Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Cinema: The time-image
Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Visual Time
Author: Keith Moxey
Publisher: Duke University Press
ISBN: 0822353695
Category : Art
Languages : en
Pages : 222
Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Publisher: Duke University Press
ISBN: 0822353695
Category : Art
Languages : en
Pages : 222
Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Photography, Cinema, Memory
Author: Damian Sutton
Publisher: U of Minnesota Press
ISBN: 0816647380
Category : Photography
Languages : en
Pages : 287
Book Description
This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
Publisher: U of Minnesota Press
ISBN: 0816647380
Category : Photography
Languages : en
Pages : 287
Book Description
This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
Time and the Dancing Image
Author: Deborah Jowitt
Publisher: Univ of California Press
ISBN: 9780520066274
Category : Performing Arts
Languages : en
Pages : 436
Book Description
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
Publisher: Univ of California Press
ISBN: 9780520066274
Category : Performing Arts
Languages : en
Pages : 436
Book Description
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
Photography, Narrative, Time
Author: Greg Battye
Publisher: Intellect (UK)
ISBN: 9781783201778
Category : Fotokonst
Languages : en
Pages : 0
Book Description
Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.
Publisher: Intellect (UK)
ISBN: 9781783201778
Category : Fotokonst
Languages : en
Pages : 0
Book Description
Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.
Images of Time
Author: George Jaroszkiewicz
Publisher: Oxford University Press
ISBN: 0198718063
Category : Science
Languages : en
Pages : 323
Book Description
Provides a broad survey of many of these views, these Images of Time, covering historical, cultural, philosophical, biological, mathematical and physical Images of Time, including classical and quantum mechanics, special and general relativity and cosmology.
Publisher: Oxford University Press
ISBN: 0198718063
Category : Science
Languages : en
Pages : 323
Book Description
Provides a broad survey of many of these views, these Images of Time, covering historical, cultural, philosophical, biological, mathematical and physical Images of Time, including classical and quantum mechanics, special and general relativity and cosmology.
In the Beginning Was the Image: the Omnipresence of Pictures
Author: András Benedek
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631678602
Category :
Languages : en
Pages : 190
Book Description
The authors of the 6th volume of the series Visual Learning outline the topic of visuality in the 21st century in a trans- and interdisciplinary theoretical frame from philosophy through communication theory, rhetoric and linguistics to pedagogy.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631678602
Category :
Languages : en
Pages : 190
Book Description
The authors of the 6th volume of the series Visual Learning outline the topic of visuality in the 21st century in a trans- and interdisciplinary theoretical frame from philosophy through communication theory, rhetoric and linguistics to pedagogy.
Pictures of Time Beneath
Author: Kirsty Douglas
Publisher: CSIRO PUBLISHING
ISBN: 0643101942
Category : Science
Languages : en
Pages : 225
Book Description
Pictures of Time Beneath examines three celebrated heritage landscapes: Adelaide’s Hallett Cove, Lake Callabonna in the far north of South Australia, and the World Heritage listed Willandra Lakes Region of New South Wales. It offers philosophical insights into significant issues of heritage management, our relationship with Australian landscapes, and an original perspective on our understanding of place, time, nation and science. Glaciers in Adelaide, cow-sized wombats, monster kangaroos, desert dunes littered with freshwater mussels, ancient oases and inland seas: a diverse group of deep-time imaginings is the subject of this ground-breaking book. Ideas about a deep past in Australia are central to broader issues of identity, belonging, uniqueness, legitimacy and intellectual community. This journey through Australia’s natural histories examines the way landscapes and landforms are interpreted to realise certain visions of the land, the nation and the past in the context of contemporary notions of geological heritage, cultural property, cultural identity and antiquity.
Publisher: CSIRO PUBLISHING
ISBN: 0643101942
Category : Science
Languages : en
Pages : 225
Book Description
Pictures of Time Beneath examines three celebrated heritage landscapes: Adelaide’s Hallett Cove, Lake Callabonna in the far north of South Australia, and the World Heritage listed Willandra Lakes Region of New South Wales. It offers philosophical insights into significant issues of heritage management, our relationship with Australian landscapes, and an original perspective on our understanding of place, time, nation and science. Glaciers in Adelaide, cow-sized wombats, monster kangaroos, desert dunes littered with freshwater mussels, ancient oases and inland seas: a diverse group of deep-time imaginings is the subject of this ground-breaking book. Ideas about a deep past in Australia are central to broader issues of identity, belonging, uniqueness, legitimacy and intellectual community. This journey through Australia’s natural histories examines the way landscapes and landforms are interpreted to realise certain visions of the land, the nation and the past in the context of contemporary notions of geological heritage, cultural property, cultural identity and antiquity.
The Surviving Image
Author: Georges Didi-Huberman
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
The Image of the City
Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.