The Hymn Tune Index: Tune census PDF Download
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Author: Nicholas Temperley
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 814
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Book Description
Author: Nicholas Temperley
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 814
Get Book Here
Book Description
Author: Nicholas Temperley
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 608
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Book Description
Author: Nicholas Temperley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 498
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Book Description
This unique reference is the first systematic guide to the history of the English-language hymn tune, as represented in printed sources from the earliest (Coverdale's Goostly Psalmes) to 1820. Using a simple numerical code to represent the first two lines of each melody, the book allows the reader to look up any of nearly 20,000 British and American hymn tunes without advance knowledge of the composer, name, or text. Each entry provides an array of information on the tune's first printing, composer, the texts to which it was sung, and its later history. The work contains a historical introduction; a theoretical introduction; chronological and geographical lists of sources; indexes of tunes by name, composer, text, and metre; and tables of concordances with early German and French tunes.
Author: James Michael Floyd
Publisher: Routledge
ISBN: 1135453721
Category : Music
Languages : en
Pages : 342
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jeremy L. Smith
Publisher: Oxford University Press
ISBN: 0190286032
Category : Music
Languages : en
Pages : 242
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Book Description
In the London of Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. It provides a truly comprehensive study of music publishing and a new way of understanding the place of musical culture in Elizabethan times. In addition, Smith has compiled the first complete chronology of East's music prints, based on both bibliographical and paper-based evidence.
Author: Bennett Zon
Publisher: Routledge
ISBN: 1317092384
Category : Music
Languages : en
Pages : 365
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Book Description
Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.
Author: Kevin C. Karnes
Publisher: Routledge
ISBN: 1351578200
Category : Music
Languages : en
Pages : 148
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Book Description
Although unjustly neglected by modern writers, William Bathe‘s contributions to music pedagogy in late sixteenth-century England were profound. Bathe‘s A Briefe Introduction to the Skill of Song (1596) not only includes the first explication of a four-syllable, non-hexachordal solmization method published by an English writer (a system similar to that which would become the standard in England during the seventeenth century) but also outlines a combinatorial method for composing canons that is remarkably forward-looking in both conception and design. In addition to providing the first modern edition of Bathe‘s treatise, the volume examines the complicated compilation and publication histories of the book, the historical and theoretical foundations of Bathe‘s contributions, and the relationship between the 1596 book and Bathe‘s 1584 treatise A Briefe Introduction to the True Arte of Musicke (the extant text of which is included as an appendix).
Author: Hans J. Hillerbrand
Publisher: Routledge
ISBN: 1135960275
Category : Reference
Languages : en
Pages : 4050
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Book Description
For more information including sample entries, full contents listing, and more, visit the Encyclopedia of Protestantism web site. Routledge is proud to announce the publication of a new major reference work from world-renowned scholar Hans J. Hillerbrand. The Encyclopedia of Protestantism is the definitive reference to the history and beliefs that continue to exert a profound influence on Western thought. Featuring entries written by an international team of specialists and scholars, the encyclopedia traces the course of Protestantism from its beginnings prior to 1517, when Martin Luther nailed his 95 Theses to the door of Wittenberg Cathedral, to the vital and diverse international scene of the present day.
Author: Nicholas Temperley
Publisher: Taylor & Francis
ISBN: 100094767X
Category : History
Languages : en
Pages : 361
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Book Description
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
Author: Fred Kimball Graham
Publisher: Scarecrow Press
ISBN: 9780810849839
Category : Music
Languages : en
Pages : 192
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Book Description
The publication by John Wesley of the "Foundery" Collection (1742) marked the establishment of standards for tunes suited to Methodist hymn singing. Early Methodist hymn books in the United States contained words only, but they were cross-referenced with a leader's tune book, beginning with David's Companion (1808). "With One Heart and One Voice" reviews the trends surrounding the styles of tunes selected and analyzes the changes in shape and text for the most frequently used tunes in the Methodist Episcopal Church. Seventy six "core repertory" tunes are analyzed based upon their repeated appearances in most of the tune books published between 1808 and 1878, at which point Methodists finally obtained a hymnal with both words and music, after a half century of experimentation with tune selection. The conclusions reached in this work will allow scholars, hymnologists, and hymn singers to explore the social and musicological influences on hymn tune writing, how long it took for texts to acquire a "fixed tune," how tastes in hymn tunes change ever so slowly, and how many delightful tunes found in the core repertory of the 19th century have been dropped from today's repertoire.
