Author: Harold Bloom
Publisher: Cornell University Press
ISBN: 9780801491856
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
Offers authoritative readings of the major long poems and sequences, exploring their relationship to one another and to the works of Stevens' precursors.
Wallace Stevens
Author: Harold Bloom
Publisher: Cornell University Press
ISBN: 9780801491856
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
Offers authoritative readings of the major long poems and sequences, exploring their relationship to one another and to the works of Stevens' precursors.
Publisher: Cornell University Press
ISBN: 9780801491856
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
Offers authoritative readings of the major long poems and sequences, exploring their relationship to one another and to the works of Stevens' precursors.
The Inconceivable Idea of the Sun
Author: Anil Menon (Novelist)
Publisher:
ISBN: 9789391028602
Category : Short stories, Indic (English)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789391028602
Category : Short stories, Indic (English)
Languages : en
Pages : 0
Book Description
Allegory and Violence
Author: Gordon Teskey
Publisher: Cornell University Press
ISBN: 9780801429958
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
The only form of monumental artistic expression practiced from antiquity to the Enlightenment, allegory evolved to its fullest complexity in Dante's Commedia and Spenser's Faerie Queene. Drawing on a wide range of literary, visual, and critical works in the European tradition, Gordon Teskey provides both a literary history of allegory and a theoretical account of the genre which confronts fundamental questions about the violence inherent in cultural forms. Approaching allegory as the site of intense ideological struggle, Teskey argues that the desire to raise temporal experience to ever higher levels of abstraction cannot be realized fully but rather creates a "rift" that allegory attempts to conceal. After examining the emergence of allegorical violence from the gendered metaphors of classical idealism, Teskey describes its amplification when an essentially theological form of expression was politicized in the Renaissance by the introduction of the classical gods, a process leading to the replacement of allegory by political satire and cartoons. He explores the relationship between rhetorical voice and forms of indirect speech (such as irony) and investigates the corporeal emblematics of violence in authors as different as Machiavelli and Yeats. He considers the large organizing theories of culture, particularly those of Eliot and Frye, which take the place in the modern world of earlier allegorical visions. Concluding with a discussion of the Mutabilitie Cantos, Teskey describes Spenser's metaphysical allegory, which is deconstructed by its own invocation of genealogical struggle, as a prophetic vision and a form of warning.
Publisher: Cornell University Press
ISBN: 9780801429958
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
The only form of monumental artistic expression practiced from antiquity to the Enlightenment, allegory evolved to its fullest complexity in Dante's Commedia and Spenser's Faerie Queene. Drawing on a wide range of literary, visual, and critical works in the European tradition, Gordon Teskey provides both a literary history of allegory and a theoretical account of the genre which confronts fundamental questions about the violence inherent in cultural forms. Approaching allegory as the site of intense ideological struggle, Teskey argues that the desire to raise temporal experience to ever higher levels of abstraction cannot be realized fully but rather creates a "rift" that allegory attempts to conceal. After examining the emergence of allegorical violence from the gendered metaphors of classical idealism, Teskey describes its amplification when an essentially theological form of expression was politicized in the Renaissance by the introduction of the classical gods, a process leading to the replacement of allegory by political satire and cartoons. He explores the relationship between rhetorical voice and forms of indirect speech (such as irony) and investigates the corporeal emblematics of violence in authors as different as Machiavelli and Yeats. He considers the large organizing theories of culture, particularly those of Eliot and Frye, which take the place in the modern world of earlier allegorical visions. Concluding with a discussion of the Mutabilitie Cantos, Teskey describes Spenser's metaphysical allegory, which is deconstructed by its own invocation of genealogical struggle, as a prophetic vision and a form of warning.
