The Influence of Oriental Thought on Postwar American Painting and Sculpture

The Influence of Oriental Thought on Postwar American Painting and Sculpture PDF Author: David James Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 650

Get Book Here

Book Description

The Influence of Oriental Thought on Postwar American Painting and Sculpture

The Influence of Oriental Thought on Postwar American Painting and Sculpture PDF Author: David James Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 650

Get Book Here

Book Description


American Art of the 1960s

American Art of the 1960s PDF Author: John Elderfield
Publisher:
ISBN: 9780870701801
Category : Art
Languages : en
Pages : 192

Get Book Here

Book Description
Essays discuss Ad Reinhardt, Jasper Johns, J.M.W. Turner, Jim Dine, minimalism, Robert Venturi, and Elia Kazan's "Wild River."

The Influence of Oriental Thought on Twentieth-century

The Influence of Oriental Thought on Twentieth-century PDF Author: Karen M. Miller
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 126

Get Book Here

Book Description


Art in the Encounter of Nations

Art in the Encounter of Nations PDF Author: Bert Winther-Tamaki
Publisher: University of Hawaii Press
ISBN: 9780824824006
Category : Art
Languages : en
Pages : 228

Get Book Here

Book Description
Art in the Encounter of Nations is the first book-length study of interactions between the Japanese and American art worlds in the early postwar years. It brings to light a rich exchange of opinions and debates regarding the relationship between the art of the two nations. The author begins with an examination of the Japanese margins of American Abstract Expressionism. Taking a contrapuntal approach, he investigates four abstract painters: two Japanese artists who moved to the United States (Okada Kenzo and Hasegawa Saburo) and two European Americans whose work is often associated with Japanese calligraphy (Mark Tobey and Franz Kline). He then looks at the work of two young scions of the calligraphy and pottery worlds of Japan -- Morita Shiryo and Yagi Kazuo -- and argues that their radical innovations in these ancient arts were, in part, provoked by their sense of a threat posed by Euro-American modernity. The final chapter is devoted to the career of Japanese American sculptor and designer Isamu Noguchi, whose feeling of affiliation was directed to both the U.S. and Japan in shifting ratios through a series of public and private places, each posing unique opportunities for exploring national distinctions.

Modernism and the Occult

Modernism and the Occult PDF Author: John Bramble
Publisher: Springer
ISBN: 1137465786
Category : History
Languages : en
Pages : 169

Get Book Here

Book Description
This study of modernism's high imperial, occult-exotic affiliations presents many well-known figures from the period 1880-1960 in a new light. Modernism and the Occult traces the history of modernist engagement with 'irregular', heterodox and imported knowledge.

An American Sculptor : Seymour Lipton

An American Sculptor : Seymour Lipton PDF Author: Lori Verderame
Publisher: Hudson Hills
ISBN: 9781555951900
Category : Art
Languages : en
Pages : 142

Get Book Here

Book Description
During the hayday of Abstract Espressionism, Symour Lipton was probably the most admired sculptor.

Hong Kong Art

Hong Kong Art PDF Author: David James Clarke
Publisher: Duke University Press
ISBN: 9780822329206
Category : Art
Languages : en
Pages : 254

Get Book Here

Book Description
Survey of contemporary Hong Kong art.

"American Women Artists, 1935-1970 "

Author: Helen Langa
Publisher: Routledge
ISBN: 1351576763
Category : Art
Languages : en
Pages : 293

Get Book Here

Book Description
Numerous American women artists built successful professional careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations for both women and men. These social and political upheavals provoked complex intellectual and aesthetic tensions. Critical discourses about style and expressive value were also renegotiated, while still privileging masculinist concepts of aesthetic authenticity. In these contexts, women artists developed their careers by adopting innovative approaches to contemporary subjects, techniques, and media. However, while a few women working during these decades have gained significant recognition, many others are still consigned to historical obscurity. The essays in this volume take varied approaches to revising this historical silence. Two focus on evidence of gender biases in several exhibitions and contemporary critical writings; the rest discuss individual artists' complex relationships to mainstream developments, with attention to gender and political biases, cultural innovations, and the influence of racial/ethnic diversity. Several also explore new interpretative directions to open alternative possibilities for evaluating women's aesthetic and formal choices. Through its complex, nuanced approach to issues of gender and female agency, this volume offers valuable and exciting new scholarship in twentieth-century American art history and feminist studies.

The Influence of Oriental Thought on Postwar American Painting and Sculpture

The Influence of Oriental Thought on Postwar American Painting and Sculpture PDF Author: David James Clarke
Publisher: Dissertations-G
ISBN: 9780824000851
Category : Aesthetics, Modern
Languages : en
Pages : 335

Get Book Here

Book Description


Chinese Art and Its Encounter with the World

Chinese Art and Its Encounter with the World PDF Author: David Clarke
Publisher: Hong Kong University Press
ISBN: 9888083066
Category : Art
Languages : en
Pages : 272

Get Book Here

Book Description
Chinese Art and Its Encounter with the Worldexamines Chinese art from the mid-eighteenth century to the present, beginning with discussion of a Chinese portrait modeler from Canton who traveled to London in 1769, and ending with an analysis of art and visual culture in post-colonial Hong Kong. By means of a series of six closely-focused case studies, often deliberately introducing non-canonical or previously marginalized aspects of Chinese visual culture, it analyzes Chinese art's encounter with the broader world, and in particular with the West. Offering more than a simple charting of influences, it uncovers a pattern of richly mutual interchange between Chinese art and its others. Arguing that we cannot fully understand modern Chinese art without taking this expanded global context into account, it attempts to break down barriers between areas of art history which have hitherto largely been treated within separate and often nationally-conceived frames. Aware that issues of cultural difference need to be addressed by art historians as much as by artists, it represents a pioneering attempt to produce art historical writing which is truly global in approach. David Clarkeis Professor in the Department of Fine Arts, University of Hong Kong.