The Interior Versus the Exterior in Orson Welles's "Macbeth" and Laurence Olivier's "Hamlet" in Comparison PDF Download
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Author: Doreen Bärwolf
Publisher: GRIN Verlag
ISBN: 3640695275
Category : Language Arts & Disciplines
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,7, http: //www.uni-jena.de/ (Anglistisch/Amerikanistisches Institut), course: Hauptseminar: Shakespeare in the movies, language: English, abstract: Shakespeare was, arguably, the most interesting author of the Renaissance and still is one of the most taught and influential writers today. That is also the reason for so many films being based on Shakespeare's tragedies and comedies. The most successful period of making movies on Shakespearean dramas in history was the twentieth century. Very well-known and talented directors of the time challenged each other in making Shakespearean movies. Most successful for example were Sven Gade with his silent movie of Hamlet, Franco Zefferelli using Mel Gibson's talent also in Hamlet, as well as Kenneth Brannagh and many others. However the most famous films are the Shakespeare adaptations of Laurence Olivier and Orson Welles. Both had a lot of talent in being director, main actor and producer in one person in most of their productions. Because of their very interesting version and vision of Shakespeare, the Hamlet adaptation by Laurence Oliver and the Macbeth adaptation by Orson Welles will be the subject of this paper. The first topic in the first chapter of this assignment will be Laurence Olivier with his adaptation of Shakespeare's Hamlet. There will be a discussion on the concept of his film in general, which includes Olivier's vision of the setting, the time the film takes place in and the cutting of original scenes in Shakespeare. The centre of this paper will be the discussion of the interior and exterior elements of the film, influencing each other contrastively. The third chapter will discuss Orson Welles's adaptation of Macbeth. Similar to the previous chapter, the concept and the background of the film will be examined and hence the special methods of Welles to express the interior and exterior elements of his movie will be discusse
Author: Doreen Bärwolf
Publisher: GRIN Verlag
ISBN: 3640695275
Category : Language Arts & Disciplines
Languages : en
Pages : 29
Get Book Here
Book Description
Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,7, http: //www.uni-jena.de/ (Anglistisch/Amerikanistisches Institut), course: Hauptseminar: Shakespeare in the movies, language: English, abstract: Shakespeare was, arguably, the most interesting author of the Renaissance and still is one of the most taught and influential writers today. That is also the reason for so many films being based on Shakespeare's tragedies and comedies. The most successful period of making movies on Shakespearean dramas in history was the twentieth century. Very well-known and talented directors of the time challenged each other in making Shakespearean movies. Most successful for example were Sven Gade with his silent movie of Hamlet, Franco Zefferelli using Mel Gibson's talent also in Hamlet, as well as Kenneth Brannagh and many others. However the most famous films are the Shakespeare adaptations of Laurence Olivier and Orson Welles. Both had a lot of talent in being director, main actor and producer in one person in most of their productions. Because of their very interesting version and vision of Shakespeare, the Hamlet adaptation by Laurence Oliver and the Macbeth adaptation by Orson Welles will be the subject of this paper. The first topic in the first chapter of this assignment will be Laurence Olivier with his adaptation of Shakespeare's Hamlet. There will be a discussion on the concept of his film in general, which includes Olivier's vision of the setting, the time the film takes place in and the cutting of original scenes in Shakespeare. The centre of this paper will be the discussion of the interior and exterior elements of the film, influencing each other contrastively. The third chapter will discuss Orson Welles's adaptation of Macbeth. Similar to the previous chapter, the concept and the background of the film will be examined and hence the special methods of Welles to express the interior and exterior elements of his movie will be discusse
Author: Doreen Bärwolf
Publisher: GRIN Verlag
ISBN: 3640694171
Category : Foreign Language Study
Languages : en
Pages : 22
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Book Description
Seminar paper from the year 2008 in the subject Didactics for the subject English - Literature, Works, grade: 2,7, http://www.uni-jena.de/ (Anglistisch/Amerikanistisches Institut), course: Hauptseminar: Shakespeare in the movies, language: English, abstract: Shakespeare was, arguably, the most interesting author of the Renaissance and still is one of the most taught and influential writers today. That is also the reason for so many films being based on Shakespeare’s tragedies and comedies. The most successful period of making movies on Shakespearean dramas in history was the twentieth century. Very well-known and talented directors of the time challenged each other in making Shakespearean movies. Most successful for example were Sven Gade with his silent movie of Hamlet, Franco Zefferelli using Mel Gibson’s talent also in Hamlet, as well as Kenneth Brannagh and many others. However the most famous films are the Shakespeare adaptations of Laurence Olivier and Orson Welles. Both had a lot of talent in being director, main actor and producer in one person in most of their productions. Because of their very interesting version and vision of Shakespeare, the Hamlet adaptation by Laurence Oliver and the Macbeth adaptation by Orson Welles will be the subject of this paper. The first topic in the first chapter of this assignment will be Laurence Olivier with his adaptation of Shakespeare’s Hamlet. There will be a discussion on the concept of his film in general, which includes Olivier’s vision of the setting, the time the film takes place in and the cutting of original scenes in Shakespeare. The centre of this paper will be the discussion of the interior and exterior elements of the film, influencing each other contrastively. The third chapter will discuss Orson Welles’s adaptation of Macbeth. Similar to the previous chapter, the concept and the background of the film will be examined and hence the special methods of Welles to express the interior and exterior elements of his movie will be discussed. According to this research of both films a summery will show, that the two diverse versions of two different Shakespearean plays are in many ways similar to each other, besides being released in the same year.
Author: Anthony Davies
Publisher: Cambridge University Press
ISBN: 9780521399135
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film.
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Category :
Languages : en
Pages : 112
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
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Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Charles Higham
Publisher:
ISBN: 9780520015678
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
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Publisher:
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Category : Humanities
Languages : en
Pages : 196
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Book Description
Author: Louis Fantasia
Publisher: A & C Black
ISBN: 9780713668537
Category : Acting
Languages : en
Pages : 213
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Book Description
Instant Shakespeare offers a straightforward, accessible and practical set of ground rules for performing Shakespeare, expanded and refined in performances and workshops throughout the world. These enable performers, directors and teachers of all backgrounds and levels of experience to demystify Shakespeare's complex language and perform his plays in a clear, fresh and unpretentious manner. Writing in a direct and humorous style, Louis Fantasia shows how to understand both the vocabulary and the structure and essential dramatic event of each play. He provides exercise monologues, exercise scenes and tools for textual analysis; explains correct breathing; and lays out his philosophies of training and performance.
Author: Esther Yau
Publisher: Edinburgh University Press
ISBN: 1474412688
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre's possible future development.
Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
