The Image of the Black in Western Art: From the "Age of Discovery" to the Age of Abolition : artists of the Renaissance and Baroque PDF Download
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Author: David Bindman
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
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Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Author: David Bindman
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
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Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Author: AdrienneL. Childs
Publisher: Routledge
ISBN: 1351573497
Category : Art
Languages : en
Pages : 263
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Book Description
Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ?negative? and ?positive? that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-si?e photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from G?cault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.
Author: Carmen Fracchia
Publisher:
ISBN: 0198767978
Category : Art
Languages : en
Pages : 265
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Book Description
'Black but Human' is a proverb which emerges from the African work songs and poems written by Afro-Hispanics enslaved in Spain during the Hapsburg dynasty. Carmen Fracchia uses the lens of visuals arts and material culture to understand the representation and self-representation of Afro-Hispanic slaves and ex-slaves in this period.
Author: Larissa Brewer-García
Publisher: Cambridge University Press
ISBN: 1108626386
Category : History
Languages : en
Pages : 321
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Book Description
In seventeenth-century Spanish America, black linguistic interpreters and spiritual intermediaries played key roles in the production of writings about black men and women. Focusing on the African diaspora in Peru and the southern continental Caribbean, Larissa Brewer-García uncovers long-ignored or lost archival materials describing the experiences of black Christians in the transatlantic slave trade and the colonial societies where they arrived. Brewer-García's analysis of these materials shows that black intermediaries bridged divisions among the populations implicated in the slave trade, exerting influence over colonial Spanish American writings and emerging racial hierarchies in the Atlantic world. The translated portrayals of blackness composed by these intermediaries stood in stark contrast to the pejorative stereotypes common in literary and legal texts of the period. Brewer-García reconstructs the context of those translations and traces the contours and consequences of their notions of blackness, which were characterized by physical beauty and spiritual virtue.
Author: K. J. P. Lowe
Publisher: Princeton University Press
ISBN: 0691246890
Category : History
Languages : en
Pages : 376
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Book Description
A thought-provoking study of how knowledge of provenance was not transferred with enslaved people and goods from the Portuguese trading empire to Renaissance Italy In the fifteenth and sixteenth centuries, Renaissance Italy received a bounty of "goods" from Portuguese trading voyages—fruits of empire that included luxury goods, exotic animals and even enslaved people. Many historians hold that this imperial "opening up" of the world transformed the way Europeans understood the global. In this book, K.J.P. Lowe challenges such an assumption, showing that Italians of this era cared more about the possession than the provenance of their newly acquired global goods. With three detailed case studies involving Florence and Rome, and drawing on unpublished archival material, Lowe documents the myriad occasions on which global knowledge became dissociated from overseas objects, animals and people. Fundamental aspects of these imperial imports, including place of origin and provenance, she shows, failed to survive the voyage and make landfall in Europe. Lowe suggests that there were compelling reasons for not knowing or caring about provenance, and concludes that geographical knowledge, like all knowledge, was often restricted and not valued. Examining such documents as ledger entries, journals and public and private correspondence as well as extant objects, and asking previously unasked questions, Lowe meticulously reconstructs the backstories of Portuguese imperial acquisitions, painstakingly supplying the context. She chronicles the phenomenon of mixed-ancestry children at Florence’s foundling hospital; the ownership of inanimate luxury goods, notably those possessed by the Medicis; and the acquisition of enslaved people and animals. How and where goods were acquired, Lowe argues, were of no interest to fifteenth- and sixteenth-century Italians; possession was paramount.
Author: Caitlin Meehye Beach
Publisher: Univ of California Press
ISBN: 0520390105
Category : Art
Languages : en
Pages : 236
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Book Description
From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake.
Author: David Hitchcock
Publisher: Routledge
ISBN: 1351370987
Category : History
Languages : en
Pages : 447
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Book Description
The Routledge History of Poverty, c.1450–1800 is a pioneering exploration of both the lives of the very poorest during the early modern period, and of the vast edifices of compassion and coercion erected around them by individuals, institutions, and states. The essays chart critical new directions in poverty scholarship and connect poverty to the environment, debt and downward social mobility, material culture, empires, informal economies, disability, veterancy, and more. The volume contributes to the understanding of societal transformations across the early modern period, and places poverty and the poor at the centre of these transformations. It also argues for a wider definition of poverty in history which accounts for much more than economic and social circumstance and provides both analytically critical overviews and detailed case studies. By exploring poverty and the poor across early modern Europe, this study is essential reading for students and researchers of early modern society, economic history, state formation and empire, cultural representation, and mobility.
Author: Zain Abdullah
Publisher: Taylor & Francis
ISBN: 0429602715
Category : Religion
Languages : en
Pages : 985
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Book Description
Given the intense scrutiny of Muslims, The Routledge Handbook of Islam and Race is an outstanding reference to key topics related to Islam and racialization. Comprising over 40 chapters by nearly 50 international contributors, the Handbook covers 30 countries on six continents examining an array of subjects including Chinese, Russian, Iranian, and Palestinian Muslims as racialized others Hip-Hop, Islam, and race Sexuality, gender, and race in Muslim spaces Islamophobia and race Racializing Muslim youth Islam, media, photography and race Central issues are explored not only in Muslim societies but also in Muslim-minority countries like Mexico, Finland, Brazil, New Zealand, and South Africa for topics such as race and color in the Qur’an, law, slavery, conversion, multiculturalism, blackness, whiteness, and otherness. The Routledge Handbook of Islam and Race is essential reading for students and researchers in religious studies and postcolonial studies. The Handbook will also be very useful for those in related fields such as art and architecture, literature, ethnic studies, Black and Africana studies, sociology, history, anthropology, and global studies.
Author: Billy Coleman
Publisher: Taylor & Francis
ISBN: 104029670X
Category : Music
Languages : en
Pages : 180
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Book Description
This book brings together a trail blazing collection of music scholars to explore the intersections, frictions, and resonances between nineteenth-century American music and history. In the nineteenth-century United States, music was everywhere: from places of worship to the workplace, the parlor, the stage, and the street. Music accompanied paths of reform, supported both radical and conservative agendas, and helped Americans of all kinds to express patriotism, identity and resistance. The chapters in this volume unsettle longstanding assumptions about the types of music that were important to nineteenth-century Americans, where that music was performed, why, and for whom. And they underline the ability of music and musical practices to shed new light on questions of race, class, gender, and memorialization in the United States across the long nineteenth century. The volume offers insights for how and why to integrate nineteenth-century American music into history classrooms and highlights the need to embrace the challenge of interdisciplinary work to realize its greatest benefits. This book will be relevant for students and researchers of American music history, cultural studies, and interdisciplinary historical analysis. The chapters in this book were originally published as a special issue of American Nineteenth Century History.
Author: Thomas E Burman
Publisher: Univ of California Press
ISBN: 0520296524
Category : History
Languages : en
Pages : 492
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Book Description
The Sea in the Middle presents an original and revisionist narrative of the development of the medieval west from late antiquity to the dawn of modernity. This textbook is uniquely centered on the Mediterranean and emphasizes the role played by peoples and cultures of Africa, Asia, and Europe in an age when Christians, Muslims, and Jews of various denominations engaged with each other in both conflict and collaboration. Key features: Fifteen-chapter structure to aid classroom use Sections in each chapter that feature key artifacts relevant to chapter themes Dynamic visuals, including 190 photos and 20 maps The Sea in the Middle and its sourcebook companion, Texts from the Middle, pair together to provide a framework and materials that guide students through this complex but essential history—one that will appeal to the diverse student bodies of today.
