Author: Walt Reed
Publisher: Madison Square Press
ISBN:
Category : Commercial art
Languages : en
Pages : 364
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Book Description
A decade-by-decade exploration of prominent illustrators, with each decade introduced by a famous illustrator or historian: Walt Reed, Ben Eisenstat, Harold Von Schmidt, Arthur William Brown, Norman Rockwell, Floyd Davis, Al Parker, Austin Briggs, Bernard Fuchs, and Murray Tinkelman.
Author: Joseph Rosenblum
Publisher: Scarecrow Press
ISBN: 9780810830097
Category : History
Languages : en
Pages : 446
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Book Description
"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920
Author: Sara Duke
Publisher: Lulu.com
ISBN: 130485888X
Category : Comics & Graphic Novels
Languages : en
Pages : 344
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Book Description
Inside this book are short biographical sketches about the many artists represented in the Library of Congress' Swann Collection compiled by Erwin Swann (1906-1973). In the early 1960s, Swann, a New York advertising executive started collecting original cartoon drawings of artistic and humorous interest. Included in the collection are political prints and drawings, satires, caricatures, cartoon strips and panels, and periodical illustrations by more than 500 artists, most of whom are American. The 2,085 items range from 1780-1977, with the bulk falling between 1890-1970. The Collection includes 1,922 drawings, 124 prints, 14 paintings, 13 animation cels, 9 collages, 1 album, 1 photographic print, and 1 scrapbook.
Author: Walt Reed
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 462
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Book Description
Chronologically examines the schools and styles of American illustration since 1860 and profiles hundreds of artists, including Theodore Geisel, Louise Patterson, and John Collier.
Author: Walt Reed
Publisher: Collins Design
ISBN: 9780060554880
Category : Art
Languages : en
Pages : 464
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Book Description
A comprehensive reference covering over 140 years and 650 artists from the Civil War through the entire 20th century, The Illustrator in America includes a biographical sketch on each artist along with a time-line chart that provides the various influences of styles and schools needed to understand the artists and their work. First published in 1964 and revised in 1984, this third edition is now offered in paperback for the first time. Included in this incredible compendium are the works of Winslow Homer, Norman Rockwell, Jessie Wilcox Smith, J.C. Leyendecker, Milton Glase, Chris Van Allsberg and many more.
Author: Angela E. Davis
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773512801
Category : Art and industry
Languages : en
Pages : 220
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Book Description
It is also a history of a type of "work" that was new during this period. The mechanized reproduction of art works in the nineteenth century meant that artists found themselves within an industrial atmosphere similar to that of other workers. This history traces the beginning of that process in England, follows its transference to Canada, and demonstrates how illustrators, engravers, photo-engravers, and lithographers became part of an increasingly commercially oriented industry. It was an industry of major importance in the fields of printing and new forms of advertising, but it was also an industry that led to a change in status for the members of its work force who considered themselves to be artists.
Author: Annabel Friedrichs
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111543978
Category :
Languages : en
Pages : 348
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Book Description
Author: Dan Cupper
Publisher: Stackpole Books
ISBN: 0811729036
Category : Calendar art
Languages : en
Pages : 192
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Book Description
Each year, starting in 1925, the Pennsylvania Railroad (PRR) commissioned a striking oil painting of a PRR engine in a dramatic setting, which was featured on a large wall calendar that the company distributed by the hundreds of thousands to customers and the public. Grif Teller painted 27 of the 33 scenes. This book reproduces Teller's calendar art and his other paintings in full color and recounts his life and career.
Author: Paul H. Mattingly
Publisher: Rowman & Littlefield
ISBN: 1683931955
Category : Art
Languages : en
Pages : 281
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Book Description
An American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production. This book treats the art colony not as a static addendum to an artist’s profile but rather as an essential ingredient in artistic life. The art colony here becomes a historical entity that changes over time and influences the kind of art that ensues. It is a special methodology of the study that collective features of three generation of artists help clarify how artists engage their audiences. Since many of these artists worked within the cultural confines of metropolitan New York and its magazine industry, they cultivated subjects that were recognizable by ordinary citizens. Early on, they drew from the emergent suburban life of their neighbors for their artistic themes. Gradually these contexts become more formally institutionalized and their subjects gravitated away from themes of ordinary life to themes more exotic, expressionistic and fanciful. A key methodology for this study consisted of an analysis of collective biographies of 170 participating artists. The theme of modern art explains here how abstraction was suborned to public images, widening the very meaning of the term modern.
Author: James McNutt
Publisher: University of Oklahoma Press
ISBN: 0806188030
Category : Art
Languages : en
Pages : 354
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Book Description
“For those of us who portray wildlife . . . our decision to persist in our quest for excellence is almost always based on a love affair, a fascination with the creatures of our planet, and a need to share this feeling the best way we know how.” So said wildlife artist Robert Kuhn (1920–2007), who spent a lifetime sketching and painting animals, and generously mentoring other artists. Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the artistic process of one of the greatest wildlife artists of our time. Curator Adam Duncan Harris provides an introduction and a biography of Kuhn, along with an examination of his working method. In addition, Bob Kuhn features four substantive essays by leading authorities on American art: James H. Nottage of the Eiteljorg Museum of American Indians and Western Art, Amy Scott of the Autry National Center, Lisa M. Strong of the Corcoran Gallery of Art, and Todd Wilkinson of Wildlife Art Journal and other publications. These contributions, written from a variety of art historical perspectives, set Kuhn’s oeuvre within the cultural context in which he worked and deepen our understanding of his achievements. Complementing the essays are brief appreciations by six of Kuhn’s contemporaries and three samples of the artist’s own writing. Bob Kuhn: Drawing on Instinct offers a compelling blend of the artist’s finished paintings and finest sketches—works of art in their own right. This lavishly illustrated book is a fitting tribute that will further establish Bob Kuhn’s place in the pantheon of late-twentieth-century American artists.
