The Human Nature of the Singing Voice PDF Download
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Author: Peter T. Harrison
Publisher: Liverpool University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
Offering insight into the understanding of the voice, this book interrelates various aspects of singing, including breathing, emotional expression, the articulation of words and musical interpretation.
Author: Peter T. Harrison
Publisher: Liverpool University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
Offering insight into the understanding of the voice, this book interrelates various aspects of singing, including breathing, emotional expression, the articulation of words and musical interpretation.
Author: Meribeth Bunch Dayme
Publisher: Springer Science & Business Media
ISBN:
Category : Health & Fitness
Languages : en
Pages : 214
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Book Description
The book is designed as a reference text for teachers of singing, singers, choral conductors and organists, speech and voice therapists, laryngologists and other health professionals, psychologists and those in linguistics. It discusses the physiological, psychological, musical and emotional aspects of the voice, particularly as they relate to singing but also to speaking. Important features of this work are the clear illustrations, the broad coverage of the topic and the extensive bibliography. The book provides a greater understanding of how the voice works and the many factors involved in singing as well as an objective discussion of singing without reference to specific techniques. - Publisher.
Author: Mark Van Tongeren
Publisher: National Geographic Books
ISBN: 1949597229
Category : Music
Languages : en
Pages : 0
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Book Description
An indispensable guide to a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West. Overtone Singing is the most comprehensive book ever written on the hidden harmonies of the human voice. Ethnomusicologist and vocalist Mark van Tongeren offers fascinating insights into the timeless and universal aspects of sound and vibration. Grounded in the author’s decade-long study of Asian music, the book draws upon field work, interviews with Eastern and Western musicians, and copious scholarship to present a multidisciplinary vision of sound that runs from global music to the science of acoustics and perception, onward to the philosophical and spiritual dimensions of music. Written in a nontechnical style, this generously illustrated book is an indispensable guide for musicians, listeners, and performers seeking a deeper understanding of the nature of the human voice and its harmonic possibilities from East to West.
Author: Theodore Dimon, Jr
Publisher: North Atlantic Books
ISBN: 158394320X
Category : Music
Languages : en
Pages : 185
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Book Description
In this innovative book, Theodore Dimon, EdD, shows how each part of the vocal organ (breathing, larynx, throat, and so on) works as part of a larger musculoskeletal system that is often interfered with, and how identifying this larger system and understanding in a practical way how it works allows a person to train and improve the voice, whether speaking or singing. Traditional vocal training methods, says Dimon, cannot be effective without restoring the functioning of the musculature that supports the voice. Enhanced with over 50 detailed full-color illustrations, the book discusses the fallacy of traditional breathing exercises and explains that the key to efficient breathing lies in the expansive support of the trunk and rib cage. Investigating the elements needed to produce a strong supported tone, Dimon describes the importance of voice “placement,” or directing the sound to a part of the body in order to produce a fully rounded, resonant tone. He identifies harmful patterns of speech and singing, and offers helpful methods for reestablishing the natural function of the vocal mechanism. Individual chapters cover elements of the whispered “ah,” producing a pure sung tone, vocal registers, the suspensory muscles of the larynx, and more.
Author: Steven J. Mithen
Publisher: Harvard University Press
ISBN: 9780674021921
Category : Music
Languages : en
Pages : 390
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Book Description
An examination of our language instinct. Steven Mithen draws on a huge range of sources, from neurological case studies, through child psychology and the communication systems of non-human primates to the latest paleoarchaeological evidence.
Author: Emma Seiler
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 208
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Book Description
Author: Arthur Robson
Publisher: Read Books Ltd
ISBN: 1473388546
Category : Philosophy
Languages : en
Pages : 263
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Book Description
This book provides a detailed account into human nature and analysis of our emotions and instinctive urges. Contents include: Human Nature, Karma, Natural Piety, Laughter, Joy, The Breath of Life, Love, The Fear of God, Tears and Smiles, Transmutation, Good and Bad Karma, The Greatest Sin of All, Pleasure and Pain and The Time Worn Path.
Author: Jeannie Gagne
Publisher: Hal Leonard Corporation
ISBN: 1476884110
Category : Music
Languages : en
Pages : 273
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Book Description
(Berklee Guide). Connect to your authentic singing voice with this holistic guide to a healthy and expressive singing life. This collection of technical discussions, exercises, and insights will help you improve all aspects of using your voice from healthy sound production to exercises for greater vocal facility to guidance on rehearsing with your band. Interviews with Patty Austin, Ysaye Barnwell, and others lend their perspectives to singing, the mind-body connection, and a natural/wellness focused approach to musicianship. The accompanying online audio supports the practice exercises and approaches to learning new songs.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
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Book Description
Author: Paul Barker
Publisher: Routledge
ISBN: 1351998544
Category : Music
Languages : en
Pages : 298
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Book Description
Composing for Voice: Exploring Voice, Language and Music, Second Edition, elucidates how language and music function together from the perspectives of composers, singers and actors, providing an understanding of the complex functions of the voice pedagogically, musicologically and dramatically. Composing for Voice examines the voice across a wide range of musical genres (including pop, jazz, folk, classical, opera and the musical) and explores the fusion of language and music that is unique to song. This second edition is enlarged to attract a wider readership amongst all music and theatre professionals and educators, whilst also engaging an international audience with the introduction of new co-author Maria Huesca. New to the second edition: A review of the history of singing An overview of the development of melisma A chapter to help performers understand each other, as singers and actors often receive disparate educations Case studies and qualitative research around song, lyric and meaning A discussion of the synthetic voice An introduction to the concept of embodied composition Interviews with composers and singers Summaries of various vocal styles A website with links to performances discussed, as well as related workshops: www.composingforvoice.com Composing for Voice: Exploring Voice, Language and Music, Second Edition, articulates possibilities for the practical exploration of language, music and voice by composers, singers and actors.
