The Iconography of Humiliation in New Kingdom Egypt PDF Download
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Author: Mark D. Janzen
Publisher: Taylor & Francis
ISBN: 1040252508
Category : History
Languages : en
Pages : 325
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Book Description
This volume analyzes the iconography of bound foreigners on New Kingdom monuments and artifacts to better understand Egyptian perspectives on foreigners and their treatment of prisoners of war. Depictions of foreign captives in humiliating or torturous poses are ubiquitous in Egyptian iconography and reflect the celebratory nature of royal ideology, in this case by degrading enemies. Egyptologists have scrutinized these scenes for details regarding various military matters, but existing scholarly literature offers few studies focused on enemy captives and the sheer physical brutality of the depictions of their bindings. Janzen examines the bound foreigner motif in New Kingdom sources, demonstrating that these prisoners of war played vital roles in Egyptian ideology and religion. Their depictions in bizarre or torturous poses served to reinforce ideological underpinnings of pharaoh’s right to rule, perpetually ritualizing their defeat and/or punishment through the presence of this iconography on ceremonial objects used primarily by the king and on temple walls and monuments. The subjugation of foreigners also constituted an important economic function, as incorporating prisoners of war into the Egyptian workforce was crucial for economic prosperity and growth in New Kingdom Egypt. The volume also explores cross-cultural and anthropological parallels, placing Egyptian treatment of foreign prisoners in its ancient context. The book provides a fascinating study of the subject suitable for scholars and students of Egyptology and ancient history, particularly that of New Kingdom Egypt, as well as those working on power, warfare, and violence in the ancient world more broadly.
Author: Mark D. Janzen
Publisher: Taylor & Francis
ISBN: 1040252508
Category : History
Languages : en
Pages : 325
Get Book Here
Book Description
This volume analyzes the iconography of bound foreigners on New Kingdom monuments and artifacts to better understand Egyptian perspectives on foreigners and their treatment of prisoners of war. Depictions of foreign captives in humiliating or torturous poses are ubiquitous in Egyptian iconography and reflect the celebratory nature of royal ideology, in this case by degrading enemies. Egyptologists have scrutinized these scenes for details regarding various military matters, but existing scholarly literature offers few studies focused on enemy captives and the sheer physical brutality of the depictions of their bindings. Janzen examines the bound foreigner motif in New Kingdom sources, demonstrating that these prisoners of war played vital roles in Egyptian ideology and religion. Their depictions in bizarre or torturous poses served to reinforce ideological underpinnings of pharaoh’s right to rule, perpetually ritualizing their defeat and/or punishment through the presence of this iconography on ceremonial objects used primarily by the king and on temple walls and monuments. The subjugation of foreigners also constituted an important economic function, as incorporating prisoners of war into the Egyptian workforce was crucial for economic prosperity and growth in New Kingdom Egypt. The volume also explores cross-cultural and anthropological parallels, placing Egyptian treatment of foreign prisoners in its ancient context. The book provides a fascinating study of the subject suitable for scholars and students of Egyptology and ancient history, particularly that of New Kingdom Egypt, as well as those working on power, warfare, and violence in the ancient world more broadly.
Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325095
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325087
Category : Literary Criticism
Languages : en
Pages : 636
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Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Author: Phyllis Saretta
Publisher: Bloomsbury Publishing
ISBN: 1472502140
Category : History
Languages : en
Pages : 328
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Book Description
The ancient Egyptians had very definite views about their neighbours, some positive, some negative. As one would expect, Egyptian perceptions of 'the other' were subject to change over time, especially in response to changing political, social and economic conditions. Thus, as Asiatics became a more familiar part of everyday life in Egypt, and their skills and goods became increasingly important, depictions of them took on more favourable aspects. The investigation by necessity involves a multi-disciplined approach which seeks to combine and synthesize data from a wider variety of sources than drawn upon in earlier studies. By the same token, the book addresses the interests of, and has appeal to, a broad spectrum of scholars and general readers.
