Author: Walter T. Foster
Publisher: Courier Corporation
ISBN: 0486482855
Category : Art
Languages : en
Pages : 66
Book Description
A thorough acquaintance with human anatomy is a valuable asset for artists wishing to master figure drawing. This single-volume treatment combines separate treatises on drawing muscles and bones. Each page features multiple illustrations, accompanied by extensive descriptions offering lucid explanations of bone and muscle placement, function, and artistic re-creation.
The Influence of Bones and Muscles on Form
Author: Walter T. Foster
Publisher: Courier Corporation
ISBN: 0486482855
Category : Art
Languages : en
Pages : 66
Book Description
A thorough acquaintance with human anatomy is a valuable asset for artists wishing to master figure drawing. This single-volume treatment combines separate treatises on drawing muscles and bones. Each page features multiple illustrations, accompanied by extensive descriptions offering lucid explanations of bone and muscle placement, function, and artistic re-creation.
Publisher: Courier Corporation
ISBN: 0486482855
Category : Art
Languages : en
Pages : 66
Book Description
A thorough acquaintance with human anatomy is a valuable asset for artists wishing to master figure drawing. This single-volume treatment combines separate treatises on drawing muscles and bones. Each page features multiple illustrations, accompanied by extensive descriptions offering lucid explanations of bone and muscle placement, function, and artistic re-creation.
The Influence of Bones and Muscles on Form
Author: Walter T. Foster
Publisher: Courier Corporation
ISBN: 0486283364
Category : Art
Languages : en
Pages : 66
Book Description
A thorough acquaintance with human anatomy is a valuable asset for artists wishing to master figure drawing. This single-volume treatment combines separate treatises on drawing muscles and bones. Each page features multiple illustrations, accompanied by extensive descriptions offering lucid explanations of bone and muscle placement, function, and artistic re-creation.
Publisher: Courier Corporation
ISBN: 0486283364
Category : Art
Languages : en
Pages : 66
Book Description
A thorough acquaintance with human anatomy is a valuable asset for artists wishing to master figure drawing. This single-volume treatment combines separate treatises on drawing muscles and bones. Each page features multiple illustrations, accompanied by extensive descriptions offering lucid explanations of bone and muscle placement, function, and artistic re-creation.
Human Anatomy for Artists
Author: Eliot Goldfinger
Publisher: New York : Oxford University Press
ISBN:
Category : Art
Languages : en
Pages : 380
Book Description
This most up-to-date and fully illustrated guide presents a single, all-inclusive reference to the human form. Includes numerous cross sections made with reference to CT scans, magnetic resonance imaging, and cut cadavers showing the forms of all body regions and individual muscles. A useful tool for physical and dance therapists, trainers, and bodybuilders as well. Over 400 illustrations.
Publisher: New York : Oxford University Press
ISBN:
Category : Art
Languages : en
Pages : 380
Book Description
This most up-to-date and fully illustrated guide presents a single, all-inclusive reference to the human form. Includes numerous cross sections made with reference to CT scans, magnetic resonance imaging, and cut cadavers showing the forms of all body regions and individual muscles. A useful tool for physical and dance therapists, trainers, and bodybuilders as well. Over 400 illustrations.
The Human Figure
Author: David K. Rubins
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
Book Description
Practical Art Anatomy
Author: E. G. Lutz
Publisher: Burman Press
ISBN: 1408632748
Category : Art
Languages : en
Pages : 264
Book Description
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
Publisher: Burman Press
ISBN: 1408632748
Category : Art
Languages : en
Pages : 264
Book Description
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
Anatomy & Physiology
Author: Lindsay Biga
Publisher:
ISBN: 9781955101158
Category :
Languages : en
Pages :
Book Description
A version of the OpenStax text
Publisher:
ISBN: 9781955101158
Category :
Languages : en
Pages :
Book Description
A version of the OpenStax text
Animal Anatomy for Artists
Author: Eliot Goldfinger
Publisher: OUP USA
ISBN: 0195142144
Category : Art
Languages : en
Pages : 257
Book Description
From horses and cats to elephants and giraffes, this is the definitive reference on animal anatomy for painters, sculptors, and illustrators. 104 halftones, 281 line drawings, 100 photos.
Publisher: OUP USA
ISBN: 0195142144
Category : Art
Languages : en
Pages : 257
Book Description
From horses and cats to elephants and giraffes, this is the definitive reference on animal anatomy for painters, sculptors, and illustrators. 104 halftones, 281 line drawings, 100 photos.
Art and Anatomy in Renaissance Italy
Author: Domenico Laurenza
Publisher: Metropolitan Museum of Art
ISBN: 1588394565
Category : Anatomy, Artistic
Languages : en
Pages : 52
Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Publisher: Metropolitan Museum of Art
ISBN: 1588394565
Category : Anatomy, Artistic
Languages : en
Pages : 52
Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
The Art Student's Guide to the Bones and Muscles of the Human Body: and Lessons on Foreshortening
Author: Johann Gottfried Schadow
Publisher: Tom Richardson
ISBN: 0982167822
Category : Anatomy, Artistic
Languages : de
Pages : 126
Book Description
"This new edition combines the 1892 reprint of Dr. Schadow's work which was originally designed to supplement the studies of his students at the Royal Academy of Art in Berlin, with a new translation of the forward [sic] to the 1892 reprint by Ernst Wasmuth, a translation of Dr. Schadow's original introduction and supplemental copies of prints by Bernhard Siegfried Albinus whose work formed the basis for Dr. Schadow's studies of bones and muscles. The work was originally titled Lehre von dem Knochen and Muskeln von den Verhaeltnissen de Menshlichen Koerpers und von den Verkuerzungen."--Page 4 of cover.
Publisher: Tom Richardson
ISBN: 0982167822
Category : Anatomy, Artistic
Languages : de
Pages : 126
Book Description
"This new edition combines the 1892 reprint of Dr. Schadow's work which was originally designed to supplement the studies of his students at the Royal Academy of Art in Berlin, with a new translation of the forward [sic] to the 1892 reprint by Ernst Wasmuth, a translation of Dr. Schadow's original introduction and supplemental copies of prints by Bernhard Siegfried Albinus whose work formed the basis for Dr. Schadow's studies of bones and muscles. The work was originally titled Lehre von dem Knochen and Muskeln von den Verhaeltnissen de Menshlichen Koerpers und von den Verkuerzungen."--Page 4 of cover.
Reference Catalogue of Current Literature
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1452
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1452
Book Description