The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence

The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence PDF Author: Arnold Dolmetsch
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 0

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The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence

The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence PDF Author: Arnold Dolmetsch
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 0

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Book Description


The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence

The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence PDF Author: Arnold Dolmetsch
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 514

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Interpretation of the Music of the 17th and 18th Centuries

Interpretation of the Music of the 17th and 18th Centuries PDF Author: Arnold Dolmetsch
Publisher: Courier Corporation
ISBN: 0486442756
Category : Music
Languages : en
Pages : 530

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Book Description
One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858–1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study, The Interpretation of the Music of the 17th and 18th Centuries, first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. A rare appendix of musical examples, originally published separately, appears in this new edition of the first book to address in a comprehensive and scholarly manner the problems of performing Baroque music. More than a text on performance practices, this classic offers glimpses of what Baroque music meant—both as an art and a science—to musicians of the era.

Musical Performance

Musical Performance PDF Author: Stan Godlovitch
Publisher: Routledge
ISBN: 1134654391
Category : Philosophy
Languages : en
Pages : 188

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Book Description
Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered. Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses for philosophical aesthetics. Where does does the value of musical performance lie? Is human performance of music a mere transfer medium? Is the performance of music more expressive than recorded music? Musical Performance poses questions such as these to develop a fascinating account of music today. musicians - but via some recording medium on which sound has been stored.

Destiny: The Extraordinary Career of Pianist Eileen Joyce

Destiny: The Extraordinary Career of Pianist Eileen Joyce PDF Author: David Tunley
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037872
Category : Music
Languages : en
Pages : 222

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Book Description
Born in Tasmania, the Australian pianist Eileen Joyce was destined for the great concert halls of the world and a career that established her at the international pinnacle of twentieth-century pianism. In-depth essays in this book examine her studies in Germany, her appearances as a glamorous concert artist, her starring roles on film, her fascination with the harpsichord and embrace of early music, and her many acclaimed recordings. With listings of Joyce’s concerto and solo recital repertoire and the most complete discography to date, this is an informative new account of the extraordinary career of a consummate artist.

The Harpsichord and Clavichord

The Harpsichord and Clavichord PDF Author: Igor Kipnis
Publisher: Routledge
ISBN: 1135949786
Category : Music
Languages : en
Pages : 571

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Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.

The Athenaeum

The Athenaeum PDF Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 958

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Athenaeum and Literary Chronicle

Athenaeum and Literary Chronicle PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 890

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The Athenaeum

The Athenaeum PDF Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 650

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Style and Performance for Bowed String Instruments in French Baroque Music

Style and Performance for Bowed String Instruments in French Baroque Music PDF Author: Mary Cyr
Publisher: Routledge
ISBN: 1317048814
Category : Music
Languages : en
Pages : 294

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Book Description
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.