--speaking out with a passion which disdains subterfuge, and through media of imagination and fancy, which are not only without reserve, but which are too coercive in their own nature, too arbitrary in their influence, to acknowledge any restraints upon that expression, which glows or weeps with emotions that gush freely and freshly from the heart. With this persuasion, we can also forgive the muse who, in her fervor, is sometimes forgetful of her art. And yet, it is believed that the numerous pieces of this volume will be found creditable to the genius and culture of the Southern people, and honorable, as in accordance with their convictions. They are derived from all the States of the late Southern Confederacy, and will be found truthfully to exhibit the sentiment and opinion prevailing more or less generally throughout the whole. The editor has had special advantages in making the compilation. Having a large correspondence in most of the Southern States, he has found no difficulty in procuring his material. Contributions have poured in upon him from all portions of the South; the original publications having been, in a large number of cases, subjected to the careful revision of the several authors. It is a matter of great regret with him that the limits of the present volume have not suffered him to do justice to, and find a place for, many of the pieces which fully deserve to be put on record. Some of the poems were quite too long for his purpose; a large number, delayed by the mails and other causes, were received too late for publication. Several collections, from Louisiana, North Carolina, and Texas, especially, are omitted for this reason. Many of these pieces are distinguished by fire, force, passion, and a free play of fancy. Briefly, his material would enable him to prepare another volume, similar to the present, which would not be unworthy of its companionship. He is authorized by his publisher to say that, in the event of the popular success of the present volume, he will cheerfully follow up its publication by a second, of like style, character, and dimensions.