Creon's Ghost Law Justice and the Humanities
Author: Tomain
Publisher: Oxford University Press
ISBN: 0190450452
Category : Law
Languages : en
Pages : 345
Book Description
Creon's Ghost examines the enduring problem of the relationship between man's law and a "higher" law from the perspective of core humanities texts and through discussion of hotly debated contemporary legal conundrums. Today, such issues as intelligent design in school curricula, same-sex marriage, and faith-based government grants are all examples of the interaction between man's law and some other set of moral principles. As these debates are considered in this book, the author uses texts such as Antigone and Plato's Republic and pairs them with the most important jurisprudence texts of the 20th century to explore different approaches to the contemporary conflict or court ruling under consideration. Creon's Ghost demonstrates that the humanities can both illuminate our understanding of contemporary problems and that "classic" texts can be read alongside jurisprudential texts, thus enriching our understanding of and appreciation for law.
Publisher: Oxford University Press
ISBN: 0190450452
Category : Law
Languages : en
Pages : 345
Book Description
Creon's Ghost examines the enduring problem of the relationship between man's law and a "higher" law from the perspective of core humanities texts and through discussion of hotly debated contemporary legal conundrums. Today, such issues as intelligent design in school curricula, same-sex marriage, and faith-based government grants are all examples of the interaction between man's law and some other set of moral principles. As these debates are considered in this book, the author uses texts such as Antigone and Plato's Republic and pairs them with the most important jurisprudence texts of the 20th century to explore different approaches to the contemporary conflict or court ruling under consideration. Creon's Ghost demonstrates that the humanities can both illuminate our understanding of contemporary problems and that "classic" texts can be read alongside jurisprudential texts, thus enriching our understanding of and appreciation for law.
Why Write Poetry?
Author: Jeannine Johnson
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641057
Category : Language Arts & Disciplines
Languages : en
Pages : 324
Book Description
Poets have long been defending poetry in prose, and essays by Sidney, Shelley, and others are a familiar and important part of the Anglo-American literary tradition. This book identifies and examines a related genre - the verse defense of poetry - which shares the same impulse that has led to the composition of prose essays: namely, the desire to protect poetry from its detractors and to promote its value as a vital human endeavor. In the last century or so, this impulse to engage questions of poetry's value in poems has become increasingly widespread, and it has dominated the careers of at least five poets: H.D., Wallace Stevens, W. H. Auden, Adrienne Rich, and Geoffrey Hill. Though these poets espouse very different aesthetic principles, they, like many of their contemporaries, have repeatedly turned to apology in their verse. At first glance, this seems an odd gesture, given that the readers and writers of poetry are those who least need convincing of poetry's worthiness. But questioning poetry in verse is a form of lyric introspection that is productive and well-suited for a modern poet. characterized as one of indifference, defense helps these authors make a claim for poetry's cultural relevance, as well as for its private profit. Jeannine Johnson is a Preceptor in Expository Writing at Harvard University.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641057
Category : Language Arts & Disciplines
Languages : en
Pages : 324
Book Description
Poets have long been defending poetry in prose, and essays by Sidney, Shelley, and others are a familiar and important part of the Anglo-American literary tradition. This book identifies and examines a related genre - the verse defense of poetry - which shares the same impulse that has led to the composition of prose essays: namely, the desire to protect poetry from its detractors and to promote its value as a vital human endeavor. In the last century or so, this impulse to engage questions of poetry's value in poems has become increasingly widespread, and it has dominated the careers of at least five poets: H.D., Wallace Stevens, W. H. Auden, Adrienne Rich, and Geoffrey Hill. Though these poets espouse very different aesthetic principles, they, like many of their contemporaries, have repeatedly turned to apology in their verse. At first glance, this seems an odd gesture, given that the readers and writers of poetry are those who least need convincing of poetry's worthiness. But questioning poetry in verse is a form of lyric introspection that is productive and well-suited for a modern poet. characterized as one of indifference, defense helps these authors make a claim for poetry's cultural relevance, as well as for its private profit. Jeannine Johnson is a Preceptor in Expository Writing at Harvard University.