Author: Guido Guarducci
Publisher: Oxbow Books
ISBN:
Category : Social Science
Languages : en
Pages : 306
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Book Description
These case studies offer new approaches to the analysis and interpretation of symbols in a variety of media and as expressed on a range of objects at different scales. This third volume in the Material Religion in Antiquity series stems from the First International Congress on the Archaeology of Symbols (ICAS I) that took place in Florence in May 2022. The archaeological process of reconstructing and understanding our past has undergone several reassessments in the last century, producing an equal number of new perspectives and approaches. The recent materiality turn emphasizes the necessity to ground those achievements in order to build fresh avenues of interpretation and reach new boundaries in the study of the human kind and its ecology. Symbols must not be conceived only as allegory but also, and perhaps mainly, as reason (raison d’être) and meaning (culture). They may be considered key elements leading to interpretation, not only in their physical manifestation but by being infused with the gestures, beliefs and intentions of their creators, created in a specific context and with a specific chaîne opératoire. In this volume a variety of case studies is offered, representing disparate ancient cultures in the Mediterranean and central Europe and the Near East. The thread that connects them revolves around the prominence of symbols and allegorical aspects in archaeology, whether they are considered as expressions of iconographic evidence, material culture or ritual ceremonies, seen from a multicultural perspective. This (and subsequent ICAS) volumes, therefore, aims to embrace all the different aspects pertaining to symbols in archaeology in a specific ‘place’, allowing the reader to deepen their knowledge of such a fascinating and multifaceted topic, by looking at it from a multicultural perspective.
Author: Alexandre Loktionov
Publisher: Archaeopress Publishing Ltd
ISBN: 1803275863
Category : History
Languages : en
Pages : 274
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Book Description
How did the Ancient Egyptians maintain control of their state? Topics include the controlling function of temples and theology, state borders, scribal administration, visual representation, patronage, and the Egyptian language itself, with reference to all periods of Egyptian history, from the Old Kingdom to Coptic times.
Author: Peter Feinman
Publisher: Oxbow Books
ISBN: 1789254779
Category : Social Science
Languages : en
Pages : 192
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Book Description
Did the Exodus occur? This question has been asked in biblical scholarship since its origin as a modern science. The desire to resolve the question scientifically was a key component in the funding of archaeological excavations in the nineteenth century. Egyptian archaeologists routinely equated sites with their presumed biblical counterpart. Initially, it was taken for granted that the Exodus had occurred. It was simply a matter of finding the archaeological data to prove it. So far, those results have been for naught. The Exodus: An Egyptian Story takes a very real-world approach to understanding the Exodus. It is not a story of cosmic spectaculars that miraculously or coincidentally occurred when a people prepared to leave Egypt. There are no special effects in the telling of this story. Instead, the story is told with real people in the real world doing what real people do. Peter Feinman does not rely on the biblical text and is not trying to prove that the Bible is true. He places the Exodus within Egyptian history based on the Egyptian archaeological record. It is a story of the rejection of the Egyptian cultural construct and defiance of Ramses II. Egyptologists, not biblical scholars, are the guides to telling the Exodus story. What would you expect Ramses II to say after he had been humiliated? If there is an Egyptian smoking gun for the Exodus, how would you recognize it? To answer these questions requires us to take the Exodus seriously as a major event at the royal level in Egyptian history.
Author: Kara Cooney
Publisher: Disney Electronic Content
ISBN: 1426221975
Category : Biography & Autobiography
Languages : en
Pages : 441
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Book Description
Written in the tradition of historians like Stacy Schiff and Amanda Foreman who find modern lessons in ancient history, this provocative narrative explores the lives of five remarkable pharaohs who ruled Egypt with absolute power, shining a new light on the country's 3,000-year empire and its meaning today.
Author: Tara Prakash
Publisher: Lockwood Press
ISBN: 1948488884
Category : History
Languages : en
Pages : 237
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Book Description
During the Old Kingdom, the ancient Egyptians constructed elaborately decorated mortuary monuments for their pharaohs. By the late Old Kingdom (ca. 2435-2153 BCE), these pyramid complexes began to contain a new and unique type of statue, the so-called prisoner statues. Despite being known to Egyptologists for decades, these statues of kneeling, bound foreign captives have been only partially documented, and questions surrounding their use, treatment, and exact meaning have remained unanswered. Ancient Egyptian Prisoner Statues-the first comprehensive analysis of the prisoner statues-addresses this gap, demonstrating that the Egyptians conceived of and used the prisoner statues differently over time as a response to contemporary social, cultural, and historical changes. In the process, the author contributes new data and interpretations on topics as diverse as the purpose and function of the pyramid complex, the ways in which the Egyptians understood and depicted ethnicity, and the agency of artists in ancient Egypt. Ultimately, this volume provides a fuller understanding of not only the prisoner statues but also the Egyptian late Old Kingdom as a whole.
Author: Serdar Yalcin
Publisher: BRILL
ISBN: 9004524568
Category : History
Languages : en
Pages : 327
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Book Description
Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
