Author: Liesel Maria Ohl
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 142

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Author: Peter Warlock
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 152

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Author: Linda Phyllis Austern
Publisher: Indiana University Press
ISBN: 0253024978
Category : Music
Languages : en
Pages : 334

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English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.

Author: Daniel Fischlin
Publisher: Wayne State University Press
ISBN: 9780814326930
Category : History
Languages : en
Pages : 418

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The English "ayre", which enjoyed a short vogue from about 1596 to 1622, is a distinctive subgenre of the lyric. Based on Edward Doughtie's seminal critical edition, LYRICS FROM ENGLISH AIRS, 1596-1622 and published in 1970, SMALL PROPORTIONS provides the first extended examination of the ayre's literary devices and attributes. 25 illustrations.

Author:
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 510

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Author: Charles Kennedy Scott
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 478

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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 562

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Author: Christopher Kleinhenz
Publisher: Modern Language Association
ISBN: 160329175X
Category : Language Arts & Disciplines
Languages : en
Pages : 339

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One of the most important authors of the Middle Ages, Petrarch occupies a complex position: historically, he is a medieval author, but, philosophically, he heralds humanism and the Renaissance. Teachers of Petrarch's Canzoniere and his formative influence on the canon of Western European poetry face particular challenges. Petrarch's poetic style brings together the classical tradition, Christianity, an exalted sense of poetic vocation, and an obsessive love for Laura during her life and after her death in ways that can seem at once very strange and--because of his style's immense influence--very familiar to students. This volume aims to meet the varied needs of instructors, whether they teach Petrarch in Italian or in translation, in surveys or in specialized courses, by providing a wealth of pedagogical approaches to Petrarch and his legacy. Part 1, "Materials," reviews the extensive bibliography on Petrarch and Petrarchism, covering editions and translations of the Canzoniere, secondary works, and music and other audiovisual and electronic resources. Part 2, "Approaches," opens with essays on teaching the Canzoniere and continues with essays on teaching the Petrarchan tradition. Some contributors use the design and structure of the Canzoniere as entryways into the work; others approach it through discussion of Petrarch's literary influences and subject matter or through the context of medieval Christianity and culture. The essays on Petrarchism map the poet's influence on the Italian lyric tradition as well as on other national literatures, including Spanish, French, English, and Russian.

Author: Charles Dudley Warner
Publisher:
ISBN:
Category : Anthologies
Languages : en
Pages : 804

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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 790

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