The Ground of Our Beseeching
Author: Peter Sharpe
Publisher: Susquehanna University Press
ISBN: 9781575910802
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
"The Ground of Our Beseeching: Metaphor and the Poetics of Meditation describes the signature styles of meditation in three American poets, and shows how each generated language out of spiritual yearning. The author's inquiry in this area grew out of an interest in the interplay of creativity, language, and religion, and a need to know, as both critic and practicing poet, how metaphor arises, particularly in the context of poetry which hearkens after the sacred. How far, in other words, has metaphor taken some of our central poets - T. S. Eliot, Wallace Stevens, and Theodore Roethke - in matters of belief? No other critique of American poetry, prior to this study, has systematically linked the idea of the sacred with the practice of metaphor. Nor has a compelling case been made, until now, for viewing meditation, a style of thinking close to prayer, as the source or "ground" of these poets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Susquehanna University Press
ISBN: 9781575910802
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
"The Ground of Our Beseeching: Metaphor and the Poetics of Meditation describes the signature styles of meditation in three American poets, and shows how each generated language out of spiritual yearning. The author's inquiry in this area grew out of an interest in the interplay of creativity, language, and religion, and a need to know, as both critic and practicing poet, how metaphor arises, particularly in the context of poetry which hearkens after the sacred. How far, in other words, has metaphor taken some of our central poets - T. S. Eliot, Wallace Stevens, and Theodore Roethke - in matters of belief? No other critique of American poetry, prior to this study, has systematically linked the idea of the sacred with the practice of metaphor. Nor has a compelling case been made, until now, for viewing meditation, a style of thinking close to prayer, as the source or "ground" of these poets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Bartlett's Familiar Quotations
Author: Geoffrey O'Brien
Publisher: Little, Brown
ISBN: 0316375314
Category : Reference
Languages : en
Pages : 2788
Book Description
From ancient Egypt to today, enjoy a sweeping survey of world history through its most memorable words in this completely revised and updated nineteenth edition. More than 150 years after its initial publication, Bartlett’s Familiar Quotations now enters its nineteenth edition. First compiled by John Bartlett, a bookseller in Cambridge, Massachusetts, as a commonplace book of only 258 pages, the original 1855 edition mainly featured selections from the Bible, Shakespeare, and the great English poets. Today, Bartlett’s includes more than 20,000 quotes from roughly 4,000 contributors. Spanning centuries of thought and culture, it remains the finest and most popular compendium of quotations ever assembled. While continuing to draw on timeless classical references, this edition also incorporates more than 3,000 new quotes from more than 700 new sources, including Alison Bechdel, Ta-Nehisi Coates, Pope Francis, Atul Gawande, Ruth Bader Ginsburg, Hilary Mantel, Lin-Manuel Miranda, Claudia Rankine, Fred Rogers, Bernie Sanders, Patti Smith, and Malala Yousafzai. Bartlett’s showcases the thoughts not only of renowned figures from the arts, literature, politics, science, sports, and business, but also of otherwise unknown individuals whose thought-provoking ideas have moved, unsettled, or inspired readers and listeners throughout the ages. Bartlett’s makes searching for the perfect quote easy in three ways: alphabetically by author, chronologically by the author’s birth date, or thematically by subject. Whether one is searching for appropriate remarks for a celebration, comforting thoughts for a serious occasion, or simply to answer the question “Who said that?” Bartlett’s offers readers and scholars alike a stunning treasury of words that have influenced
Publisher: Little, Brown
ISBN: 0316375314
Category : Reference
Languages : en
Pages : 2788
Book Description
From ancient Egypt to today, enjoy a sweeping survey of world history through its most memorable words in this completely revised and updated nineteenth edition. More than 150 years after its initial publication, Bartlett’s Familiar Quotations now enters its nineteenth edition. First compiled by John Bartlett, a bookseller in Cambridge, Massachusetts, as a commonplace book of only 258 pages, the original 1855 edition mainly featured selections from the Bible, Shakespeare, and the great English poets. Today, Bartlett’s includes more than 20,000 quotes from roughly 4,000 contributors. Spanning centuries of thought and culture, it remains the finest and most popular compendium of quotations ever assembled. While continuing to draw on timeless classical references, this edition also incorporates more than 3,000 new quotes from more than 700 new sources, including Alison Bechdel, Ta-Nehisi Coates, Pope Francis, Atul Gawande, Ruth Bader Ginsburg, Hilary Mantel, Lin-Manuel Miranda, Claudia Rankine, Fred Rogers, Bernie Sanders, Patti Smith, and Malala Yousafzai. Bartlett’s showcases the thoughts not only of renowned figures from the arts, literature, politics, science, sports, and business, but also of otherwise unknown individuals whose thought-provoking ideas have moved, unsettled, or inspired readers and listeners throughout the ages. Bartlett’s makes searching for the perfect quote easy in three ways: alphabetically by author, chronologically by the author’s birth date, or thematically by subject. Whether one is searching for appropriate remarks for a celebration, comforting thoughts for a serious occasion, or simply to answer the question “Who said that?” Bartlett’s offers readers and scholars alike a stunning treasury of words that have influenced
The Later Poetry of Wallace Stevens
Author: Thomas Jensen Hines
Publisher: Associated University Presse
ISBN: 9780838716137
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
This is a study of the development of the middle and later poetry of Wallace Stevens that uses comparisons with the phenomenological methods of Edmund Husserl and Martin Heidegger to clarify many of the difficulties in the poet's mature work.
Publisher: Associated University Presse
ISBN: 9780838716137
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
This is a study of the development of the middle and later poetry of Wallace Stevens that uses comparisons with the phenomenological methods of Edmund Husserl and Martin Heidegger to clarify many of the difficulties in the poet's mature work.
Melodious Guile
Author: John Hollander
Publisher: Yale University Press
ISBN: 9780300049046
Category : Poetry
Languages : en
Pages : 280
Book Description
Demonstrating a poet's imaginative ear and a critic's range of concern, John Hollander here writes about the "melodious guile" of poetry, explaining how poems frame parables about themselves. Hollander considers works by Spenser, Milton, Wordsworth, chiefly, plus a range of other poets including Chaucer, Keats, Rossetti, Tennyson, Frost, Stevens, and Auden. He also presents certain poems of his own, showing how they anticipate and exemplify the observations contained in this volume.
Publisher: Yale University Press
ISBN: 9780300049046
Category : Poetry
Languages : en
Pages : 280
Book Description
Demonstrating a poet's imaginative ear and a critic's range of concern, John Hollander here writes about the "melodious guile" of poetry, explaining how poems frame parables about themselves. Hollander considers works by Spenser, Milton, Wordsworth, chiefly, plus a range of other poets including Chaucer, Keats, Rossetti, Tennyson, Frost, Stevens, and Auden. He also presents certain poems of his own, showing how they anticipate and exemplify the observations contained in this volume.
Poetry and Apocalypse
Author: William Franke
Publisher: Stanford University Press
ISBN: 0804779732
Category : Philosophy
Languages : en
Pages : 229
Book Description
In Poetry and Apocalypse, Franke seeks to find the premises for dialogue between cultures, especially religious fundamentalisms—including Islamic fundamentalism—and modern Western secularism. He argues that in order to be genuinely open, dialogue needs to accept possibilities such as religious apocalypse in ways that can be best understood through the experience of poetry. Franke reads Christian epic and prophetic tradition as a secularization of religious revelation that preserves an understanding of the essentially apocalyptic character of truth and its disclosure in history. The usually neglected negative theology that undergirds this apocalyptic tradition provides the key to a radically new view of apocalypse as at once religious and poetic.
Publisher: Stanford University Press
ISBN: 0804779732
Category : Philosophy
Languages : en
Pages : 229
Book Description
In Poetry and Apocalypse, Franke seeks to find the premises for dialogue between cultures, especially religious fundamentalisms—including Islamic fundamentalism—and modern Western secularism. He argues that in order to be genuinely open, dialogue needs to accept possibilities such as religious apocalypse in ways that can be best understood through the experience of poetry. Franke reads Christian epic and prophetic tradition as a secularization of religious revelation that preserves an understanding of the essentially apocalyptic character of truth and its disclosure in history. The usually neglected negative theology that undergirds this apocalyptic tradition provides the key to a radically new view of apocalypse as at once religious and poetic.